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© 2012. Wanda Teays, all rights reserved.
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Who is Aristotle? What are the main parts of a movie? What does it mean to be Authentic?
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Aristotle was an ancient Greek Philosopher. Did a little bit of everything but is best known for his work in plays and ethics. Aristotle believed there were 6 main components to a successful play.
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PLOT —Plot is on top! The plot is the soul of the movie! CHARACTER —Focus especially on the protagonists’ moral character THOUGHT — Themes and ideas, what motivates the character DIALOGUE — and diction,” the expression of meaning in words” (Aristotle) MUSIC —-is “embellishment” in that it reinforces the theme SPECIAL EFFECTS (“Spectacle” —- Least important says Aristotle—more craft than artistry. (He’d probably be a bit more receptive to today’s special effects)
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Movies should have a BEGINNING, MIDDLE and the END For Aristotle this is: the First Cause= Begining the Complication= Middle the Resolution= End Ideally, the audience should experience a CATHARSIS at the end, like a big sigh of relief!
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Back story: What happens before the beginning of the movie First Cause—sets off the story line, sets things in motion Second Cause—toward the middle of the movie, sets the 2 nd half in motion toward a Resolution ( = “ DENOUEMENT”) where knots are tied. Catharsis —an outpouring of all the pent-up tension or emotions that have been building.
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A good drama has a beginning, middle, and an end. He calls them the First Cause, the Complication, and the Resolution (Denouement). The beginning (“First cause”) sets off the chain of events that drives the story. The First Cause happens early in the movie and not before the movie starts.
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The second part (“Complication” where a moral conflict on the part of the hero is made clear.) It ranges from the change of fortune for the hero to the “Second Cause of Action.” The second cause of action leads to change or “Discovery.”—the third part, (“the Resolution”) towards the end of the movie.
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COMPLEX plots are Aristotle’s favorites. What makes them complex? There’s a “Reversal of Fortune”—-the hero’s fortunes change (from good to bad or vice versa). “Reversal of Fortune” leads to a “Discovery” — - a revelation or realization that is transformative to the hero SIMPLE plots are usually thought to have a reversal of fortune but no discovery (some interpret Aristotle to hold that a simple plot may have neither (just be a string of episodes).
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The best plots have a single focus—they are tight!—not a bunch of tangents going off in all directions The best movies: Have no subplots and are not episodic—The story wraps up at the end, doesn’t leave us dangling. Franchise films-the “to be continued” types of movies are definitely not for Aristotle!
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