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T.S. Eliot, Nobel Prize winner of 1948 T.S. Eliot (1888-1965)
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T.S. Eliot, Nobel Prize winner of 1948 Tradition and the Individual Talent Impersonal theory of poetry - relation of the poem to other poems by other authors: consciousness of the past - relation of the poem to its author Distinction between emotions & feelings
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T.S. Eliot, Nobel Prize winner of 1948 Objective Correlative (客观对应物) Poetry is - not a turning loose of emotion, but an escape from emotion - not the expression of personality, but an escape from personality
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T.S. Eliot, Nobel Prize winner of 1948 The Love Song of J. Alfred Prufrock I.Introduction II.The subject of “Love Song” III.The form of “Love Song”
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T.S. Eliot, Nobel Prize winner of 1948 I. Introduction T.S. Eliot & The Waste Land (1922) Modernism: rejection of traditions; experimental in form - emphasis on inner world / consciousness - dehumanization, helpless man, chaotic world - symbolism, stream of consciousness - sense of rejection, tone of desperation - obscurity in language
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T.S. Eliot, Nobel Prize winner of 1948 Summary of the Story A poem of self-irony - “love song” vs. “absence of love” - effort of action vs. effectual inaction - ordinary surname vs. elegant initial “J.” and middle name Fear, boredom, despair, breakdown
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T.S. Eliot, Nobel Prize winner of 1948 II. Subject 1.Focus on the “inner world” 2.Anti-hero & dehumanization 3.Alienation & estrangement
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T.S. Eliot, Nobel Prize winner of 1948 1. Focus on “Inner World” dramatic monologue - (cf. Robert Browning’s poem) Interior monologue – stream of consciousness: talking to self; ego & id; free association
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T.S. Eliot, Nobel Prize winner of 1948 Fra Lippo Lippi I am poor brother Lippo, by your leave! You need not clap your torches to my face. Zooks, what ’ s to blame? You think you see a monk! What, ‘ tis past midnight, and you go the rounds, And here you catch me at an alley ’ s end Where sportive ladies leave their doors ajar? … …… …
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T.S. Eliot, Nobel Prize winner of 1948 Fra Lippo Lippi Fra Lippo Lippi (1406-1469), a Florentine painter and friar with the Renaissance fresh appreciation of earthly pleasures as a reaction against the medieval attitude.
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T.S. Eliot, Nobel Prize winner of 1948 2. Anti-hero & dehumanization Hero – large, dignified, powerful, heroic like Hamlet and Michelangelo Anti-hero – petty, ignominious, ineffectual, passive, e.g. Prufrock a bald-haired middle- aged man of social failure Dehumanization – insect (butterfly), crab, e.g. Kafka’s Metamorphosis (Gregor changed into a gigantic insect, a cockroach.)
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T.S. Eliot, Nobel Prize winner of 1948 3. Alienation / Estrangement From the society: ill at ease, bored, unwelcome Self-estrangement: self-debasing, coward / timid
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T.S. Eliot, Nobel Prize winner of 1948 III. Form 1.Free verse: no fixed metrical foot, irregular line length, no regular rhyme, mixture of iamb, trochee or anapest; rhymed lines – images of irony, etc. 2.Symbols 3.Allusions 4.Lack of continuity
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T.S. Eliot, Nobel Prize winner of 1948 2. Symbols Jules La Forgue Symbols for complex reality: - evening (a patient etherized upon a table - inaction ) (John Berryman, Confessional poet) - cat: sexy, alluring and fearsome; slothful state of spirit
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T.S. Eliot, Nobel Prize winner of 1948 3. Allusions (1) Dante’s Inferno: the character’s pain Hamlet, Bible stories, Andrew Marvel’s poem – Prufrock’s cowardice John the Baptist (a prophet): Prufrock’s reputation is picked pieces – his head, a slightly bald head, is brought in on a platter, but he’s no prophet
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T.S. Eliot, Nobel Prize winner of 1948 3. Allusions (2) Lazarus raised to life: - Prufrock is like Lazarus raised from death to life, who has glimpsed sth. of another world and is not understood by the women. These women are a group of overcultured, bored people in the drawing rooms who sip tea and discuss art (Michelangelo) with shallowness.
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T.S. Eliot, Nobel Prize winner of 1948 3. Allusions (3) Mermaids: - opposite of what the women in the drawing rooms represent (their dried out, over-refined life) - stands for beauty, life, vitality
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T.S. Eliot, Nobel Prize winner of 1948 Phrase Source “ I have wept and fasted, Matthew (The Bible) wept and prayed …” “ Among the porcelain …” Emily Dickinson “ I cannot live with you ” “ I ’ ve heard the mermaids singing each to each …” John Donne “ squeezed the universe into a ball …” Andrew Marvel “ To His Coy Mistress ” the last but five stanza Hamlet and Polonius in Hamlet
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T.S. Eliot, Nobel Prize winner of 1948 4. Lack of Continuity Sudden shifting from one scene to another Jumping from one thought to another Collage of fragmented pieces
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T.S. Eliot, Nobel Prize winner of 1948 Assignments for “Hills like White Elephants” Look for modernistic elements in - relationship between the characters - narration - theme - style - symbols …
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