1. Island to Mainland Toward a Pan-European Style

2. Fragmentary Remains Sumer canon [Anthology 1-35] – Rota – Pes (foot), Ground – Tertian harmonies

3. Fragmentary Remains Thomas gemma catuariae/ Thomas caesus in Doveria [Anthology 1-36] – Twin-song texture – Variations over a pes Worcester Fragments (13 th century)

4. Kings and the Fortunes of War 100 Years War 1420s–early 1430: English occupation of Northern France Duke of Bedford: effective ruler of France from 1422–1435 John Dunstable (ca. 1390–1453): “musician with the Duke of Bedford”

5. Dunstable and the “Contenance Angloise” The English Guise Dunstable, Quam pulchra es [Anthology 1-37] – Cantilena motet – Full triadic harmony – Smooth handling of dissonance – Natural declamation – Homorhythmic texture Faburden

6. Du Fay and Fauxbourdon Du Fay, Vos qui estis me – Communion antiphon – Chant in the cantus – Octaves and sixths – Third part created by singing a fourth down from the top voice: Fauxbourdon

7. Du Fay and Binchois Du Fay, Ave maris stella [Anthology 1-38] – Fauxbourdon – Chanson-style Gilles de Bins (Binchois), Deuil angoisseux [Anthology 1-39]

8. The Internationalism of the Upper Crust “Elite” music Johannes Tinctoris (ca. 1435–1511) – Dozen treatises on music theory Chigi Codex (1498)

9. The Internationalism of the Upper Crust Johannes Ockeghem (ca. 1435–1511) Busnoys (Bunois)

10. Emulations Compositional lineages Ockeghem, Deploration on the Death of Binchois (1460) – In honor of Binchois Busnoys, In hydraulis – Praise of Ockeghem Ockeghem, Ut heremita solus – Compliment of Busnoys

11. The Cyclic Mass Mass Ordinary

12. Caput Masses Cyclic Mass Melisma on “caput” from the antiphon Venit ad Petrum Anon. Missa Caput (CA. 1440) [Anthology 1- 40] – Four-voice texture: superius, altus, tenor, bassus – Possibly composed by Dunstable

13. Patterns of Emulation Ockheghem’s Missa Caput [Anthology 1-41] Obrecht, Missa Caput

14. The Man at Arms L’Homme armé song [Anthology 1-42a] – Composed after 1454 – A favorite of Charles the Bold Over 40 cyclic masses based on this tune Busnoys, Missa L’Homme armé [Anthology 1-42b]

15. “Pervading Imitation” Points of imitation – Tenor tacet sections – Points correspond to portions of text – Each point comes to a full cadential close

16. High, Middle, and Low Tinctoris, Three musical styles – magnus The mass – mediocris The motet – parvus The vernacular chanson

17. The Marian Motet Paraphrase Cantilena style Philippe Basiron, Salve Regina [Anthology 1-43] Eton Choir Book

18. Motetti missales Milan 1470s Sforza Family Substitute motets for the mass Gaspar van Weerbeke (ca. 1445–1516) – Ave Maria [Anthology 1-44]

19. Love Songs Chanson Parvus, Tinctoris bergerette Ockeghem, Ma bouche rit et ma pensee pleure [Anthology 1-45]

20. Instrumental Music Is Printed Instrumental arrangements of chansons Heinrich Isaac (ca. 1450–1517) Martini, Josquin, Alexander Agricola (ca. 1455–1506) Otaviano Petrucci, Odhecaton (1501) Johannes Ghiselin, La Alfonsia [Anthology 1-46]