1. Workshop on Management of Intellectual Property by Photographers Beijing, China, December 8 and 9, 2005

2. The Business of Photography Part 1: Marketing Photography and the Role of Intellectual Property Lien Verbauwhede Consultant, Consultant, SMEs Division World Intellectual Property Organization (WIPO)

3. PART 1 INTRODUCTION

4. From agent to buyer Old days: –getting photos to wide public was costly and time consuming –most photographers needed to rely on employers or agencies to do sales for them Digital photography & Internet: –allows to produce a lot of good quality images –allows photographers to market and sell directly to the buyer

5. Consequence of Internet: Getting noticed among the “noise” of images that buyers see  marketing has become leading competitive tool Marketing itself has also changed

6. Type of marketing method will depend on personal business model –Assignments (travel outfitters, marriage, portraits, fashion, business, etc) market your services mouth-to-mouth; reputation; local market –Stock photography (licensing images for commercial use or print orders) market your pictures - marketable pictures reach the large public; worldwide –Combination OnRequest Images

7. PART 2 10 MARKETING SECRETS FOR PHOTOGRAPHY

8. 1. First find your market, then create

9. Rohn Eng: The Buyers Are Waiting But: they need to know you exist You need to supply them what they need + at the time they need it How to market your business? How to find your market?

10. Assignments wedding business fashion travel portraits ad agencies Stock photography book publishers & magazines newspapers stock photo agencies paper product companies ad agencies, web designers, graphic design studios, et art photography sales Who are the buyers?

11. Stock Photography: Marketable pictures Good picture is not always marketable –Difficult to market on your own –Sell only once in a while –Place in stock agenccy What do they need? Marketable picture –Photo illustrations –Sells and resells and resells … –Extra income at retirement –Passes over to your heirs

12. How to create marketable pictures? –Express single idea simple background –Include people involved in some activity (doing or observing something) not posed portraits showing enjoyment, unhappiness, fear, etc model release –Include a symbol brings certain idea to mind Tractor, pilot’s uniform, fishing pole, etc Source: Rohn Engh, Sell and Re-sell your Photos, 2003

13. 2. Become a monopoly

14. Specialize Find yourself: determine what you love –animals, adventure, fashion, sports, etc And find buyers who need it More chance that buyers will target their search

15. 3. Target your audience

16. Cfr your specialization Build personalized market list –Directories: Photographer’s Market –Online resources: www.photosource.com –Internet search engines –Photo newsletters Narrow down your market list –Competition –Purchasing power, etc

17. 4. Customize to your clients

18. Give what the customer exactly needs to see –Artsy images, showing your skills with camera –Images that demonstrate you know to address real-world client needs –Just showing you are out there (famous) Understand how customer makes choices –Passions, social background, etc. Luck is what happens when preparation meets opportunity

19. 5. Choose your marketing model

20. Traditional (off-line) –You may loose business opportunities –Look unprofessional Digital (online) –Simply as business card or portfolio E.g. Picture of the month + contacts –Platform to sell online Stock photography

21. Own website –If many marketable pictures –Create yourself? –Outsource web development: ownership? –Linking, using other’s copyright material, choosing DN, etc. Join existing websites –No need to design website –Profit from other’s reputation –But: search engines usually do not index such sites –But: some sites do not allow to sell pictures –But: customer service in hands of others –But: fee

22. 6. Choose a good domain name … and USE it !

23. Easy to remember Associated with you –your name, unless difficult to read and spell –“www.abcdidier.ch” No trademark conflict

24. Use wherever possible –advertising, watermarks, copyright information, business cards, stationary, invoices, emails –Website should be part of your signature Ask others to use it: –Publishers –When you license photos, request clients to link back to your website –If you participate in photo reviews

25. Make sure people find your website –Contact search engines –Links

26. 7. Choose a good trademark or logo … and USE it !

27. A distinctive sign: distinguishes your goods or services from those of competitors Exclusive rights: To prevent others from using identical or similar marks on identical or similar goods Renewable indefinitely ! Registration is required in most countries What is a trademark?

28. Distinctive logo or design –Common error: obvious logo camera, tripod, etc –Adapt it to make it unique –Associated with your specialization –Simple and easy to remember Export markets –E.g. “Windigo” (Wendy – windsurfing)

29. Trademark search Register Use it! Indicate that it is protected: ® or TM Can help your correspondence to start looking familiar

30. 8. Place a copyright notice

31. No legal obligation Advantages –Warning to infringers –Information who owns the rights –In some countries: requirement to get compensation for certain damages –Free advertising Require others to include notice –Publishers, agencies, licensees, etc –Also electronically

32. 9. If you join existing website, choose carefully

33. (a) Photo-forum websites –Have your images onto their website –Often for free –Generally not possible to sell –Benefit: No need to build own website Benefit from their goodwill Forums: interaction with other photographers –Drawback: Many photographers: buyers not likely to find yours –Photos.yahoo.com; photos.msn.com –www.photo.net; www.pbase.com

34. (b) Websites that allow sales –Upload your photos and set your own prices –Benefit: don’t need to build a website No part of ordering, printing an delivery –Drawback Editing criteria: paper size, style, etc Customer service not in your hands Search engines rarely index such sites –www.shutterfly.com

35. (c) Stock agencies –Traffic number (ranking) –Entrance fees & royaltie split Long term or short term Royalties vary from 10 – 90% of sales price –Specialization Big libraries: Getty Images, Corbis Small, specialized agencies

36. –How many photographers do they take Competition Where are you in the ranking –Marketing strenghts Can they make your images more visible to a target market segment (beware of agencies that ask fee for promotion) –Do they have royalty-free work? Can you opt out? –Do they demand exclusivity over your work? –Length of contract

37. 10. Provide big images online

38. * Big enough to see in detail, but nothing that could be copied for print use * If client asks higher resolution: watermark Big images encourage longer visits, more page views, more interest …so more business High resolution: risk of ‘stealing’ Low resolution: less attractive + risk to loose opportunity

39. CONCLUSIONS

40. A photographer’s contribution doesn’t start and end with “taking pictures”. A good marketing strategy shows all assets: that is, photography + business sense

41. Thank You for your Attention. WIPO’s website for SMEs : www.wipo.int/sme