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CHARACTER DTC 354 DIGITAL STORYTELLING R. GOODRICH
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DESIRE All characters desire something: moving toward the desire pushes the story forward Deep desire—abstract love, comfort, power Physical manifestation—concrete sends roses, cries, takes over a company
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Character can be conveyed directly: image voice action thought Or indirectly: interpretation by the author “Sobs erupted from her throat when she saw her midterm grade.” “She felt deeply sad when she saw her midterm grade.”
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IMAGE clothing accessories hair skin color size what else?
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VOICE How does a character speak? pitch pace inflection accent What words do they choose?
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ACTION = DISCOVERY AND DECISION “Any significant discovery forces change in condition, relationships, activity, or all three.” “The quickest and best way to know someone is to see that person make a significant decision. At the instant that character makes a choice, he changes from one state to another; his significant relationships alter, and usually he must follow a new line of action.”
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THOUGHT In a visual medium we must mostly infer a character’s thoughts. A character may tell us what they are thinking, but often that’s awkward and obvious. Show, don’t tell.
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