1. The Modern Period in American Literature 1915-1945

2. Modernism
In order to fully understand Modernism, one must be a Historian Philosopher Literary Critic Artist Isn’t that fun?

3. Many historians argue that America’s cultural coming of age occurs during this time. The artistic innovations of Modernism are viewed as a response to dramatic historical, cultural, and economic events.

4. Value Differences in the Modern World
Pre-Modern World
Modern World
Ordered
Chaotic
Meaningful
Futile
Optimistic
Pessimistic
Stable
Fluctuating
Faith
Loss of faith
Morality/Values
Collapse of Morality/Values
Clear Sense of Identity
Confused Sense of Identity and Place in the World

5. Causes of the Modernist Temper
WWI Urbanization Industrialization Immigration Technological Evolution Growth of Modern Science
Perceived problems with the ideals of the movements that preceded modernism: Romanticism, Victorianism, and Edwardianism.

6. Significant Events of the Period
1914 – World War I begins. President Wilson declares America’s neutrality.
1917 – The U.S. enters World War I to “make the world safe for democracy.”
1918 – World War I ends
8.7 million people died for reasons many people could not understand

7. WWI
WWI
-It involved Am. Artists and thinkers with the brutal actualities of large-scale modern war, so different from imagining heroism.
-The senses of a great civilization being destroyed or destroying itself, of social breakdown, and of individual powerlessness became part of the American experience as a result of its participation in WWI, with resulting feelings of fear, discrimination, and on occasion, liberation.
-In the wake of the apocalyptic sense of a new century and the cultural crisis brought on by WWI, Western notions of superiority came into question. In addition, long held precepts of the Renaissance and Enlightenment models of reality, all encompassing beliefs that humans were essentially good and could perfect both themselves and their societies, were beginning to collapse, and the value systems underlying American society—those of God, country, and capitalism—also faced challenges on almost all fronts.
-A new term came to be used to describe the generation of men and women who came to maturity between WWI and the Depression of the 1930s. Gertrude Stein first heard the phrase from the proprietor of the Hotel Pernollet in Belley. Referring to a young mechanic repairing Stein’s car, M. Pernollet used the expression une generation perdue to describe the dislocation, rootlessness, and disillusionment experienced in the wake of the war. Stein later expanded the meaning of the phrase in conversation with Ernest Hemingway, saying that his was a decadent generation that was drinking itself to death. Hemingway, whose early books were prototypes for the lost generation of writers, recounts this conversation in the preface to The Sun Also Rises and again in A Moveable Feast. F. Scott Fitzgerald’s Tender is the Night is a striking account of the spiritual climate of the time. Much of Malcolm Cowley’s work deals with the writers of that generation. It applied to all Americans who, after the war, found life in the United States to be shallow, empty, vulgar, and unfulfilling.

8. URBANIZATION
Romanticism’s more moderate expression and valuation of nature—the rural, agricultural, and traditional—as opposed to culture and art seemed inadequate to express a sense of loss and new beginnings.

9. INDUSTRIALIZATION
Romanticism’s philosophies of pantheism and transcendence no longer seemed to cohere for those who had to cope with the technologies of industrial modernization.

10. IMMIGRATION
“Once I thought to write a history of the immigrants in America. Then I discovered that the immigrants were American history.”-- Oscar Handlin
Between 1880 and 1920, some 23 million immigrants came to a country that numbered only 76 million in Immigrants made up 15% of the total population in 1900; in the first decade of the 20th century, immigrants constituted nearly 70% of industrial workforce.

11. TECHNOLOGICAL EVOLUTION
-Telephones and electricity in homes changed the gap between better- and worse-off Americans. Those without electricity and phones were, literally, out of the network.
-Phonograph record and record player, the motion picture which acquired sound in 1929, and radio
-Automobile: millions of jobs were created; geography of the nation was altered by a new system of highways, which changed measure of distance, doomed some small towns to obscurity, and, put others, literally, on the map; made interstate trucking an alternative to railroading, cities changed shapes, suburbs came into being.
-Large-scale migrations from rural areas to urban centers, along with technological change, also caused feelings of cultural dislocation.

12. Before World War I, people believed that technology was a sign of progress and that it would help to serve humanity. The horrors of technology applied to warfare, however, highlighted the ambiguities of “progress.”
Machine guns, tanks, submarines, airplanes, flame throwers, and poison gas proved that technology could be used for mass violence.

13. 1920 – The Nineteenth Amendment gave women the right to vote.

14. Prohibition begins after the Eighteenth Amendment forbids the “manufacture, sale, or transportation of intoxicating liquors.” – The Eighteenth Amendment is repealed.

15. 1923 – Ku Klux Klan membership rises to a reported 4 million.

16. 1929 – The U.S. Stock Market crashes
1930s – The Great Depression

17. 1939 – France and England declare war on Germany when Hitler invades Poland. World War II begins.
Japan attacks Pearl harbor, and America enters WWII.
President Roosevelt initiates the Manhattan Project, a research and development project to build the atomic bomb.
Allied troops liberate German concentration camps, American bombers drop napalm in Tokyo, the U.S. drops atomic bombs on Hiroshima and Nagasaki, Japan surrenders, World War II ends.

18. The Style of Literary Modernism
Modernism’s literary forms are innovative and, often, challenging.
Writers were willing to disrupt traditional notions of order, sequence, and unity.
They risked a certain amount of incoherence for the sake of experimentation.
Instead of predictable rhymes and forms, Modern poetry is sometimes chaotic, as if to mirror the randomness of modern life and to challenge the reader’s notion of order.

19. Stream of Consciousness
Stream of consciousness is a style that some Modern writers use to portray the inner workings of a character’s mind.
Writers catalog or describe the character’s thoughts, impressions, emotions, and ideas in rapid succession and without any interpretation or explanation by an outside narrator.
Writers who employ this style believe that it more accurately represents the confused and sometimes random jumps of the human mind.

20. Characteristics of Literary Modernism
Alienation Existential Nihilism Fragmentary Techniques
Emphasis on the Experimental
Collapsed Plots
Shifts in Perspective, Tone and Voice

21. Alienation
During the Modern period, many young Americans felt like outsiders within their own culture. It was difficult for them to come to terms with the unnecessary suffering and enormous loss of life caused by war. Many artists were also troubled by the racism and sexism that was prevalent in American culture. This helps explain why many Modernists experimented with their own styles, rather than tap into the traditional literary forms of their culture.
The pervasive sense of alienation that many writers felt led them to leave the U.S. and live in “voluntary exile” in England and Europe. Often referred to as “expatriates,” writers as diverse as Gertrude Stein, Ernest Hemingway, T.S. Eliot, Ezra Pound, Robert Frost, Langston Hughes, and Sherwood Anderson spent years living abroad. In fact, some of them never returned home to the U.S.

22. “You are all a lost generation.”
Alienation
“You are all a lost generation.”
-Gertrude Stein (quoted by Ernest Hemingway as an epigraph to his 1926 novel, The Sun Also Rises)

23. Existential Nihilism
Many modernists rejected traditional philosophical and religious systems of belief in favor of Existential Nihilism, which suggests a meaningless, chaotic, Godless world.
Existentialists believe that the individual has the sole responsibility for giving his/her own life meaning and living life passionately and sincerely, in spite of many obstacles and distractions including despair, angst, absurdity, boredom, and death. Existential Nihilists believe that life itself is without intrinsic meaning and that individuals or even the entire human race is insignificant.

24. Fragmentary Techniques
Compared with earlier writing, modernist literature is notable for what it omits—the explanations, interpretations, connections, summaries, and distancing that provide continuity, perspective, and security in traditional literature.
The idea of order, sequence, and unity in works of art is sometimes abandoned because they are now considered by writers as only expressions of a desire for coherence rather than actual reflections of reality. The long work will be an assemblage of fragments, the short work a carefully realized fragment. Some modernist literature registers more as a collage. This fragmentation in literature was meant to reflect the reality of the flux and fragmentation of one’s life.

25. Experimentation Art is artifact rather than reality
Organized non-sequentially
Experience portrayed as layered, allusive, discontinuous, using fragmentation and juxtaposition.
Ambiguous endings—open endings which are seen as more representative of reality.
The phrase “make it new,” attributed to Ezra Pound, became a rallying cry for writers who participated in this cultural movement.
The modernists were highly conscious that they were being modern—that they were “making it new”—and this consciousness is manifest in the modernists’ radical use of a kind of formlessness.

26. Collapsed Plots
It will seem to begin arbitrarily, to advance without explanation, and to end without resolution, consisting of vivid segments juxtaposed without cushioning or integrating transitions.
It will suggest rather than assert, making use of symbols and images instead of statements.
The reader must participate in the making of the poem or story by digging the coherent structure out that, on its surface, it seems to lack. Therefore, the search for meaning, even if it does not succeed, becomes meaningful in itself.
Its rhetoric will be understated, ironic.

27. Shifts in Perspective, Tone and Voice
The inclusion of all sorts of material previously deemed “unliterary” in works of high seriousness involved the use of language that would also previously have been thought improper, including representations of the speech of the uneducated and the inarticulate, the colloquial, slangy, and the popular. The traditional educated literary voice, conveying truth and culture, lost its authority.
Prose writers strove for directness, compression, and vividness. They were sparing of words. The average novel became quite a bit shorter than it had been in the nineteenth century.
Modern fiction tends to be written in the first person or to limit the reader to one character’s point of view on the action. This limitation accorded with the modernist sense that “truth” does not exist objectively but is the product of a personal interaction with reality. The selected point of view was often that of a naïve or marginal person—a child or an outsider—to convey better the reality of confusion rather than the myth of certainty.

28. Cubism
Art in which multiple views are presented simultaneously in flattened, geometric way.
Picasso
Georges Braque

29. Dadaism: Deliberately Irrational
Protest against the barbarism of the War and oppressive intellectual rigidity; Anti-art: Strives to have no meaning; Interpretation dependent entirely on the viewer; Intentionally offends.
Raoul Hausmann
Duchamp

30. Surrealism
Grew out of Dada and automatism. Reveals the unconscious mind in dream images, the irrational, and the fantastic, Impossible combinations of objects depicted in realistic detail.
Magritte
Dali

31. Jackson Pollock

32. Futurism
Grew out of Cubism Added implied motion to the shifting planes and multiple observation points of the Cubists Celebrated natural as well as mechanical motion and speed Glorified danger, war, and the machine
Giacomo Balla
Kandinsky

33. Conclusion
Modernism was a massive movement that included a broad range of authors, styles, and themes.
It was a revolt against the conservative values of Realism.
Modernism underscored the abstract, unconventional, largely uncertain ethic brought on by rapidly changing technology and dramatic cultural shifts.
Due to the richness of the art and literature produced during this time, it is sometimes referred to as the 20th Century Renaissance.
Due to the richness of the art and literature produced during this period, it is often referred to as the Twentieth Century Renaissance.

34. Works Cited
Baym, Nina, ed. The Norton Anthology of American Literature. New York: Norton, Print. Harmon, William, and C. Hugh Homan, eds. A Handbook to Literature. New Jersey: Prentice-Hall, Print. Kimmelman, Burt, ed. The Facts on File Companion to 20th Century American Poetry. New York: Facts on File, Print. Lathbury, Roger. American Modernism ( ): American Literature in its Historical, Cultural, and Social Contexts. New York: Facts On File, Print. Siepmann, Katherine Baker, ed. Benét’s Reader’s Encyclopedia. New York: Harper-Collins, Print.