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Impressionism –late 1880s Interested in capturing the quality of light Harmonious colors Choppy and visible brush strokes Two Examples of Major Artists:

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Presentation on theme: "Impressionism –late 1880s Interested in capturing the quality of light Harmonious colors Choppy and visible brush strokes Two Examples of Major Artists:"— Presentation transcript:

1 Impressionism –late 1880s Interested in capturing the quality of light Harmonious colors Choppy and visible brush strokes Two Examples of Major Artists: Claude Monet Pierre Auguste Renior

2 Claude Monet Claude Monet, Haystacks, (sunset), 1890-1891, Museum of Fine Arts, BostonHaystacks, (sunset)Museum of Fine Arts, Boston

3 Claude Monet Vétheuil in the Fog, 1879, Musée Marmottan Monet, Paris.Musée Marmottan Monet

4 Claude Monet Nympheas, 1915, Neue Pinakothek, MunichNeue Pinakothek Munich Bridge over a Pond of Water Lilies, 1899, Metropolitan Museum of ArtMetropolitan Museum of Art

5 Pierre-Auguste Renoir Dance at Le Moulin de la Galette (Bal du moulin de la Galette), 1876, Pierre-Auguste RenoirBal du moulin de la Galette

6 Pierre-Auguste Renoir On the Terrace, oil on canvas, 1881, Art Institute of ChicagoArt Institute of Chicago Girl with a Watering CanGirl with a Watering Can (1876)

7 Pierre-Auguste Renoir Alice and Elisabeth Cahen d'Anvers (Pink and Blue)(Pink and Blue) (1881) Luncheon of the Boating PartyLuncheon of the Boating Party (1881)

8 Modern Art: Post Impressionism 1882-1900 Shift in color usage- color no longer representational. Interested in developing a visual language of symbols. Capturing the psychological feelings or emotions of the subject Major Artists: Vincent Van Gogh and Paul Signac, George Seurat

9 Vincent Van Gogh The Starry NightThe Starry Night, June 1889, The Museum of Modern Art, New YorkThe Museum of Modern Art

10 Vincent Van Gogh Bedroom in ArlesBedroom in Arles (1888), Van Gogh MuseumVan Gogh Museum

11 Vincent Van Gogh Still Life: Vase with Twelve Sunflowers (August 1888), Neue Pinakothek, MunichNeue Pinakothek Self-portraitSelf-portrait, 1889, private collection

12 Paul Signac Paul Signac, Portrait of Félix Fénéon, 1890,Félix Fénéon Museum of Modern ArtMuseum of Modern Art, New York CityNew York City

13 Paul Signac Port St.Tropez, 1901

14 George Seurat Sunday Afternoon on the Island of La Grande JatteSunday Afternoon on the Island of La Grande Jatte, 1884-1886, The Art Institute of Chicago.The Art Institute of Chicago

15 George Seurat Bathers at AsnièresBathers at Asnières, 1884, National Gallery, LondonNational GalleryLondon

16 George Seurat Detail from La Parade (1889) showing pointillism

17 Cubism 1907-1914 Multiple view points Non representational spatial relationships Use of non traditional and traditional materials Geometric division of space Major Artist: Pablo Picasso

18 Pablo Picasso Guitar, Glass and Fruit by Picasso

19 Pablo Picasso Fruit Bowl and Guitar by Picasso

20 Pablo Picasso Bull Skull, Fruit and Pitcher 1939 by Pablo Picasso

21 Modern Art between the Wars Concept based Politically charged- in response to the Wars and new technology Looking at breaking the painting down to the principles and elements of designs Major Artists: Piet Mondrian and Alberto Giacometti

22 Piet Mondrian “Broadway Boogie Woogie”

23 Piet Mondrian “Composition with Red”

24 Piet Mondrian “L’arbre”, 1908

25 Alberto Giacometti

26 “Cat”, 1954

27 Alberto Giacometti Walking Man II (1948)

28 Op Art Interested in creating optical illusions Short lived art movement Inspired from the Minimalism movement High contrast colors Major Artist: Bridget Riley

29 Bridget Riley Bridget Riley 1963 Fall

30 Bridget Riley The Riley Illusion

31 Pop Art Started in the 1950 Interested in exploring the differences and similarities between mass produced art and fine art A reflection on popular culture Major artists: Andy Warhol and Roy Lichtenstein

32 Andy Warhol Marilyn, 1967 by Andy Warhol

33 Andy Warhol 10 Marilyns, 1967

34 Roy Lichtenstein

35 Drowning Girl 1963


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