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Published byCandice Potter Modified over 9 years ago
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Baroque Music George Freidrich Handel
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Part I
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Renaissance Music Baroque Music
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Renaissance Polyphony (Palestrina) too sophisticated; can’t understand all those voices!!! They even sing in Latin!*?#!
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Protestant Church (the Reformation) Catholic Church
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Protestant Church (the Reformation) Catholic Church Simplify musical expression
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Part II
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Opera
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Opera Musical and theatrical performance. The lines (dialogue) sung, not spoken
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Recitative
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Baroque composers looked back to Greek theatre
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Text sung with musical accompaniment
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Result was a recitative: single vocal line with simple instrumental accompaniment Within the Messiah, the recitative acts as an informational segue to the narrative
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Much easier to understand music (vocal lines) Music gave emotional intensity to performance.
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Oratorio
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Oratorio: Music set to stories derived from Bible
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Recitatives normally secular Oratorios normally sacred
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Part III
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George Frideric Handel (1685–1759)
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Child Prodigy
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By the age of seven he was a skillful performer on the harpsichord and organ, and at nine he began to compose music.
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Father wanted him to study LAW, but he died and Handel turned to…
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Music
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He moved to Hamburg, accepting a position as violinist and harpsichordist in the orchestra of the opera-house.
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In 1710 Handel became Kappellmeister (Choir Master) to George, Elector of Hanover, who would soon be King George I of Great Britian.
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He visited London in 1710 and settled there permanently in 1712, receiving a yearly income of £200 from Queen Anne.
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In 1723, Handel moved into a newly built house in Brook Street, London, where he rented until his death 36 years later.
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Handel lived at 25 Brook Street, London, now commemorated by a blue plaque on the outside of the building. It was here that he composed Messiah Next door at 23 Brook Street is another blue plaque for a more modern musician……….
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Handel lived at 25 Brook Street, London, now commemorated by a blue plaque on the outside of the building. It was here that he composed Messiah Next door at 23 Brook Street is another blue plaque for a more modern musician, Jimi Hendrix.
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If you don’t believe it, look at this photo of Mr. Holdren outside the apartments on Brooke Street in London in March 2011.
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Part IV
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Handel’s Messiah
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Handel’s Messiah sacred Oratorio
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Composed in 24 days
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Thematic Outline for Messiah
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1. Messianic prophecy: the coming of Christ
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Thematic Outline for Messiah 1. Messianic prophecy: the coming of Christ 2. Suffering and death of Christ. The defeat of humanity and the spread of God’s doctrine
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Thematic Outline for Messiah 1. Messianic prophecy: the coming of Christ 2. Suffering and death of Christ. The defeat of humanity and the spread of God’s doctrine. 3. Redemption of Humanity through Christ; overthrow of death; and a hymn of thanksgiving. This is the same theme as the Sistine Ceiling!!!!
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O=Orchestra; R=Recitative; A=Aria, C=Chorus
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Aria= a solo piece; emphasizing great emotion; noted for high pitches—a soaring sound—particular to Italian operas. Love is an often used subject for arias
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CHORUS: And the glory of the Lord shall be revealed. And all flesh shall see it together, for the mouth of the Lord hath spoken. (Isaiah 40:5)
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Recitative: Behold, a virgin shall conceive, and bear a son, and shall call his name Emmanuel, “God with us”. (Isaiah 7:14/Matthew 1:23)
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Aria (air): I know that my Redeemer liveth, and that he shall stand at the latter day upon the earth. And though worms destroy this body, yet in my flesh I see God. (Job 19:25-26)
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Chorus: Hallelujah, for the Lord God Omnipotent reigneth, Hallelujah! The Kingdom of this world is become the Kingdom of our Lord and of his Christ, and he shall reign for ever and ever, Hallelujah! King of Kings, and Lord of Lords, and he shall reign for ever and ever, Hallelujah! (Revelation 19:6, 11:15, 19:16)
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