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Published bySusan Harrison Modified over 9 years ago
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Henry: Y’want a piece of candy? Irene: No [I don’t Zelda: She’s on a [diet. Debby: [Who’s not on [a diet. Irene: I’m on a diet and my mother [buys Zelda: [You’re not! Irene: my [mother buys these mints. Debby: [Oh yes I amhhh!
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Zelda has created a subtopic or a topic shift that is picked up by the other women participants: -Debby makes a comment about all people being on a diet, -Zelda’s response: “You’re not!” is meant to remedy the negative self-assessment implied by Debbey’s statement. -Irene shifts from her utterance “I don’t-” to repeat Zelda’s statement that she is on a diet and starts to tell a story of her mother buying candy, etc.
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Have you noticed what Henry was doing? Right, he simply did not participate in the topic shift.
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Women display their gender identities through the structuring of participation framework: -they pursue topics of talk more interactively than men: cooperative topic building. -they attend more to maintaining solidarity during interaction than men (by avoiding conflict and minimizing threats). (Schiffrin, p. 117)
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Debby: Well, Irene, is there anybody around here that you would call a best friend? Irene: Now? Debby: Yeh. Henry: In front of us? Zelda: No, we’re not her [best friends, we’re her= Henry: [No! She’s got a best friend. Zelda: =neighbors! Irene: No, I [don’t think any one person I could say. Henry: [But she’s [more of a friend to a person, Zelda: [She’s not- Henry: =than a person to her. [Let’s put it this way.= Irene: Yeh, [T’be honest. Henry: =And it- [it [Am I right or wrong? Irene: [I think [I’ve- I’ve been getting [hurt, too much lately. Zelda: [Are you, Irene?! Debby: [Yeh Henry: No but am I right or wrong Irene? I could see [some damage! Yeh. Irene: [Yeh I feel I’m hurt.= Henry: =[see?]
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Note how Henry redirects the topic: - A question posed by the researcher to Irene - Both Henry and Zelda alter the format of the interview by commenting on the question and thus not allowing Irene to answer. - Henry answers for her: She’s got a best friend - He then makes a generalization: But she’s a friend to a person more than a person is to her. - Irene shows reluctance in talking about this, but agrees with Henry
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-In spite of Irene’s reluctance, Henry insists on pursuing the topic. Zelda’s immediate display of sympathy upon Irene’s revelation: Are you Irene? Interestingly, Henry uses Irene’s revelation of getting hurt as a basis for the validity of his statement: No but am I right or wrong Irene? I could see some damage!
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Debby: How ‘bout you Irene? Irene: What? Debby; Who would you = Zelda: Who would you [discuss it with? Debby; =if you had a hard day, who would you complain to? Zelda: Jay Irene: Uh:: I don’t know. Depending on what the problem really was. I might [talk] to a friend easier= Debby: Yeh. Yeh. Irene: =than to a- what- I’m not that family oriented.= Debby: Uhhuh. Irene: Like they are Henry: [She should be. She’s got a nice family.
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ZELDAHENRY -Her realignment was more supportive and integrative: -allowed others to maintain their participant roles. His stance is more judgmental and divisive: -it shifts participant alignment and forces others to fit their utterances into that framework: talking about Irene as though she was not present, thus dividing the audience into an addressed recipient (Debby) and an unaddressed recipient (Irene). -He thus excludes Irene from the interaction -He, thereby, indirectly challenges her to defend herself.
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