1. The Interdisciplinary School (Humanities and Social Sciences) University of Pune In collaboration with Institute of New Media Development & Research Pune Audio Engineering workshop-cum-training programme

2. For more Details contact Shrikant cell 9422000101 Email : shrikantgadre@gmail.comshrikantgadre@gmail.com

3. Workshop will be conducted at Institute of New Media Development & Research Prabhat Road, Lane No 5, Opp. Lijit Papad, Above OBC Bank, 1 st Floor, Pune 411 004 Web site : www.inmdr.net cell : 91 - 9422000101www.inmdr.net

4. The Media today in India is demanding technically sound and stable creative Audio Engineers capable enough to handle enormous power of today’s technical development in Audio Engineering. May it is an E-learning, Radio/TV broadcasting, Pod casting, Gaming, Mobile learning, Animation, Cinema, or simply an internet, Sound plays a key role and gives rise to various fields of work. Background

5. The detailed study of sound with industry oriented training is the foundation towards starting a bright career in the field of Audio Engineering. The syllabus of this programme is designed with keen interest to deliver the highly intellectual knowledge to the student. This collaboration will help launch the audio engineering discipline and enable students to develop their career as Audio Engineer. Background

6. Syllabus for Audio Engineering

7. Introduction of students Explaining ideology of the course Collecting Students’ inputs & their ideas Orienting students towards audio engineering & introduction of the field Course Orientation

8. Linear Recording Systems Random Access Recording Systems Live Stereo Recording Recording with several mics & mixer Multi-track Recording Increasing involvement in music Different ways of listening Recording Chains

9. A vibrating source How sound travels in air Characteristics of sound wave Amplitude Wavelength Frequency Phase and Phase Shift Physics of Sound

10. Harmonics Envelopes Frequency Spectrum Sound in Electrical Form Decibel Theory Human Ear Physics of Sound

11. Behavior of Sound in Rooms Echoes Reverberations Leakage Standing Waves Studio Acoustics

12. How to Tame Echoes Controlling Room Problems with Recording Techniques Controlling Room Problems with Acoustic Treatment Controlling Room Resonance Studio Acoustics

13. Making Quieter Studio Simple and Economic Acoustic Solution Studio Development Project Briefing Studio Acoustics

14. Mixers Microphones Mic Preamps Direct Box Monitoring System Effects Cables and Connectors Rack and Patch Bay Pop Filters Mic Stands and Shock Mounts Introduction to Studio Equipment

15. Loudspeaker Types Complete Loud Speaker System Cue System Speaker Requirements Near field Monitoring Far Field Monitoring Speaker Placement Studio Monitoring Systems

16. Digital Vs Analog Recording Introduction to Binary Word The Digital Audio Signal Chain Analog to Digital Conversion The Clock Sampling Frequency Bit Depth Quantisation Jitter Dither Digital Audio Signal Formats Audio in Digital Domain

17. Linear Digital Recording DAT Recording ADAT Recording Hard Disk (Random Access) Recording CD Recording DVD Recording Digital Recording Formats

18. Studio Environment and Session Procedures Preproduction Stage Instrumentation and Recording Order Track Assignment Session Sheet Production Schedule Track Sheet

19. Studio Environment and Session Procedures Microphone Input List Instrument Layout Charts Setting up Studio and Control Room Recording Sessions Overdubbing Mixing Session Mix down and PMCD (Pre-Master Compact Disc)

20. Apple, Avid and Digidesign - Pro Audio Manufacturers DAW Apple, Avid and Digidesign

21. Getting inside Pro Tools Creating your first session Making your first audio recording Importing media into your session Making your first MIDI recording Selecting and navigating Basic editing techniques Basic mixing techniques Finishing your work Pro Tools Training

22. Foley Sound Effects Stem Mixing Surround Sound Introduction to SMPTE Time Code Post-Production Techniques

23. Music hands-on project Post hands-on project Pro Tools Project

24. Tonal Balance Clean Sound and Clarity Smoothness Presence Spaciousness Sharp Transients Tight Bass Wide and Detailed Stereo Imaging Wide but Controlled Dynamic Range Distortion and Noise Judging Sound Quality

25. Equalization Techniques Compression & Limiting Techniques Dithering and Other Mastering Process Final Audio Master CD Activity –V (Mastering Stereo Tracks) Audio Mastering

26. Recording, Editing, Mixing, Mastering up to 32 tracks (At least one vocal and two acoustic instruments are compulsory) Final Studio Production Project

27. Deigning a Well-equipped Studio (Written Search Study and Presentation compulsory) Studio Development Project

28. Duration : 100 clock hrs (50 classroom section 50 Practical) Students will be awarded Pune University Certificate This is a workshop-cum-training programme Evaluation of Project and Certification

29. For more Details contact Shrikant cell 9422000101 Email : shrikantgadre@gmail.comshrikantgadre@gmail.com

30. For more Details contact Shrikant cell 9422000101 Email : shrikantgadre@gmail.comshrikantgadre@gmail.com