2. The Spirit of the Age (1790-1850) e A sense of a shared vision among the Romantics. e Early support of the French Revolution. e Reflected liberal ideas – rights of man, abolition of slavery, dignity of the working class e Rise of the individual  alienation. e Dehumanization of industrialization.  Radical poetics / politics  an obsession with violent change.

3. Enlightenment Society is good, curbing violent impulses, keep order Civilization corrupts! Romanticism Early 19c A Growing Distrust of Reason e The essence of human experience is subjective and emotional. e Human knowledge is a puny thing compared to other great historical forces. e “Individual rights” are dangerous efforts at selfishness  the community is more important – the individual with rights needs to help support the collective good.

4.  First, there were those who looked back on the past as a romantic period before people were commoditized and nature destroyed.  Second, there was a growing reaction against the Enlightenment, which emphasized science, empirical evidence, and rational thought above all.  Romantics challenged the idea that reason was the one path to truth. The mysteries of life could be uncovered with emotion, imagination, and intuition.  Nature was especially celebrated  Emphasized a life filled with deep feeling & spirituality the virtues to fight the dehumanizing effects of industrialization  Extolled the value of human beings, believed to have infinite, godlike potential.

5. The Romantic Movement e Began in the 1790s and peaked in the 1820s. e Mostly in Northern Europe, especially in Britain and Germany. e A reaction against classicism. e The “Romantic Hero:”  Greatest example was Lord Byron  Tremendously popular among the European reading public.  Youth imitated his haughtiness and rebelliousness.

6. Characteristics of Romanticism The Engaged & Enraged Artist:  The artist apart from society.  The artist as social critic/revolutionary. The Individual/ The Dreamer:  Individuals have unique, endless potential.

7. Characteristics of Romanticism The Supernatural: The romantics rejected materialism in pursuit of spiritual self- awareness. They yearned for the unknown and the unknowable - Ghosts, fairies, witches, demons.

8. Characteristics of Romanticism Glorification of Nature:  Peaceful, restorative qualities [an escape from industrialization and the dehumanization it creates].  Awesome, powerful, horrifying aspects of nature.  Indifferent to the fate of humans.  Overwhelming power of nature.

9. The themes with examples

10. Wandering Above the Sea of Fog Caspar David Friedrich, 1818

11. Lady Macbeth - Henry Fuseli, 1794

13. The Dreamer Gaspar David Friedrich, 1835

14. Solitary Tree Caspar David Friedrich, 1823

16. An Avalanche in the Alps Philip James de Loutherbourg, 1803

17. Shipwreck – Joseph Turner, 1805

18. The Eruption of Vesuvius - John Martin

20. Rain, Steam, and Speed Joseph Mallord William Turner, 1844

21. The Slave Ship Joseph Mallord William Turner, 1842

22. The Slave Ship (details)

24. Flatford Mill – John Constable, 1817

25. The Hay Wain - John Constable, 1821

27. Salisbury Cathedral from the Bishop’s Ground John Constable, 1825

28. Eldena Ruin Gaspar David Friedrich, 1825

29. British Houses of Parliament 1840-1865

31. Mad Woman With a Mania of Envy Theodore Gericault, 1822-1823

32. Stonehenge - John Constable, 1836

33. Nightmare (The Incubus) Henry Fuseli, 1781

34. Saturn Devours His Son Francisco Goya, 1819-1823

36. Liberty Leading the People Eug è ne Delacroix, 1830

37. Napoleon at the St. Bernard Pass David, 1803

38. The Shooting of May 3, 1808 Francisco Goya, 1815

40. The Sultan of Morocco and His Entourage Eug è ne Delacroix, 1845

41. Women of Algiers in Their Apartment Eug è ne Delacroix, 1834

42. The Turkish Bath Jean Auguste Ingres, 1852-1863

44. God as the Architect - William Blake, 1794

45. The Seventh Plague of Egypt John Martin, 1823

46. The Great Age of the Novel Jane Eyre - Charlotte Bronte (1847) Wuthering Heights - Emily Bronte (1847) Ivanhoe - Sir Walter Scott (1819) Les Miserables - Victor Hugo (1862) The Three Musketeers – Alexander Dumas (1844) Frankenstein - Mary Shelley (1817) Dracula – Bramm Stoker (1897) Hugh Trevar - Thomas Holcroft (1794)

47. Other Romantic Writers Jacob and Wilhelm Grimm - Grimm’s Fairy Tales (1814-1816) Johann Wolfgang von Goethe - Faust (1806-1832)

48. The Romantic Poets  Percy Byssche Shelley  Lord Byron (George Gordon)  Samuel Taylor Coleridge  William Wordsworth  John Keats  William Blake

49. The Political Implications e Romanticism could reinforce the greatest themes of political liberalism or political conservatism. e Contributed to growing nationalist movements.  The concepts of the Volk and the Volkgeist.  The uniqueness of cultures was emphasized.

50.  Culture was no longer just aesthetic but also a means by which political views could be expressed and artists could take risks  Art was no longer just a reflection of society but also served as an agent for change in society.

51. The Romantic movement found a home in Germany…German nationalism, or Volkgeist, celebrated the accomplishments of early Germans. This helped to re-enforce a feeling of German Nationalism.

53. Over time, Romanticism merged with Nationalism…

54. And most of these “nationalists” were young men, students, searching for a better world and wanting to make a difference.

55. An example - Gericault’s painting, Raft of the Medusa, 1819 depicted a group of passengers who were left on a raft by the crew of a sinking ship. This Romantic painting was meant to depict the government deserting the needs of the people. But the people will prevail

56. Bibliographic Sources   CGFA: A Virtual Art Museum. http://cgfa.sunsite.dk/fineart.htmhttp://cgfa.sunsite.dk/fineart.htm  “Romanticism” on Artchive. http://artchive.com/artchive/romanticism.htmlhttp://artchive.com/artchive/romanticism.html