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Chapter 25 Northern Europe 1600-1700
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Rubens Studied the Italian masters, Michelangelo, Titian, Caravaggio and mixed them all together Patrons were Medici and Charles I of England Permanent court painter to Spanish governors in Flanders Amicable, friendly & well liked Studied statues of Hellenistic sculpture
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Rembrandt Use of light hallmark of his style Inspired by Caravaggio but not as “abrupt” Shows mood of his subjects Had several self portraits showing him as assertive
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Vermeer Yes, he painted the Girl with the Pearl Earring Renown for his interiors, middle class dwellings with men, women, children doing household chores View of his paintings makes us feel like we are peeking or evesdropping Used the Camera obscura ( a drawing device meaning “dark room”, preceeded the development of the camera)
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Rubens, Elevation of the Cross, 1610
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Rubens, Arrival of Marie d’ Medici at Marseilles, 1622
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Rubens, Consequences of War, 1638
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Van Dyck, Charles I Dismounted, 1635
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Peeters, Still Life with Flowers, Goblet, Dried Fruit, Pretzels, 1611
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Brugghen, Calling of St Matthew, 1621
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Honthorst, Supper Party, 1620
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Hals, Archers of St Hadrian, 1633
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Hals, The Women Regents of Old Men’s Home at Haarlem, 1664
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Leyster, Self Portrait, 1630
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Rembrandt, Anatomy Lesson of Dr. Tulp, 1632
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Rembrandt, Night Watch, 1642
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Rembrandt, Return of the Prodigal Son, 1665
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Rembrandt, Self Portrait, 1659
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Rembrandt, Christ with the Sick around him, 1649
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Ruisdael, View of Haarlem from the Dunes of Overveen, 1670
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Vermeer, The Letter, 1666
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Vermeer, Allegory of the Art of Painting, 1670
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Steen, Feast of St Nicholas, 1660
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Claesz, Vanitas Still Life, 1630
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Kalf, Stll Life with Late Ming Ginger Jar, 1669
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Ruysch, Flower Still Life, 1700
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Poussin, Et in Arcadia Ego, 1655
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Poussin, Burial of Phocion, 1648
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Lorrain, Landscape with Cattle and Peasants, 1629
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Le Nain, Family of Country People, 1640
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Callot, Hanging Tree, 1629
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De la Tour, Adoration of the Shepherds, 1645
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Rigaud, Louis XIV, 1701
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Perrault, Le Vau, Le Brun, façade of the Louvre, 1667
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Palace and Garden of Versailles
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Mansart & Le Brun, Hall of Mirrors, Versailles
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Mansart, Royal Chapel, 1698
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Jones, Banqueting House at Whitehall, 1619
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Wren, St Paul’s Cathedral, 1675
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