1. Physics of Sounds Overview Properties of vibrating systems Free and forced vibrations Resonance and frequency response Sound waves in air Frequency, wavelength, and velocity of a sound wave Simple and complex sound waves Periodic and aperiodic sound waves Fourier analysis and sound spectra Sound pressure and intensity The decibel (dB) scale The acoustics of speech production Speech spectrograms

2. Properties of Vibrating Systems Some terms displacement: momentary distance from restpoint B cycle: one complete oscillation amplitude: maximum displacement, “average” displacement frequency: number of cycles per second (hertz or Hz) period: number of seconds per cycle phase: portion of a cycle through which a waveform has advanced relative to some arbitrary reference point

3. What is the relation between frequency (f) and period (T)?

5. How do these differ?

8. Another case of harmonic motion: tuning fork

9. Damping

10. Free vibration As we have so far described them, the mass-spring system and the tuning fork represent systems in free vibration. An initial external force is applied, and then the system is allowed to vibrate freely in the absence of any additional external force. It will vibrate at its natural or resonance frequency.

11. Forced vibration Now assume that the mass-spring system is coupled to a continuous sinusoidal driving force (rather than to a rigid wall). How will it respond?

12. Resonance curve (aka: frequency response or transfer function or filter function)

13. In free vibration, the response amplitude depends only on the initial amplitude of displacement. In forced vibration, the response amplitude depends on both the amplitude and the frequency of the driving force.

14. Resonance

15. Sound waves

16. Sound waves (cont.)

17. Frequency, wavelength, and velocity of sound waves Wavelength: the spatial extent of one cycle of a simple waveform. (Compare this to period). If we know the frequency (f) and the wavelength (λ) of a simple waveform, what is its velocity (c)?

18. Simple vs. complex waves So far we’ve considered only sine waves (aka: sinusoidal waves, harmonic waves, simple waves, and, in the case of sound, pure tones). However, most waves are not sinusoidal. If they are not, they are referred to as complex waves.

19. Examples of complex waves: sawtooth waves

20. Examples of complex waves: square waves

21. Examples of complex waves: vowel sounds

22. Periodic vs. aperiodic waves So far all the waveforms we’ve considered (whether simple or complex) have been periodic—an interval of the waveform repeats itself endlessly. Many waveforms are nonrepetitive, i.e., they are aperiodic.

23. Some examples of aperiodic waves:

24. A sine wave can be described exactly by specifying its amplitude, frequency, and phase. How can one describe a complex wave in a similarly exact way?

26. Fourier analysis Any waveform can be analyzed as the sum of a set of sine waves, each with a particular amplitude, frequency, and phase.

27. How to approximate a square wave

28. From time-domain to frequency-domain Time Frequency

29. Periodic vs. aperiodic waves (cont.) Periodic waves consist of a set of sinusoids (harmonics, partials) spaced only at integer multiples of some lowest frequency (called the fundamental frequency, or f 0 ). Aperiodic waves fail to meet this condition, typically having continuous spectra.

30. Sound pressure and intensity Sound pressure (p) = force per square centimeter (dynes/cm2) Intensity (I) = power per square centimeter (Watts/cm2) I = kp 2 Smallest audible sound= 2 x 10 -4 dynes/cm 2 = 10 -16 Watts/cm 2 A problem: Between a just audible sound and a sound at the pain threshold, sound pressures vary by a ratio of 1:10,000,000, and intensities vary by a ratio of 1: 100,000,000,000,000! More convenient to use scales based on logarithms. Decibels (dB SPL,IL ) = 20 log (p 1 /p 0 ) = 10 log (I 1 /I 0 ) where p 1 is the sound pressure and I 1 is the intensity of the sound of interest, and p 0 and I 0 are the sound pressure and intensity of a just audible sound.

31. Decibel scale

32. Acoustics of speech production

33. Spectrogram