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Published byDaniella Barrett Modified over 9 years ago
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文藝復興
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I. 緒論 1. 「文藝」復興 ? 2. 全才藝術家 ? 3. Art: 藝術還是技術 ? 機械技術 (arts méchaniques) 自由技術 (arts libéraux)
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II. 藝術與科學的結合
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新柏拉圖主義
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Botticelli 1484 Venus
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Da Vinci 1492 selon Vitruve
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Bramante 1502 Tempietto
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Bramante st peter's plan
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佛羅倫斯大教堂 與新的藝術目標 Ghiberti vs. Brunelleschi
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Florence cathedral
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Ghiberti 1401 Issac
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Brunelleschi 1401 abraham
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Ghiberti 1401- 1425 North door
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Ghiberti 1425- 50 Porte de Paradis
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Ghiberti 1425-50 Porte de Paradis Essau
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Ghiberti 1425-50 Porte de Paradis Selfportrait
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Florence cathedral dome
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Florence cathedral plan
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III. 數學性的繪畫法則: 線性透視 (Linear perspective) 的 「發明」 ( 再發現 ?) perspective ← perspicio ★ Giotto ★ Brunelleschi 的實驗
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Giotto 1303-1306 Chapel Arena
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Giotto 1303- 1306 chapel Arena
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Brunelleschi Perspective
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Brunelleschi perspective
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Masaccio 1428 Trinity perspective
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Masaccio 1427 Eexpulsion
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Perspective 1435 Alberti
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perspective 1435 Alberti
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透視的功能與意義
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Uccello 1450 Battle san Romano
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Da Vinci 1484 Virgin
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Da Vinci 1495-98 Last Supper
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Da Vinci - refectory-supper
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Della Francesca 1460 Flagellation
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Della Francesca schema
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Fouquet 1458 Entrée Charles IV à St. Denis
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Da Vinci 1485 Codex Atlanticus
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Holbein 1533 Ambassadors
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IV. 古典主義: 米開朗基羅 (1475-1564)
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Statue de Miche-ange
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Michel-ange 1498-99 Pietà
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Enguerrand Quarton 1455-1460 Pietà de Villeneuve-lès-Avignon
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Michel-Ange 1501-04 David
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Donatello 1432 David Bernini 1623-24 David Michel-ange 1501-04
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Michel Ange 1513-1515 Moise
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Michel-ange 1508-1512 Sixtine Ceiling
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The Erythraean Sibyl
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Zechariah
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Isaiah
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The Delphic Sibyl
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Joel
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Jeremiah
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Ezekiel
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V. 矯飾主義:
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Michel-Ange 1532-34 victory
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Michel-Ange 1536-1541 Last Judgment
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St Peter
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Jean the Baptist
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St. Lawrence
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St Bartholomew
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The Elect
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Last Trumpet
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Soul Ascending to Heaven
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Soul carried down To Hell
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Charon’s Bark
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Minos, King of Hell
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Sistine Chapel
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Pieta with self-portrait 1547-55
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結論:米開朗基羅之後
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Bronzino St. Lawrence
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Parmigianino 1534 Modonna of long neck
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FIN
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