1. Contemporary Realism - the Problem Novel

2. Experientially True: An author’s honest attempt to depict people in ordinary situations without sentimentality or a glossing over of anything.

3. What kinds of problems? Anything: drugs, divorce, abortion, educational disabilities, parental abuse....

4. Allows readers to: experience situations vicariously or to explore a situation that they are in through the eyes of others.

5. History of the Problem Novel

6. 1960-1970 Differed from earlier works dealing with adolescents. Poorer families. Harsher settings. Colloquial Language. Attitude: kids got to see good and bad Sexual content Pessimism Dysfunctional families

7. 1967 The Outsiders, the House of Tomorrow, Mr. and Mrs. Bo Jo Jones, Sounder, Too Bad About the Haines girl.

8. The Good Problem Novel Believable plot Rich characterization Setting enhances the story Worthwhile theme (something to think about) Style is smooth Is subtle Gives insight into dealing with problem highlighted

9. Poor Problem Novel Predictable plot Setting is extraneous Stereotypes Didactic - Preachy Trendy Dialogue is forced & unnatural Facts don’t match with what we know of the real world Unlikely coincidences move the plot Sensationalistic

10. Tragedies Noble character – stays noble even in the face of the “tragedy” An overwhelming “problem” A struggle with the problem and some “outcome” (usually a good one in the adolescent tragedy).

11. The Romance “In the Roman manner” – Romance languages –Stories traditionally were adventure and love stories

12. The Romantic Quest Adventure and Accomplishment –Entering the adult world –Hero’s worth must be achieved –Worth challenged –Challenge overcome –Loses some part of self (body, soul, childhood, etc)

13. Love “Quest” The “problem” is a “pairing” Protagonist doesn’t risk or lose as much as in the adventure quest Characterization is VERY important in the love quest – we must “know” them “other” issues are involved also, but love is the “adventure”