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The Renaissance 1450-1527 Unit EQ: Why does the Renaissance mark the beginning of the modern era?

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Presentation on theme: "The Renaissance 1450-1527 Unit EQ: Why does the Renaissance mark the beginning of the modern era?"— Presentation transcript:

1 The Renaissance 1450-1527 Unit EQ: Why does the Renaissance mark the beginning of the modern era?

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3 What are the indexes of modernity? Pressures for increased democracy Loosening of old customs Questioning of ancestral religions; increased secularization Demands for individual liberation Expectation of a higher standard of living Drive for more equality (gender, race, class, religious, nationalities) Elaborate means of transportation and communication Advanced science, medicine, hygiene, agriculture Sophisticated means for fighting or negotiating peace Complex networks of finance and trade

4 “Open the door and a few flies come in” - Deng Xiaoping on China’s modernization

5 Renaissance: the 5 W’s WHAT? WHEN? WHERE? WHO? WHY?

6 WHAT was the Renaissance?

7 The Late Middle Ages: Cathedrals

8 After 1450: Humanism revived

9 Renaissance Ideals Humanism: - Individualism - Secularism -Materialism virtu: Civic Humanism – applying humanist values to the improvement of public virtue Expectation of a better life in this world for future generations Humans have power to improve and achieve progress

10 Civic humanism

11 Essential Understanding: Time, Continuity & Change Medieval legacies: Renaissance departures:

12 WHEN? A Movable Feast

13 The Late Middle Ages: Prelude* to the Modern World 1100-1350 Magna Charta, 1215: limits the arbitrary rule of monarchs Cities emerge around cathedrals and universities Scholasticism revives the study of logic and reason Trade picks up between Italy and the non-western world *prelude = beginning that transitions to a main event

14 Medieval legacies: Renaissance departures: (5 th – 14 th C) (15 th – 18 th C) “In innumerable ways today’s world is linked to the Middle Ages”: Technological lead of the West Higher law of God Sacred worth of individual The ideal of the noble warrior Government by consent and rule by law (Magna Charta, 1215) “Although the elements of continuity are clear, the characteristic outlook of the Middle Ages was as different from that of the modern age as it was from that of the ancient world” Human intellect/reason CAN interpret the natural world through science Nature is a unified field, not a hierarchical one Nationalism replaced personal & feudal allegiances Science and possibility of human progress replace faith and a sinful individual

15 Medieval legacies: Renaissance departures: (5 th – 14 th C) (15 th – 18 th C) “In innumerable ways today’s world is linked to the Middle Ages”: “Although the elements of continuity are clear, the characteristic outlook of the Middle Ages was as different from that of the modern age as it was from that of the ancient world”

16 WHERE: city states and principalities of the Italian peninsula Continuous trade with the Mediterranean world during the Middle Ages Urban centers emerge Commercial classes in city states emerge as a vibrant force, patronize art Greek scholars flee there after 1453 Legacy of Rome’s glory and civic pride

17 WHO? Humanist scholars Wealthy patrons Philosophers Historians Artists and poets Government officials & civil servants

18 WHO: Petrarch, Bruni, Valla, Mirandola Humanists create A New Set of Values Transition from Scholasticism to philology and liberal arts Revival of classical texts, Latin language, Greek philosophy from Byzantine Empire after 1453 Use of objective historical analysis Intellectual curiosity glorified

19 WHY IMPORTANT? Renaissance ideals live on in the indexes of modernity Respect for dignity of the individual and liberty Science replaces faith as source of material knowledge Expectation of a decent standard of living and growth of middle class Diplomacy and balance of power deployed Centralized state authority serves as a buffer against feudalism and disorder

20 “ What needs to be explained is not the existence of a Leonardo or a Michelangelo but their co-existence” - KGO

21 What are the indexes of modernity? Pressures for increased democracy Loosening of old customs Questioning of ancestral religions; increased secularization Demands for individual liberation Expectation of a higher standard of living Drive for more equality (gender, race, class, religious, nationalities) Elaborate means of transportation and communication Advanced science, medicine, hygiene, agriculture Sophisticated means for fighting or negotiating peace Complex networks of finance and trade

22 Medieval & Renaissance painting compared: Subject matter: Purpose: Techniques:

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24 The Renaissance: A New Age by Self-Assertion

25 Gothic Cathedrals Long naves to the alter Flying buttresses for support Stained glass windows Statues of saints Towns grow up around the cathedrals

26 Brunelleschi: -revived classical elements - synthesizes classical architecture with gothic cathedral structure

27 Florence, Italy Prague, Czech Republic

28 Alberti “A building, like a body, needs an even number of supports and like a head, an odd number of openings”

29 Painting: Medieval versus Renaissance

30 Massacio: “The Expulsion of Adam And Eve” (ca. 1425) -used shading to create light and shadow -used linear persepctive

31 Classical themes admired : architecture, heroes, education.

32 Massacio: linear persepctive

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34 Leonardo da Vinci: Sfumato Chiarrascurro

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36 The creation of naturalism. Proportionality Humanistic subject matter Meticulous observation of what occurs in nature Mathematical perspective to create the illusion of 3 dimensionality

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38 Raphael’s “The Three Graces” Emphasis on beauty

39 Botticelli’s Birth of Venus

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41 Individualism

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43 Materialism and luxury: The beginning Of the Bourgeoisie = Urban upper Middle class

44 Two different visions of sculpture:

45 Two different visions of scultpture: Gargoyle on cathedral,Michelangelo’s Pieta, Medieval:Renaissance: AbstractNaturalistic Spiritual onlyHumanistic Embedded in cathedralFree-standing

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47 Donatello Revived free-standing sculpture Studied human anatomy

48 Renaissance sculpture: Contraposto Free-standing Proportional anatomy studies and mathematics Bold attitude PURPOSE: naturalism as a metaphor for humanism

49 The Middle Ages = A “Dark Age” ?

50 The Renaissance: A New Age by Self-Assertion

51 15 th century society

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59 The Gate to The Market, Krakow, Poland

60 Continuity…….and…..Change in Renaissance Society Agriculture and rural society predominate Family relationships most important Importance of the church in daily life Patriarchy Disparity rich/ poor/small middle class Short life expectancy “The Great Chain of Being” dominates religious values & beleifs Revival of cities More consumer goods available to all More luxury goods available to some Expectation of a better SOL for future generations emerges Beginning of the bourgeoisie (=middle class)

61 Medieval v. Renaissance ideals MEDIEVAL LIFE Christianity central to society, culture, and education; Strict feudal hierarchy Decentralized authorities Local, agrarian economies and customs (the lord’s manor)

62 Classical Mythology

63 Medieval v. Renaissance ideals MEDIEVAL LIFE Christianity central to society, culture, and education; Strict feudal hierarchy Decentralized authorities Local, agrarian economies and customs (the lord’s manor)

64 SUBJECT MATTER: SACRED, SECULAR, AND CLASSICAL

65 Classical humanism in art Revered both secular and sacred subjects Used Greek and Roman art as models Heightened awareness of individualism, beauty, the dignity of man Used the human form as a metaphor for the potentiality and power of the human mind Required the support of wealthy patrons

66 Renaissance Humanism Emphasized: Reverence for Classical civilization Beauty of human mind and body Civic humanism: Power of individual to improve, excel and create progress A liberal arts education was the means to individual fulfillment and social progress

67 Materialism and luxury

68 DOC. #1 DOC. #2

69 Objective Studies of Nature and Objects “The Hare” by Albrecht Durer

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74 What was “Italy” in the 15-16C? Many city states and kingdoms No centralized authority to create a unified Italy While still mostly rural, the Italian peninsula was the most urbanized place in Europe Condotierri and diplomats were the regulators of the balance of power Trade continued throughout the Middle ages

75 What were the characteristics of Italian city states? Florence:

76 The Medicis Began as merchants then took capital & went into banking Became powerful politicians and married into royal and papal families Lorenzo builds a library of classical works, patronizes artists Cosimo attempts (but does not succeed) in bringing order to Florentine politics

77 Venice: La Serenissima First global mercantile empire Served as conduit between west and “the orient” throughout late Middle Ages Aspired to republican glory through the Doge and the Great Council

78 Balance of power and diplomacy used to prevent hegemony among the Italian city states: origins of modern international relations.

79 The Ambassadors by Hans Holbein

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81 Baldassare Castiglione “Let the man we are seeking be exceedingly fierce, harsh, and always among the first, wherever the enemy is; and in every other place, humane, modest and reserved”

82 The Prince as the Agent of Change “Every prince must desire to be considered merciful and not cruel. He must, however, take care not to misuse this mercifulness…A prince, therefore, must not mind incurring the charge of cruelty for the purpose of keeping his subjects united and faithful…”

83 Machiavelli v. Castiglione What are ethics? Do ethics have a place in political leadership? Is it “better to be feared than loved”? What is the most effective type of leadership?

84 Machiavelli’s Legacy Do the ends justify the means? Conflict of western values: -is the state more important than the individual? -is order and stability more important than individual rights? Is politics divorced from ethics? Politics as a “science” : -leaders can study what worked in the past as a guide to policy -leaders must pursue pragmatic policies, not ethical ideals

85 Two visions of Civil Society MachiavelliCastiglione The ends justify the means Politics is separate from Christian ethics The prince should prefer fear to love as a tool of government Centralized authority is preferable to feudalism Leaders should do what is effective, not ideal Leaders are role models and should act accordingly to inspire their people Ideals DO matter in government The Prince should cultivate his character to improve his rule Rulers should be intellectually curious

86 Two visions of Effective Leadership: Machiavelli:Castiglione:

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89 1453, Seige of Constantinople Greek scholars come to Italy Mediterranean monarchs sponsor new trade routes to avoid trade with Muslim Constantinople Atlantic becomes new market in global trade

90 Fall of Rome 1527: Second turning point End of Italian Renaissance Diffusion of Renaissance ideals to Northern Europe End of Italian political power until unification in 1870 Connections to Machiavelli’ political philosophy????

91 Northern Renaissance Emphasis on Christian Humanism and piety Photographic-like naturalism Nature and bible themes

92 The Northern Renaissance and Christian Humanism lay the foundations for Martin Luther’s 95 Theses and the Reformation…

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94 Understand the Question: “Describe the various values and purposes of Renaissance education. “Analyze the extent to which these values and purposes were transformed and challenged over times”

95 Document #7: “At least twice a year...not only for learning the liberal arts, but also the fear of God, virtue and discipline…” From the School of Ordinances of Wurttemberg, Germany, 1559

96 Northern Renaissance Humanistic Art, Christian Subject Matter

97 Document #12: Percentage of Justices of the Peace Who attended University (by county): Date:Kent:Northamptonshire:Somerset:

98 The value of the individual as represented through portraiture

99 Intellectual Curiosity Encouraged, Scholars revered, Latin, Universal Language of Scholars Erasmus of Rotterdam, Christian Humanist (by Hans Holbein)

100 Sir Thomas More, Christian Humanist of England Painted by Hans Holbein


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