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Chapter 12 – Rome in the East The Art of Byzantium © Kevan Nitzberg
AP Art History Chapter 12 – Rome in the East The Art of Byzantium © Kevan Nitzberg
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Chronology Early Byzantine: 527-725 Justinian – r. 527-565
Nika riots in Constantinople – 532 Belasarius captures Ravenna – 539 Heraclius defeats Persians – 627 Arabs besiege Constantinople – Iconoclasm: Leo III prohibits image making – 726 Ravenna falls to the Lombards – 751 Middle Byzantine: Restoration of images – 843 Basil I – r (founder of Macedonian Dynasty) Basil II – r (revival of Byzantine power) Schism between Byzantine and Roman churches – 1054 Norman conquest of Sicily – Seljuk Turks capture Byzantine Asia Minor – 1073 First Crusade – Fourth Crusade and the Frankish Conquest – Late Byzantine: Michael VIII Palaeologus recaptures Constantinople from the Franks – 1261 Ottonian Turks capture Constantinople, end of Byzantine Empire
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Map of Europe and the Byzantine Empire – ca. 1000
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Justinian as world conqueror – mid 6th century
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Detail of Justinian and beardless Christ
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St. Michael the Archangel, right leaf of a diptych – early 6th century
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Anthemius of Tralles and Isidsorus of Miletus: Hagia Sophia
Constantinople (Istanbul), Turkey –
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Alternate view of Hagia Sophia from the south
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Interior view of Hagia Sophia
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Interior view of Hagia Sophia facing southwest
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Longitudinal section and plan of Hagia Sophia
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San Vitale Ravenna, Italy –
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Alternate view of San Vitale
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Plan of San Vitale
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Interior of San Vitale – view from the apse to the choir
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Choir and apse of San Vitale
with mosaic of Christ between two angels, St. Vitalis and Bishop Ecclesius Ravenna, Italy –
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Justinian, Bishop Maximianus and attendants,
mosaic from the north wall of the apse San Vitale Ravenna, Italy – ca. 547
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Theodora and attendants, mosaic from the south wall of the apse
San Vitale Ravenna, Italy – ca. 547
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Saint Apollinaris amid sheep, apse mosaic – Sant’Apollinaris in Classe
Ravenna, Italy – ca
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Alternate view of apse mosaic from Sant’Apollinaris in Classe
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Transfiguration of Jesus – apse mosaic
Church of the Virgin, monastery of St. Catherine Mount Sinai, Egypt – ca
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Ascension of Christ, folio 13 verso of the Rabbula Gospels
Zagba, Syria - 586
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Virgin (Theotokos) and Child between Saints Theodore and George
Monastery of St. Catherine – 6th or early 7th century
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Virgin (Theotokotos) and Child enthroned – apse mosaic
Hagia, Sophia, Constantinople, Turkey Dedicated 867
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Monastery churches at Hosios Loukas, Greece
Katholikon (left): 1st quarter of the 11th century / Church of the Theotokos 2nd half of the 10th century
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Plans of the Church of the Theotokos (top)
And Katholikon (bottom)
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Interior of Katholikon (view facing east)
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Dome mosaic in the Church of the Dormition
Christ as Pantokrater Dome mosaic in the Church of the Dormition Daphni, Greece – ca
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Crucifixion mosaic in the Church of the Dormition
Daphni, Greece – ca
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Interior of St. Mark’s (view facing east)
Venice, Italy – begun 1063
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Exterior view of St. Mark’s
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Pantokrator, Theotokos and Child, angels and saints
apse mosaic in the cathedral at Monreale, Italy – ca
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Empress Irene, detail of the Pula D’Oro, St. Mark’s
Venice, Italy – ca. 1105
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Christ enthroned with saints (Harbaville Triptych)
ca. 950
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Lamentation over the Dead Christ wall painting
Saint Pantaleimon, Nerezi, Macedonia
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David composing the Psalms, folio of the Paris Psalter
ca
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Virgin (Theotokos), and Child, icon (Vladmir Virgin)
late 11th – early 12th century
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Church of Saint Catherine Thessaloniki, Greece – ca. 1280
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Anastasis, apse fresco in the parekklesion of Christ in Chora
Constantinople (Istanbul), Turkey – ca
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Christ as Savior of Souls, icon from the church of Saint Clement
Ohrid, Macedonia – early 14th century
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Annunciation, reverse of two sided icon from church of Saint Clement
Ohrid, Macedonia – early 14th century
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Andrei Rublyev: Three angels (Old Testament Trinity)
ca. 1410
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Large sakkos of Photius
ca. 1417
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Comparison Section
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Compare the image of Empress Irene from the Pala d’Oro with the mosaic of
Theodora from San Vitale. What charcteristics identify them both as Byzantine? Theodora from San Vitale (Fig ) Empress Irene (Fig )
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What stylistic features of the Annunciation from Ohrid, Macedonia link the image to the
Byzantine style as seen in the fresco from the chapel of the Church of Christ in Chora in Istanbul (Anastasis)? Anastasis (Fig ) Annunciation (Fig )
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Rublyev’s Old Testament
Compare the scenes from the Paris Psalter and Rublyev’s Old Testament Trinity with the classical painting from the Ixion Room in Pompeii. What similarities and what differences do you see? Note the way the space is depicted and the way the figures are modeled. What features of the Paris Psalter show the influence of classical painting? Paris Psalter (Fig ) Rublyev’s Old Testament Trinity (Fig ) Ixion Room in Pompeii (Fig )
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