1. Questions for the Director

2. How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach?

3. Questions for the Director How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? What level of rehearsal props and furniture does the director expect and at what point? What level of rehearsal props and furniture does the director expect and at what point?

4. Questions for the Director How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? What level of rehearsal props and furniture does the director expect and at what point? What level of rehearsal props and furniture does the director expect and at what point? Does the director want strict blocking kept from the outset or will there be a period of improvisation? Does the director want strict blocking kept from the outset or will there be a period of improvisation?

5. Questions for the Director How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? What level of rehearsal props and furniture does the director expect and at what point? What level of rehearsal props and furniture does the director expect and at what point? Does the director want strict blocking kept from the outset or will there be a period of improvisation? Does the director want strict blocking kept from the outset or will there be a period of improvisation? How does the director want breaks called – five minutes an hour, or ten minutes every hour and a half? Does the director wish you to call a reminder ten or fifteen minutes before the scheduled break? How does the director want breaks called – five minutes an hour, or ten minutes every hour and a half? Does the director wish you to call a reminder ten or fifteen minutes before the scheduled break?

6. Questions for the Director How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? What level of rehearsal props and furniture does the director expect and at what point? What level of rehearsal props and furniture does the director expect and at what point? Does the director want strict blocking kept from the outset or will there be a period of improvisation? Does the director want strict blocking kept from the outset or will there be a period of improvisation? How does the director want breaks called – five minutes an hour, or ten minutes every hour and a half? Does the director wish you to call a reminder ten or fifteen minutes before the scheduled break? How does the director want breaks called – five minutes an hour, or ten minutes every hour and a half? Does the director wish you to call a reminder ten or fifteen minutes before the scheduled break? What policy would the director like to establish regarding visitors at rehearsals? What policy would the director like to establish regarding visitors at rehearsals?

7. Questions for the Director How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act?

8. Questions for the Director How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along?

9. Questions for the Director How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director?

10. Questions for the Director How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director? How much discussion and leeway does the director want to allow before you prod him/her to move on and stick to the scheduled work for the day? This is a delicate and very important point that should be agreed upon in advance. There should be no sign of disagreement between the director and stage manager in front of the cast. How much discussion and leeway does the director want to allow before you prod him/her to move on and stick to the scheduled work for the day? This is a delicate and very important point that should be agreed upon in advance. There should be no sign of disagreement between the director and stage manager in front of the cast.

11. Questions for the Director Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for-word or allow them to paraphrase at first if the scene is moving along? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director? How much discussion and leeway does the director want to allow before you prod him/her to move on and stick to the scheduled work for the day? This is a delicate and very important point that should be agreed upon in advance. There should be no sign of disagreement between the director and stage manager in front of the cast. How much discussion and leeway does the director want to allow before you prod him/her to move on and stick to the scheduled work for the day? This is a delicate and very important point that should be agreed upon in advance. There should be no sign of disagreement between the director and stage manager in front of the cast. Establish a time when the two of you can talk privately each day so you continue working on the same wavelength while not having to discuss questions or problems during rehearsal periods. Establish a time when the two of you can talk privately each day so you continue working on the same wavelength while not having to discuss questions or problems during rehearsal periods.

12. Questions for the Director How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? How long will table work last? How soon does the director expect to start blocking? Does he/she want you to call places and formally begin each rehearsal and scene or would he/she prefer an informal approach? What level of rehearsal props and furniture does the director expect and at what point? What level of rehearsal props and furniture does the director expect and at what point? Does the director want strict blocking kept from the outset or will there be a period of improvisation? Does the director want strict blocking kept from the outset or will there be a period of improvisation? How does the director want breaks called – five minutes an hour, or ten minutes every hour and a half? Does the director wish you to call a reminder ten or fifteen minutes before the scheduled break? How does the director want breaks called – five minutes an hour, or ten minutes every hour and a half? Does the director wish you to call a reminder ten or fifteen minutes before the scheduled break? What policy would the director like to establish regarding visitors at rehearsals? What policy would the director like to establish regarding visitors at rehearsals? How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? How would he/she like to structure the basic rehearsal schedule and how should you break up the script – by scene, page number, act? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for- word or allow them to paraphrase at first if the scene is moving along? Does the director have any preferences regarding prompting actors with their lines? How soon does he/she want actors “off-book”? Should you correct them word-for- word or allow them to paraphrase at first if the scene is moving along? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director? How are rewrites to be handled, e.g., passed out and read through outside rehearsals or held to be distributed all at once by the director? How much discussion and leeway does the director want to allow before you prod him/her to move on and stick to the scheduled work for the day? This is a delicate and very important point that should be agreed upon in advance. There should be no sign of disagreement between the director and stage manager in front of the cast. How much discussion and leeway does the director want to allow before you prod him/her to move on and stick to the scheduled work for the day? This is a delicate and very important point that should be agreed upon in advance. There should be no sign of disagreement between the director and stage manager in front of the cast. Establish a time when the two of you can talk privately each day so you continue working on the same wavelength while not having to discuss questions or problems during rehearsal periods. Establish a time when the two of you can talk privately each day so you continue working on the same wavelength while not having to discuss questions or problems during rehearsal periods.