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Published byEdgar Jenkins Modified over 9 years ago
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Quantitative Analysis of Phrasing Strategies in Expressive Performance: Authors: Eric Cheng and Elaine Chew Year: 2008 Presentation by: Elvira Burdiel Galende ELEM021, Queen Mary University 19 March 2012 Computational Methods and Analysis of Performances of Unaccompanied Bach for Solo Violin
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Introduction 1/2 Goal – Quantitative analysis of phrasing strategies of expressive performance in violin. Andante movement from Bach’s Sonata No.2 in A minor BWV 1003 for solo violin Regular pulse Unambiguous phrase structure 11 recorded performances + average Unlimited musician freedom on expressive performance?
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Introduction 2/2 Look for indicator of phrasing strategy: Tempo extraction Loudness/dynamics extraction Analysis of phrasing strategies via LMPD method Phrase strength - clarity Phrase volatility – variability of strength Phrase typicality – uniqueness of strategy
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Tempo extraction Violin: soft indetermined onsets No reliable and accurate automatic beat tracking tool Manual onset detection using a digital waveform editor. Tempo = inverse of inter-onset interval Rectangular smoothing window
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Dynamics extraction Use two existing models: 1- Single-band Leq (RLB) model 2- Multiband PEAQ loudness model Sample loudness at onsets Smooth by Gaussian window Test models with manual annotation Correlation higher on 2 -> method chosen
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Extracted data Global means and ranges Section means and ranges 4 sections: A A’ B B’ Phrase means and ranges
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Extracted data - global
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Extract data – Section means
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Extract data – Section ranges
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Extract data – Phrase means
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Extract data – Phrase
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Data extraction - Phrasing Loudness -> more consistent
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LMPD Method Local maximum on loudness per phrase Phrase strength (clarity) Difference between max and adjacent mins Phrase volatility Standard deviation of strength over performance Phrase typicality (uniqueness) Popularity of location of max
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LMPD results 1/2
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LMPD results 2/2
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LMPD Conclusions Finite number of local maxima counts Phrase strength and volatility relates to listening perception Typicality (uniqueness) vs greatness of performance
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General conclusions Significant differences between tempo and dynamics consistency with phrasing strategy Different constraints of tempo and dynamics, different perceptions Dynamics more consistent in this analysis, opposite on other studies Cultural constructs
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