1. Midterm Review: Gothic to Mannerism
ART HISTORY 2051
Midterm Review:
Gothic to Mannerism

2. Midterm: Review Gothic (c. 1300 AD) principal artists: Cimabue Duccio
Giotto

7. Midterm: Review Early Renaissance (c. 1425-1485) sculpture
comparison between Donatello & Ghiberti
comparison between early & late Donatello

10. Midterm: Review Early Renaissance Early Renaissance painting:
Masaccio - c. 1425
Fra Angelico
Domenico - c. 1450
Francesca - c. 1450
Uccello - c. 1450
Castagno - c. 1450
Mantegna - c. 1450
Early Renaissance
painting: (cont.)
Perugino - c. 1475
Bellini - c. 1475
Botticelli - c. 1475
di Cosimo - c. 1475

24. Midterm: Review High Renaissance (c. 1485-1520) sculpture Michelangelo
Donatello vs. Michelangelo’s David
Classicizing vs. Hellenistic tendencies
Classicizing vs. Mannerist tendencies

28. Midterm: Review High Renaissance (c. 1500) painting: Leonardo
Michelangelo
Raphael

38. Midterm: Review Venetian Renaissance (c. 1525-50) painting: Giorgione
Titian
themes:
religious
reclining nude (re: Giorgione)
mythological/Humanist
compositions: dynamic
application of paint: painterly

46. Midterm: Review Mannerism (c. 1525-1600) principal artists:
Fiorentino - c. 1525
Pontormo - c
Corregio - c. 1525
Bronzino - c. 1550
Tintoretto - c. 1575
El Greco - c. 1600

54. IMAGE INDEX
Slide 3: (Left) CIMABUE’s Madonna Enthroned (c AD); and (right) Late Byzantine Madonna Enthroned (late 13th century AD).
Slide 4: DUCCIO. Madonna Enthroned, (c AD).
Slide 5: GIOTTO. Madonna Enthroned (c AD).
Slide 6: GIOTTO. The Lamentation (c AD).
Slide 8: (Left) DONATELLO’s St. Mark (c. 1400); and (right) GHIBERTI’s St. John the Baptist (1400).
Slide 9: (Left) DONATELLO’s David (c. 1425); and (right) DONATELLO’s Mary Magdalen (c ).

55. IMAGE INDEX Slide 11: MASACCIO. The Holy Trinity (c. 1425).
Slide 12: MASACCIO. The Tribute Money (c. 1425), in the Brancacci Chapel.
Slide 13: MASACCIO. Madonna Enthroned (c. 1425).
Slide 14: FRA ANGELICO. Descent from the Cross (c ).
Slide 15: DOMENICO. Madonna and Child with Saints (c. 1450).
Slide 16: FRANCESCA. The Resurrection (c. 1450).
Slide 17: UCCELLO. Battle of San Romano (c. 1450).

56. IMAGE INDEX Slide 18: CASTAGNO. The Last Supper (c. 1450).
Slide 19: MANTEGNA. St. Sebestain (c. 1450).
Slide 20: PERUGINO. Delivery of the Keys (c. 1475).
Slide 21: BELLINI. St. Francis in Ecstasy (c. 1475).
Slide 22: BOTTICELLI. The Birth of Venus (c. 1475).
Slide 23: DI COSIMO. Discovery of Honey (c. 1500).
Slide 25: (Left) MICHELANGELO’s David (c. 1500); and (right) DONATELLO’s David (c. 1425).
Slide 26: (Left) MICHELANGELO’s classicizing styled David (c. 1500); and (right) Hellenistic tendencies in The Rebellious Slave (c. 1515).

57. IMAGE INDEX
Slide 27: (Left) MICHELANGELO’s classicizing tendencies in Pieta (c. 1500); and (right) Mannerist tendencies in Pieta (c. 1550).
Slide 29: LEONARDO. The Last Supper (c.1500).
Slide 30: LEONARDO. Mona Lisa (c. 1500).
Slide 31: Detail of MICHELANGELO’s Creation of Adam (c. 1500).
Slide 32: MICHELANGELO. Fall of Man (c. 1500).
Slide 33: MICHELANGELO. The Last Judgment (c ).
Slide 34: RAPHAEL. Marriage of the Virgin (c. 1500).

58. IMAGE INDEX Slide 35: RAPHAEL. Madonna of the Meadow (c. 1500).
Slide 36: RAPHAEL. The School of Athens (c. 1500).
Slide 37: RAPHAEL. Transfiguration of Christ (c ).
Slide 39: GIORGIONE. Sleeping Venus (c. 1500),
Slide 40: TITIAN. Assumption of the Virgin (c. 1525).
Slide 41: TITIAN. Madonna of the House of Pesaro (c ).
Slide 42: TITIAN. Bacchanal (c. 1525).

59. IMAGE INDEX Slide 43: TITIAN. The Venus of Urbino (c. 1550).
Slide 44: TITIAN. Pope Paul III and His Grandsons (c. 1550).
Slide 45: TITIAN. Christ Crowned with Thorns (c ).
Slide 47: (Left) FIORENTINO’s Descent from the Cross (c. 1525); and (right) PONTORMO’s Descent from the Cross (c. 1525).
Slide 48: CORREGGIO. Assumption of the Virgin (c ).
Slide 49: PARMIGIANINO. Madonna with the Long Neck (c. 1525).

60. IMAGE INDEX
Slide 50: (Left) TINTORETTO’s Last Supper (c. 1600); and (right) LEONARDO’s Last Supper (c ).
Slide 51: EL GRECO. Burial of Count Orgaz (c. 1600).
Slide 52: (Left) TITIAN’s Man with Gloves (c. 1525); and EL GRECO’s Portrait of a Cardinal (c ).
Slide 53: EL GRECO. View of Toledo (c. 1600).