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William Faulkner, recipient of the Nobel Prize for Literature in 1950 Faulkner is the first American to receive this prestigious award
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Civil Defense
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Chapter Twenty-Two The Contemporary Contour 1945 - Present An Era of Many Names: The Nuclear Age The Computer Age The Information Age The Late-Capitalist Age The American Age The Postindustrial Age The Space Age The Age of Globalization
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ExistentialismExistentialism Kierkegaard (1813-1855) “the crowd is untruth” Autonomous individual, self-examination; Christian Existentialism “Who am I? What am I doing here? Where am I going?” Attacked organized state religion; proposed “leap of faith” Friedrich Nietzsche (1844-1900) Moral relativism “If you gaze for long into the abyss, the abyss gazes also into you” Sartre (1905-1980) Implications of a world not rooted in religion Individual place, freedom, ethics
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Toward a Global Culture Artistic satire of modern warfare Joseph Heller—Catch 22; Thomas Pynchon—Gravity’s Rainbow; Stanley Kubrick—Dr. Strangelove Global economy and Cold War Search for individual, social meaning in a shrinking world of mass-produced consumer goods Artist as voice of protest, hope Beat literature: Ginsberg, Kerouac
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Allen Ginsberg Beat Poet
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Edward Hopper, Nighthawks (1942)
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Identity Politics since 1945 Civil rights for minorities (1960s-present) Second-wave feminism (1970s-present) Gay and lesbian rights (1980s-present) Growing sense of cultural pluralism as Western nations become home to more and more people from different civilizations and as native peoples assert their rights
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Juane Quick-to-See Smith, Indian, Indio, Indigenous (1992)
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ArchitectureArchitecture The Modern and the Postmodern
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Le Corbusier, a European modernist architect: a house is a machine for living in. “Le Corbusier-haus, Berlin” How does this apartment house compare and contrast with other architectures we have studied: Greek and Roman, Gothic, Renaissance, Rococo, Neo- Classical?
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American modernist architecture Louis Sullivan (1856-1924) “Form ever follows function” Wainwright Building, St. Louis 1890-91 With terra cotta tile organic decoration
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Mies van der Rohe, a European modernist and admirer of Sullivan: “Less is More”The Seagrams Building, NYC
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American modernist architecture Frank Lloyd Wright (1869-1959) Function is accomplished through form Organic architecture Use of new materials: ferroconcrete Flow of space vs. obstruction of space Private home, Fallingwater Guggenheim Museum (1957-1959)
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Frank Lloyd Wright: organic architecture The Kauffman House outside Pittsburgh, aka “Fallingwater.” How is this house organic?
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Frank Lloyd Wright: Form Follows Function: museum goers walk down a spiral ramp inside, viewing art on the walls in one continuous uninterrupted stream. ”Democracy needs something basically better than a box”The Guggenheim Museum, 1957-59, New York City
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Atlanta’s Modernist High Museum: how does form follow function here?
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Midtown Atlanta: Postmodernist Architecture. What is modern looking about this skyline? What isn’t?
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One Atlantic Center
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GLG Grand
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191 Peachtree Tower
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Frank Gehry, Postmodern Prague computer-aided architecture
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Frank Gehry, Guggenheim Museum Bilbao, Spain
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Frank Gehry, Furniture Designer The Wiggle Chair (corrugated cardboard); sofa and stools (molded polymer)
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Peggy Guggenheim: the Medici of Modern Art Guggenheim’s Art of this Century gallery in NYC
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Pre-WWII Modern Art Picasso’s Le Gourmet (1901) What other modern artists does this resemble? (see, this guy can really paint too!)
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Picasso’s cubist style Portrait of Maya with a Doll (1938) How is Picasso moving away from the conventions of past art?
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Postwar Picasso Musketeer (1968) Picasso has moved towards a very colorful, almost cartoonish geometrical abstraction. What elements of traditional realist art remain here?
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Romare Bearden, American Cubist and collagist Rocket (left) and Train (right)
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Pre-WWII Expressionism Munch, Anxiety How is munch expressing the interior state of anxiety in this painting?
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New Expressionism Francis Bacon Self Portrait
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New Expressionism Francis Bacon Head
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New Expressionism Francis Bacon Three Studies for Figures at the Base of a Crucifixion (3)
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Art Since 1945 Prodigious variety; numerous styles International dilution of American art Refugee teachers, artists Peggy Guggenheim Patron of modern art
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Painting Since 1945: Abstract Expressionism Color field paintings Color detached from imagery Artistic goals Break with other conventions of art Feeling, not seeing
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Jackson Pollock at work
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Pollock, The She Wolf What is being expressed here?
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Pollock, Eyes in the Heat What is being expressed here?
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Pollock, Number 1 (1948)Freewrite
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Adolph Gottlieb in front of his painting, Spray 1957
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Adolph Gottlieb, “color field” painting Icon (1964) The abstract shapes and colors evoke feelings and provoke assocations FREEWRITE
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Robert Motherwell, Elegy for the Spanish Republic n°34, 1953-54
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Mark Rothko, Center Tryptich for Rothko Chapel, 1966, Houston. The panels of varying shades of the same color are meant to be meditated upon, much like Byzantine icons.
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Painting Since 1945: The Return to Representation Consideration of the object; painting the stuff of everyday life Jasper Johns (b. 1930) Robert Rauschenberg (b. 1925) John Cage’s “Happenings” Combine paintings Andy Warhol Pop Art, popular culture, consumerism
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Jasper Johns, Painted Bronze, 1960,
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Robert Rauschenberg, Monogram, 1955-59, oil and collage on canvas, with stuffed goat and tire
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Andy Warhol makes art out of the supermarket Coke Bottles and Campbell’s Soup Can
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Roy Lichtenstein, Blam!, 1962 Making art out of mass media and pop culture
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Photorealism. Chuck Close, Self Portrait
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Minimalism Ellsworth Kelly “Grey Panels 2” 1974
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Contemporary Sculpture is playful, serious, creepy and wonderful Continuity + Experimentation New materials, technical skills David Smith (1906 – 1965) Alexander Calder (1898 – 1976) Assemblage Disparate materials Organic wholes Nevelson, Cornell, Segal, Kienholz
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David Smith, Cubi VII, 1964.
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Alexander Calder, Three Up and Three Down at the High Museum of Art, Atlanta What style is the building in the background?
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Louise Nevelson, Sky Cathedral (1958)
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Joseph Cornell, two box works circa 1950
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George Segal, Bus Riders
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Segal, “The Diner” (1964)
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Claes Oldenburg, Floor Burger, 1962, Canvas, foam rubber, 52 x 84'
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Claes Oldenburg, Clothespin, 1976, cor-Ten and stainless steel, Center Square, Philadelphia
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Edward Kleinholz, The State Hospital, 1966
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Christo and Jeanne Claude, Running Fence, 1972
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Christo and Jeanne Claude, The Gates, NYC 2006
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Nam June Paik, Megatron
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Nam June Paik, TV Buddah, 1974
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Nam June Paik, Nomad
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Maya Ying Lin, Vietnam Veterans Memorial, 1982. This view “closes the circle” of culture, as the modern memorial is balanced by the Ancient Egyptian-themed Washington Monument.
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The End
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