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Impressionism
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Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting on water Subtlety of tone (different shades of color) Use of complementary colors
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Characteristics of Impressionism From the Romantics, a fascination with nature. From the Realists, use of unbiased objectivity. A response to photography A response to 19 th century science Physics of light Chemistry of paint Laws of optics
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Claude Monet (1840 – 1926) Pioneer of Impressionism First work of the style called Impression: Sunrise, done in 1873. Critic called it “only an impression” and “wallpaper in its embryonic state” Plein-air: Painting outdoors.
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Claude Monet, Impression: Sunrise 1873, Oil on canvas
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Claude Monet Haystacks, End of Summer 1891, Oil on canvas
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Claude Monet Rouen Cathedral Series 1892 – 1893 Oil on canvas
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Claude Monet Rouen Cathedral Series 1892 – 1893 Oil on canvas
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Claude Monet Water-Lily Pond, Symphony in Green 1899 Oil on canvas
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Pierre-Auguste Renoir (1841 – 1919) Render nature with short, brilliant brush strokes Themes of everyday life (dining, dancing, boating, socializing, etc.) Spontaneous position of subjects Over 6,000 paintings
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Pierre-Auguste Renoir Luncheon of the Boating Party Oil on canvas, 1881
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Edgar Degas (1834 – 1917) Rejected “posed” models Viewpoint is deliberately random Influenced by photography Loved painting dancers & horses
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Edgar Degas The False Start 1870, Oil on canvas
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Edgar Degas, The Dancing Class 1871 – 72, Oil on wood
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Edgar Degas, The Rehearsal 1873 – 78, Oil on canvas
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Edgar Degas The Little Dancer 1880 – 1881 Bronze with net tutu and hair ribbon
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Mary Cassatt Knew and exhibited with Degas and Renoir Likely the lover of Degas Specialty was mother/daughter scenes Popular artist in America, but she preferred France because of their views on women
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Mary Cassatt The Bath 1891 – 1892 Oil on canvas
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Henri de Toulouse-Lautrec Opposite of Cassatt Images of prostitutes, whore houses, cabaret dancers, etc. Mocked traditional ideas of beauty Stylized figures, almost caricatures
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Henri de Toulouse-Lautrec, At The Moulin-Rouge 1893 – 1895, Oil on canvas
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Auguste Rodin (1840 – 1917) Parts left unfinished to create contrast between rough and polished texture. This made the light reflect more realistically “The sculpture of antiquity sought the logic of the human body; I seek its psychology.”
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Auguste Rodin 'The Age Of Bronze' About 1876 Bronze
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Auguste Rodin The Thinker 1902 Bronze and marble
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Auguste Rodin The Kiss 1902 Bronze and marble
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