3. Helps with major business decisions, assists with the creative process, promotes an artist's career, assembles & heads the artist's professional team, etc. Union Representative Promoter Agent Manager

4. The person involved almost exclusively in booking live personal appearances A&R Producer Promoter Agent

5. A&R, Sales, Marketing, Promotion, Product Management, New Media, Finance, Business Affairs/Legal Venue Record Studio Union Record Company

6. Networks that move records from manufacturing plants into the stores Record Company Retail Manufacturing Distribution

7. Record companies and recording artists, as well as the writers and publishers, all make money based on the sale of recordings, as well as through later playing and reuse of their work. Earnings Salary Fees Royalties

8. Bringing the creative product into a tangible form (i.e. CD) by maximizing the creative process and taking care of all necessary administration (booking studio time, staying on budget, etc.). Manager Agent Promoter Producer

9. A form of property ownership for certain types of artistic & creative works. Publishing Fees Royalties Copyright

10. Encourage new material, produce demo recordings and printed music (scores), manage all associated copyright and royalty licensing/PRS requirements. Union Representative Agent Promoter Publisher

11. Grants permissions to work with, study, improve upon, reinterpret, re-record copyright material (e.g. recording someone else’s song). Example: NOW! CD PPL PRS MCPS

12. A musician who contributes to a recording or a live performance but is not actually a full time member of the band. Band Musician Full-time Musician Orchestra Musician Session Musician

13. Agencies that collect royalties on behalf of songwriters when a song they have written is performed PPL MCPS PRS

14. Who prepares & transfers audio from one raw format to a desired mater format and refines the sound quality Producer Sound Engineer Recording Engineer Mastering Engineer

16. Organisation founded & funded by organisations that serves as their ‘voice’ Organised group of workers to pursue policies that are favourable for the workers MU Equity BECTU (Union) Broadcasting & film Musicians’ Union Trade Body (Association) Union (Union) Actors, dancers, backstage, choreographers, directors Link the definition to the correct answer

17. Trade body for those involved in the PRODUCTION of recorded music (producers, engineers) Trade body for those involved in the AUDIO industry (audio engineer, recording studio) Trade body for those who supply LIGHTING and SOUND technologies They lobby (put pressure) the government for policies that will protect their industry Will represent a performer in case of a dispute over a contract or unfair dismissal Union PLASA MPG APRS Trade Body Continued…

19. What are the two major sources of income for a music publisher?

20. Which department of the record label works to get an artist's song played on radio?

21. A company with major networks that move physical records from manufacturing plants into the store

22. Who collects royalties for the writer/composer?

23. What is the main advantage to signing a record deal with a major label?

24. Which department of the record label handles advertising, publicity, and album- cover artwork?

25. Who collects royalties for the recording artist?

27. What is the benefit of self-producing?

28. How do music artists make money?

29. Who pays for the PPL and PRS for Music?

30. List 3 things Marketing do…

31. List 3 things Production do…

32. List 1 thing Distribution does…

33. List examples of New Media…

34. Sales are in the area of…

35. Describe Major Recording Companies

36. Describe Independent Recording Companies

38. Oversee the recording of an artist Choose the music & organise rehearsals Choose suitable microphones Carry/ transport equipment to event Fix broken string Instrumental support Sound Engineer Producer Musical Director Roadie Link Description to Person

39. Organise tour dates & shows Check Health & Safety Schedule times in studio Publicise a concert Gather prices for advertisements Marketing Studio Management Artistic Management Venue Management Promoter More…

40. Scouting for new talent Complete the audio mastering Create sequencer & apps Sells CDs Self-employed musician Freelance Software Engineer A&R Mastering Engineer Retail And more…

42. BAD EXAMPLE: Explain why it is important that Health & Safety check a venue Don’t use words such as ‘everything’ or ‘things’ and explain what you mean (‘because’…) by giving examples (‘by’…)

43. GOOD EXAMPLE: Explain why it is important that Health & Safety check a venue BY (how) ensuring that electrical equipment is safe; that there is clean water available and toilets are hygienic; that obstacles are will let and taped; there is crowd control; security at gates. This is BECAUSE (why) H&S protects the health, safety and welfare of the general public, the employees of the venue and the performers. They operate alongside civil law, which means that if not done properly the venue management could be sued.

44. IMPLICATION: ‘The conclusion that can be drawn from something’ You must DRAW CONCLUSIONS from the statement/question that is given. = What would happen if? : ‘Discuss the implications of Vocalise buying into a tour.’ = ‘What would happen if Vocalise bought into a tour.’

46. DEFINE: Vocalise is a local choir. Buying into a tour is when a musician or band pays a fee in exchange for being the opening act on a tour PROS: - buying an audience & greater exposure for Vocalise - the tour is organised already: no need to contact venues managers or promoters. - quicker way to access larger venues for Vocalise CONS: - will be very expensive and Vocalise could make a loss - the audience is not targeted specifically for Vocalise, and therefore the tour may not be successful - without prior experience the singers may not be ready for such a large venue. CONCLUSION: Whilst buying into a tour seems like an easy option for Vocalise to gain exposure, the cost could be prohibitive and it may not benefit the choir as the tour will not be catered to their music. Therefore, it would be better for Vocalise not to buy into a tour, and instead gain experience by performing in local venues, gradually working their way up the music industry.

47. Do the same as implications: DEFINE TERMS (very briefly) PROS (good) CONS (bad) YOUR CONCLUSION (therefore)