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What is auteur? Questions of Auteurism A Case Study of Peter Weir
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What is auteur? 1 A director who make films which reflect his/her personal vision and preoccupations. 2 A director who has a distinct style and consistent themes. SIGNATURE François Truffaut, ‘Une Certaine tendence du cinéma française’ (A Certain Tendency in the French Cinema) 1954
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What is auteur? Though film making is collaborative work Directors (auteurs) oversee all narrative, visual and audio elements of motion pictures. “The filmmaker/author writes with his camera as a writer writes with his pen.” ‘Caméra Stylo’ (camera-pen) Alexander Astruc, ‘Naissance d’une nouvelle avant-garde’, L’Ecran Français, 30th March, 1948
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What is auteur? Auteur or metteur-en-scène Auteur - a director who expresses his/her unique preoccupation and holds on to his/her signature style Metteur-en-scène (one who puts it in the scene - theatre director) - a (highly) competent film maker but lacks ‘the consistency that betrayed the profound involvement of personality’
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Who Are Auteurs? Directors who have a distinct visual style … Directors who have a consistent theme … Jean Renoir (humanism), Douglas Sirk (melodrama) … Theo Angelopoulos (modern Greek history), Ken Loach (left-wing social consciousness)
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Alfred Hitchcock
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Orson Welles
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Stanley Kubrick
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Wong Kar Wai
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Jean Renoir
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Douglas Sirk
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Theo Angelopoulos
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Ken Loach
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Auteur Theory (Politique des auteurs) Auteur theory - a critical attitude to consider a film as a product of a single person - director - auteur Andrew Sarris, ‘Notes on the Auteur Theory’, 1964
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Auteur Theory (Politique des auteurs) To analyse a film as a work of a single author (auteur) → auteurism To identify the characteristics of a director’s work which makes him a auteur → auteurism
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Criticism against auteur theory Filmmaking as collaborative and collective actions. Making a film involves many other creative talents than director. Scriptwriter, photographer, editor, art director, actor, etc.
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Criticism against auteur theory Figures other than directors, who played a prominent role Cesare Zavattini (1902- 1989) Screenwriter for Vittorio De Sica and Luchino Visconti Shoeshines, Bicycle Thieves, Umberto D, Bellisima, etc.
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Criticism against auteur theory Ruth Prower Jhabvala (1927 - ) Screenwriter for James Ivory Room with a View, Howard’s End, Remains of the Day
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Criticism against auteur theory Gordon Wills Most important cinematographer in the 70s and 80s The Godfather, Annie Hall, Manhattan, All the President’s Men
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Gordon Willis, Manhattan
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Gordon Willis, The Godfather
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Criticism against auteur theory Vittorio Storaro Italian cinematographer who have worked for first Bernardo Bertolucci, and then Carlos Saura and Francis Ford Coppola
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Vittorio Storaro, Last Tango in Paris
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Vittorio Storaro, Goya
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Criticism against auteur theory Miyagawa Kazuo (1908-1999) Greatest Japanese photographer, operated the camera and shot for Mizoguchi Kenji, Kurosawa Akira, Ichikawa Kon and Shinoda Masahiro Rashomon, Ugetsu, Yojinbo, Tokyo Olympiad, McArthur’s Children
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Kazuo Miyagawa, Rashomon
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Kazuo Miyagawa, Ugetsu
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Kazuo Miyagawa, Floating World
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Criticism against auteur theory David Lean (1908-1991) British film director Established the classic editing techniques Edited for film directors such as Anthony Asquith and Michael Powell Pygmalion, Major Barbara, 49th Parallel
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Criticism against auteur theory Alexandre Trauner (1906-1993) French art and production designer Le Jour se léve, Les Enfants du paradis, Le Portes de la nuit, Kiss Me Stupid, Don Giovanni, Round Midnight, Subway
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Alexandre Trauner, Les Enfants du Paradis
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Alexander Trauner, Round Midnight
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Criticism against auteur theory Credit for Round Midnight (1986) Producer: Irwin Winkler Director: Bertrand Tavernier Writer: David Rayfiel, Bertrand Tavernier Music: Harbie Hancock Editor: Harmand Psenny Production Design: Alexandre Trauner
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Criticism against auteur theory Positif, founded one year after Cahiers du cinema in 1952 Firm opposition to author theory A signed article naming the most overrated directors: Fritz Lang, Nicholas Ray, Howard Hawkes and Alfred Hitchcock
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Criticism against Auteur Theory Legitimacy of privileging a director - can a director be more important than his film? ‘There are no good or bad films, but there are only good or bad directors.’ François Truffaut
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In the Case of Peter Weir Peter Weir (1944 - ) Australian born and now working in Hollywood Worked in ATN-7 (a TV company in Sydney) Made documentaries for CFU
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In the Case of Peter Weir Picnic at Hanging Rock (1975) A tale of private- school girls who mysteriously disappear in the Australian outback.
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In the Case of Peter Weir Gallipoli (1981) Rural Australian boys are caught in the slaughter of WWI in Turkey.
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In the Case of Peter Weir The Year of Living Dangerously (1983), An Australian journalist is assisted by a local Indonesian cameraman while the third-world capital collapses.
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In the Case of Peter Weir Witness (1985) It brings a city detective into the unfamiliar world of Pennsylvania’s Amish community.
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In the Case of Peter Weir The Mosquito Coast (1986) An American with his family tries to establish civilization in a remote jungle and ending in a disaster.
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In the Case of Peter Weir Green Card (1990) A comedy in which a Frenchman tries to obtain a green card on bogus marriage with an American woman.
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In the Case of Peter Weir Truman Show (1998) A story of one man’s life not knowing that he is a star of a 24 hour TV series.
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Weir as an auteur Juxtaposition of : civilization and ‘primitiveness’; the knowable and the unknowable; culture and nature ‘Clashes’ of civilizations and cultures Erosion of humanity by civilization
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