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Published byMartin Vincent Parsons Modified over 9 years ago
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India, China and Japan: From the Medieval to the Modern World
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The Mughal Empire Babur (1483-1530), Akbar (1542-1605) India as center of civilization Religious freedom (Islam, Hindu) Urdu language Artistic blend of Hindu, Persian, and Islamic elements
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Mughal Art Visual Arts Book illustrations, miniatures Secular Realistic scenes from courtly life Persian influences calligraphy
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“Akbar and the Elephant” from The History of Akbar
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The End of Mughal Rule and the Arrival of the British British East India Trading Company India as “Jewel in the Crown” of Britain Controlled by British government by 1849
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The Rise of Nationalism India’s National Congress Party Activism for self-rule Mohandas Gandhi (1869-1948) Satyagraha: non-violent civil disobedience
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Chinese Culture Under Imperial Rule Centralized government (1368-1911) Relatively untouched by Western influence until the 17 th century Incredible population growth Poverty, political unrest, and, ultimately, revolution
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The Arts Under the Ming Dynasty Political, economic stability Cultural enrichment Confucianism New literary genres Hua-Pen Novels Stage plays
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The Arts Under the Ming Dynasty Landscape paintings Human form in natural setting Artistic attitudes “change within tradition” No distinctions between major art forms Painted ceramicware called “China”
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15 th century Ming Dynasty painting
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A Ming Vase
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The Qing Dynasty: China and the Western Powers Western Trade and Chinese Independence Opium War (1839-1842) Internal rebellions weakened government Tai Ping Rebellion, Boxer Rebellion Republican Revolution Sun Yat-sen Chiang Kai-shek, Mao Tse-tung
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The Art and Culture of Japan: Shintoism Worship of the spirits of nature Imperial cult; worship of emperor and his ancestors as divine Drama Noh plays in which dancers enact dramatic, often supernatural stories stories with ritual and even slapstick
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The Art and Culture of Japan: The Edo Period Japanese versions of landscapes Gentler colors, heightened abstraction Influence of Western art Peacocks and Peonies (1176) Woodblock art Hokusai Katsushika (1760-1849)
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A study in the balance of opposites: image and empty space. The empty space mirrors the wave; water and sky are balanced, as in the Chinese yin/yang symbol below
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The Art and Culture of Japan: The Edo Period Basho’s Haiku Zen Buddhist reflections Crucial detail of landscapes Composed of three lines of five syllables, seven syllables, and five syllables
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“Humanities 1500: A Haiku” Powerpoint beaming eastern culture’s bright display while students write notes
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