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Published byRodger Dorsey Modified over 9 years ago
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The Gothic Cathedral, Dante’s Divine Comedy and Gothic Music
Sacred Geometry The Gothic Cathedral, Dante’s Divine Comedy and Gothic Music
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God the Geometer The Geometry of the Cosmos
Numbers and Christian Symbolism The School of Chartres and Plato’s Timaeus
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The Age of Synthesis Scholasticism The Interconnectedness of Life
Divine Plan Social Order Church Order Vision Observable Hidden Symbolic
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Abbot Suger and St. Denis
“[t]he entire sanctuary is thus pervaded by a wonderful and continuous light entering through the most sacred windows....The work which nobly shines makes our minds shine so that they may go through the true lights to the true light, where Christ is the true door.” The new architecture Ribbed groin vaults Flying Buttresses Pointed arches Arcade above the nave and choir colonnades The introduction of stained glass, “garnished with all manner of precious stones” (Revelation 21:19).
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The Cathedral of Notre Dame at Chartres
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Architectural format Based on Plan developed during Romanesque.
Choir has been lengthened. Transept has been shortened. Uniform geometrical system applied to plan and elevation.
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External Modifications
Notre Dame in Paris
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Interior Modifications
Pointed Arch Rib vaults Arcade above nave
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Chartres Cathedral West Facade
Application of the Golden Mean to the façade as a whole. Tripartite division: tower and doors. Tripartite division: doors, lancets and rose window. Three doors and three lancets with larger central door/window.
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Chartres Cathedral “Royal Portal”
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Central Portal: Last Judgment
Observer leaves physical world behind Visionary image of Christ in mandorla Four symbols of the Evangelists 12 Disciples with Enoch and Elias
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North Portal Ascension or Christ Before Creation
Labors of the Month (Harvesting and Pruning the Vine) and Signs of the Zodiac (Cancer and Aries)
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South Portal Portal of the Virgin Tympanum and Lintel
New prominence of the Virgin Mary as emblem of purity Tympanum and Lintel Virgin Enthroned Presentation of Jesus in the Temple Annunciation, Visitation and Nativity Shepherd and tension between Man as corrupt and goodness of Creation
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South Portal, Voussoirs
Seven Liberal Arts as women on the outside. Bearded men as philosophers associated with each Pythagors and Music; Donatus and Grammar Dependence of secular learning on divine wisdom Important enough to be included in theological image
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Frieze of Capitals Life of Jesus Entry into Jerusalem Betrayal
Entombment
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Chartres Interior Views
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Chartres, additional interior views
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West end windows from the interior
Symbolism of the Rose Circles and numbers Pointing toward the Holy
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West Portal Lancet Windows
Tree of Jesse: Christ’s predecessors Incarnation Window Passion Window
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Chartres, Stained Glass, west lancet windows
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Detail of Passion Window
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“La Belle Vierge” Contemporary with west lancets
Mary enthroned in heaven
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Good Samaritan Window and Creation of Adam and Eve
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Window donors (bakers), Signs of Zodiac, 3 Kings from Incarnation Window
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Chartres Cathedral, Labyrinth
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Gregorian Chant Neumes for the Kyrie Eleison
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Notre Dame Organum: Gaudie Maria virgo
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Dante degli Alighieri, 1265-1321
Florentine poet Explored theme of Love in poets to Beatrice Exiled from Florence in 1301 and never returned Composed the Divine Comedy, an epic poem, in Tuscan Italian elevating the latter as an important language and the former as the standard
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Formal Structure of the Divine Comedy
Three canticas of 33 cantos each plus an additional introductory canto for the first cantica Composed in terza rima, 3-line verses, each line 11 syllables long with a rhyme scheme, ABA BCB CDC that ties the verses to each other and compels forward movement.
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Content Structure of the Divine Comedy
Epic journey from Inferno to Purgatorio and finally Paradiso Inferno consists of 9 circles in which each condemned receives appropriate torture. Purgatorio with 7 terraces each associated with one of the deadly sins. Paradiso comprised of nine spheres of Heaven. Begins his journey on Holy Thursday 1300 guided by Vergil, author of the Aeneid Enters Paradiso with the help of Beatrice
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Dante holding a copy of his Divine Comedy in a painting by Michelini
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Botticelli’s rendering of the Inferno
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Diagram of Dante’s Inferno
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Dante’s Cosmology
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