2. Though Art Nouveau climaxed in the years 1892 to 1902, the first stirrings of an Art Nouveau movement can be recognized in the 1880s, in a handful of progressive designs such as the architect-designer Arthur Mackmurdo's book cover design for his essay on the city churches of Sir Christopher Wren, published in 1883. Some free-flowing wrought iron from the 1880s could also be adduced, or some flat floral textile designs, most of which owed some impetus to patterns of High Victorian design. The name 'Art Nouveau' derived from the name of a shop in Paris, Maison de l'Art Nouveau, at the time run by Siegfried Bing, that show cased objects that followed this approach to design. A high point in the evolution of Art Nouveau was the Exposition Universelle of 1900 in Paris, in which the 'modern style' triumphed in every medium. It probably reached its apogee, however, at the Esposizione Internazionale d'Arte Decorativa Moderna of 1902 in Turin, Italy, where designers exhibited from almost every European country where Art Nouveau flourished. Art Nouveau made use of many technological innovations of the late 19th century, especially the broad use of exposed iron and large, irregularly shaped pieces of glass in architecture. By the start of the First World War, however, the highly stylized nature of Art Nouveau design — which itself was expensive to produce — began to be dropped in favor of more streamlined, rectilinear modernism that was cheaper and thought to be more faithful to the rough, plain, industrial aesthetic that became Art Deco

4. Park Güell is a garden complex with architectural elements situated on the hill of el Carmel in the Gràcia district of Barcelona, Catalonia. It was designed by the Catalan architect Antoni Gaudí and built in the years 1900 to 1914. It is part of the UNESCO World Heritage Site "Works of Antoni Gaudí". architectural el CarmelGràcia BarcelonaCataloniaCatalanarchitectAntoni Gaudí19001914UNESCO World Heritage SiteAntoni Gaudí GaudíGaudí's mosaic work on the main terrace GaudíGaudí's multicolored mosaic dragon fountain at the main entrance, prior to vandalism early in 2007

5. Antoni gaudi who belonged to the art nouveau movement and was famous for his unique style and highly individualistic designs. He use firstly this style.

6. Art Nouveau was a movement that was broad based enough to encompass a whole lifestyle: it was possible to live in an art nouveau house with art nouveau furniture, silverware, crockery, jewelry, etc Gustav Klimt

7. Late 19th Century, Art Nouveau Chair by Carlo Bugatti (Italian, 1856-1940)

9. Antoni gaudi is a most famouse designer and architect on the world. He use a art nouveau style in the design.

10. Henry van de velde is used art nouveau style in the design.

11. Louis Majorelle

13. Louis Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the.FrenchébénisteArt Nouveau1901

14. Daum is a crystal studio based in Nancy, France, founded in 1875 by Jean Daum (1825-1885). His sons, Auguste Daum (1853-1909) and Antonin Daum (1864-1931), oversaw its growth during the burgeoning Art Nouveau period. Currently Daum is the only commercial crystal manufacturer employing the process for art glass and crystal scultpures.NancyFranceArt Nouveaucrystal

15. Émile Gallé

16. Émile Gallé was a French artist who worked in glass, and is considered to be one of the major forces in the French Art Nouveau movement.FrenchglassArt Nouveau

17. Works of art in the Art Nouveau style typically feature objects of nature such as birds, flowers and insects but also include women and fantasy creatures. Embellishment is introduced in the form of intertwining curvilinear vegetal forms such as leaves, flowers, vines, grasses and even seaweed. Art Nouveau has the appearance of flatness which is accomplished by the absence or reduction of shading; abstract line work is often used as a filler. Works of art in the Art Nouveau style typically feature objects of nature such as birds, flowers and insects but also include women and fantasy creatures. Embellishment is introduced in the form of intertwining curvilinear vegetal forms such as leaves, flowers, vines, grasses and even seaweed. Art Nouveau has the appearance of flatness which is accomplished by the absence or reduction of shading; abstract line work is often used as a filler.

19. Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which were the main themes of his later work.Art Nouveau

20. ALFONS MUCHA

21. IVAN YAKOVLEVICH BILIBIN

23. WELTER CRANE

24. Dynamic, undulating, and flowing, with curved 'whiplash' lines of syncopated rhythm, characterized much of Art Nouveau. Another feature is the use of hyperbolas and parabolas in windows, arches, and doors. Conventional moldings seem to spring to life and 'grow' into plant-derived forms. Like most design styles, Art Nouveau sought to harmonize its forms. The text above the Paris Metro entrance follows the qualities of the rest of the iron work in the structure. Art Nouveau in architecture and interior design eschewed the eclectic revival styles of the Victorian era. Though Art Nouveau designers selected and 'modernized' some of the more abstract elements of Rococo style, such as flame and shell textures, they also advocated the use of highly stylized organic forms as a source of inspiration, expanding the 'natural' repertoire to embrace seaweed, grasses, and insects.hyperbolasparabolas moldingsinterior designVictorian eraRococoflameshellseaweed grassesinsects

25. ANTONI GAUDI

29. GEORGES BİET

30. AUGUST ENDELL

32. Another glass and steel combinations