1. SOUTHERN AND SOUTHEASTERN ASIAN ART – PART II (1200 – PRESENT) EUGENIA LANGAN MATER ACADEMY CHARTER HIGH SCHOOL HIALEAH GARDENS, FLORIDA WITH APOLOGIES TO FRED KLEINER

2. DELHI SULTANATE/ VIJAYANAGAR EMPIRE

3. DELHI SULTANATE (MAMLUK – TIMURID – TURKIC) AT ITS GREATEST EXTENT – NOTE RAJPUT (HINDU) STATE IN N. CENTRAL INDIA

4. YELLOW = DELHI SULTANATE, SALMON = VIJAYANAR EMPIRE

6. QUTB MINAR, BEGUN EARLY 13 TH CENTURY, AND ALAI DARVAZA, 1311, DELHI, INDIA. ON QUWATT-AL-ISLAM MOSQUE, BEGUN 1193. PATRON = QUTB AL-DIN AYBAK, FIRST DELHI SULTAN – FIRST MOSQUE IN INDIA MINAR (MINARET) = 238’ TALL – PURELY SYMBOLIC SACRED SPACE, POWER AND AUTHORITY

7. LOTUS MAHAL, VIJAYANAGARA, INDIA, 15 TH OR EARLY 16 TH CENTURY. FUNCTION UNKNOWN – COMBINES HINDU AND MUSLIM ELEMENTS

8. MUGHAL PAINTING AND ARCHITECTURE

9. MUGHAL EMPIRE: NOTE RAJPUT STATE (NOW PART OF EMPIRE)

11. BASAWAN AND CHATAR MUNI, AKBAR AND THE ELEPHANT HAWAI, FOLIO 22 FROM THE AKBARNAMA (HISTORY OF AKBAR) BY ABUL FAZL, © 1590. OPAQUE WATERCOLOR ON PAPER, 1' 1 7/8" X 8 3/4". VICTORIA AND ALBERT MUSEUM, LONDON. PATRON = AKBAR THE GREAT MINIATURE -- BUT POWER AND AUTHORITY, NARRATIVE NOTE RUDIMENATARY PERSPECTIVE, DIAGONAL COMPOSITION  DRAMA NOTE REPRESENTATION OF HUMAN FIGURE IN MUSLIM ART!

12. BICHITR, JAHANGIR PREFERRING A SUFI SHAYKH TO KINGS, © 1615–1618. OPAQUE WATERCOLOR ON PAPER, 1' 6 7 / 8 " X 1' 1". FREER GALLERY, WASHINGTON, D.C. NOTE PERSIAN AND WESTERN INFLUENCES THEMES: PATRONAGE, PIETY, POWER AND AUTHORITY, POLITICAL

13. RECALL PERSIAN PAINTING – EXAMPLE = SULTAN- MUHAMMAD. COURT OF THE GAYUMARS, FOLIO 20 VERSO OF THE SHAHNAMA OF SHAH TAMASP, FROM TABRIZ, IRAN © 1525 – 35. INK, WATERCOLOR AND GOLD ON PAPER. 1’ 1" x 9".

14. DETAIL, JAHANGIR PREFERRING A SUFI SHAYKH

15. TAJ MAHAL, AGRA, INDIA, 1632 – 1647 PRECISE PROPORTIONS, CLEAR PERSIAN INFLUENCE PATRONAGE, POWER AND AUTHORITY, SACRED SPACE

17. DETAIL OF FAÇADE, TAJ MAHAL

18. RAJPUT AND NAYAK ART

20. KRISHNA AND RADHA IN A PAVILION, © 1760. OPAQUE WATERCOLOR ON PAPER, 11 1 / 8 " X 7 ¾". NATIONAL MUSEUM, NEW DELHI. RAJPUT NOTE USE OF DARKNESS, LIGHT (LIGHTNING) CONTRAST PIETY, HUMAN BODY

21. OUTERMOST GOPURAS OF THE GREAT TEMPLE, MADURAI, INDIA, COMPLETED 17 TH CENTURY. NAYAK 150' HIGH, COVERED WITH PAINTED STUCCO SCULPTURES PAINTED EVERY 12 YEARS: SACRED SPACE, RITUAL, POWER AND AUTHORITY

22. DETAIL, TOP SECTION, GOPURAM, GREAT TEMPLE, MADURAI

24. WALL SCULPTURE OF HANUMAN, GREAT TEMPLE, MADURAI

25. BRITISH RAJ AND CONTEMPORARY

27. FREDERICK W. STEVENS, VICTORIA TERMINUS (CHHATRAPATI SHIVAJI TERMINUS), MUMBAI (BOMBAY), INDIA, 1878-1887. MONGREL. POWER AND AUTHORITY!

28. MAHARAJA JASWANT SINGH OF MARWAR, ©1880. OPAQUE WATER-COLOR ON PAPER, 1' 3 ½" X 11 5 / 8 ". BROOKLYN MUSEUM. ADOPTION OF WESTERN STYLE, ARTISTIC AND SOCIAL

29. MEERA MUKHERJEE, ASHOKA AT KALINGA, 1972. BRONZE, 11' 6 3/4" HIGH. MAURYA SHERATON HOTEL, NEW DELHI

30. SOUTHEAST ASIA

32. WALKING BUDDHA, FROM SUKHOTHAI, THAILAND, 14 TH CENTURY. BRONZE, 7' 2 ½" HIGH. WAT BECHAMABOPIT, BANGKOK. NON-HUMAN BODY STYLE UNIQUE TO THAILAND

33. EMERALD BUDDHA, EMERALD TEMPLE, BANGKOK, THAILAND, 15 TH CENTURY. JADE OR JASPER, 2' 6" HIGH. BUDDHA – CHAKRAVARTIN = GOD OF THE WORLD, RAINMAKER IN ROYAL TEMPLE: POWER AND AUTHORITY

35. SCHWEDAGON PAGODA, RANGOON, BURMA, 14 TH CENTURY OR EARLIER (REBUILT SEVERAL TIMES). STUPA POWER AND AUTHORITY, PIETY, SACRED SPACE

36. COMPARE WITH CHINESE PAGODA (LIUHE PAGODA, HANGZHOU, BEGUN 1165)

37. DISH WITH TWO MYNAH BIRDS ON A fl OWERING BRANCH, FROMVIETNAM, 16 TH CENTURY. S TONEWARE PAINTED WITH UNDERGLAZE COBALT, 121" DIAMETER. PACIFIC ASIA MUSEUM, PASADENA. YUAN CHINESE STYLE