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目次 Only Connect… Oslo, 12 November 2010
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Chance favours the connected mind
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The challenge of piracy ‘Anything by Alarcón or Titinger?’ Huberth asked. The man frowned. ‘Who?’ That was all. Huberth rolled up his window. ‘You’re both failures,’ he said, turning to us. From ‘Life Among the Pirates’ by Daniel Alarcon. Granta, 2009
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Source: wordle.net
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1 Connecting
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Moderna Museet: a meeting place
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Moderna Museet
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2 Opening Up Photo: Kevin Baldes
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Getting connected Customer Traditional Connected Customer
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“The sport is very individualistic, very free-form and very non-conventional - those things have to be in this building and in what we do, otherwise we wouldn’t connect with our audience.” Randy Hild, Marketing Director
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Good at listening Recruit people for attitude and empathy Encourage connection and dialogue Pay attention to listening Good ideas come from everywhere Requires humility
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3 Creating a dialogue Photo: Google
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Dialogue No matter,what you or anyone else says,it should be up to the artist who created the inital medium to decide who,how,where or when it is used or how they choose to be or not be compensated. No one else should have that power to decide for me or any other artist. I think an artist has the right to say no, I don't want my music,art etc used in that light,I find it offensive or whatever. No, as an artist, you should not be extended the courtesy to accept or decline. As an artist, by choosing to put your work in a public forum you are entering into conversation with your audience. If you don't want it touched, commented on or otherwise engaged with by an audience, you have the right to not publish it. But fundamentally, copyright was intended to promote and ensure the free exchange of ideas, not monopolize their use and distribution. We are at a point where we need to address the massive shift in how we distribute information (art being one form of information). Our existing laws simply don't apply. Just spend a minute on a torrent search site and you'll know what I mean. It is evident that our copyright laws are failing. Copyright originally allowed an artist to make a reasonable living from her/his work for a reasonable time. Now they can do so for the rest of their life, as can their children and grandchildren. How does this in any way support creativity? A drastic cut in copyright terms is needed - both to encourage more original creativity, and to decriminalise culture.
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The context Collapse of trust Death of deference + End of the expert New definition of authority
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4 Working together
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Four into one
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Delivering practical tools
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Finally
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Creating the future, together Source: Ind and Iglesias
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Creating the future, together ‘You could say that we are like porridge. First we're like small oat flakes - small, dry, fragile, alone. But then we're cooked with the other oat flakes and become soft. We join so that one flake can't be told apart from another. We're almost dissolved. Together we become a big porridge that's warm, tasty, and nutritious and yes, quite beautiful, too. So we are no longer small and isolated but we have become warm, soft, and joined together. Part of something bigger than ourselves.’ Göran in Together (Tillsammens). Director: Lukas Moodyson
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22 Thinking different Need to deliver functional efficiency Promote and connect as well as protect Be transparent Let go - encourage dialogue Decide on the future, together
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Thank you
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