1. Andrew Melanson Comp 1631, Winter 2011 Mount Allison University MMORPG’S WORLDS THAT NEVER SLEEP

2. MMORPG? MMORPG- Massive Multiplayer Online Role Playing Game Genre of computer role-playing games Huge volume of players interacting in a virtual world Players take on roles of a character with complete control over its actions Distinguished from other gaming types by the number of player and the inclusion of a persistent world, which exists despite players being away, or offline.

3. MAJOR EARLY INFLUENCES “YOU HAVEN’T LIVED UNTIL YOU’VE DIED IN MUD” Fantasy based social games Dungeons and Dragons (1974) Many characteristics of D&D still present today in MMORPG fantasy MUDs - Multi-user dungeons Primarily text based fantasy games Not large enough to be considered true MMORPG’s Played on precursors of the internet Eg- ARPAnet – Advanced Research Projects Agency Network Mazewar (1974) Acknowledged as the first graphical virtual world First networked game First-person perspective of a maze

4. COMMON THEMES OF MMORPG’ S Based on “fantasy” themes Character progression Social interaction via guilds or teamwork Roleplaying based on character In-game culture System architecture using client-server Character customization both technical and visual All but 1 game is designed exclusively for computer consoles

5. GENERATIONS OF MMORPG’ S First Generation : Neverwinter Night’s (1991) - First true graphical MMORPG Internet was still in its infancy; proprietary networks such as AOL and Compuserve were distributors Bandwidth costs were high $6/hour to play Comprised 115,000 players by its final year Legends of Future Past (1992) – First text based MMORPG Complex for the time: Skill based progression, game events, and crafting

6. GENERATIONS OF MMORPG’ S CON’T First Generation: In 1995 when the Internet became more accessible, online gaming was developed creating the first truly "massively“ games Meridian 59 (1996) First 3D type graphics Ultima Online (1997) Creator Richard Garriott coined the term MMORPG Now credited with popularizing the genre With top down views, the graphics were still rudimentary

7. GENERATIONS OF MMORPG’ S CON’T Second/Current Generation: Post Commercial Success Full 3D Graphics fully implemented, user interface updated, client/server technology updated Higher-quality gameplay in 2 main categories: Pay-to-play World of Warcraft (2004) EverQuest II (2004) Final Fantasy XI (only game that is available for a computer console as well as a video game console) Free-to-play RuneScape (2001) Flyff (2003)

8. Most Popular: World of Warcraft (WOW) created and developed by Blizzard Entertainment Over 12 million active subscribers as of October, 2010 $100 to buy up to the latest version with a monthly fee of $14.99 Over 222 servers, 3D graphic engine, and fully customizable user interface As with most computer software developers, Blizzard Entertainment does not make their source codes available CURRENT GENERATION

9. DEVELOPMENT MMORPGs require multiple disciplines to develop a game: Game design 3D modeling 2D art Animation User interfaces Client-server system Database architecture Network infrastructure

10. GAME DESIGN Very complex and requires a lot of creativity: Objectives of the game Rewards and challenges Lore to make the game (background and characters) compelling Tactics and gameplay Economy (side note- Many social scientists are now studying the built in economies of various MMORPG’s because the behaviour of players mirror those of people in real life C++ is one of the most popular language used by game developers

11. 3D MODELING AND 2D CONCEPT ART The content of an MMORPG virtual world such as landscapes, buildings and dungeons; the monsters and players; even music, sound effects and the special effects need to be put into 3D models using 3D modeling programs from 2D concept art blueprint

12. ANIMATION Turning 3D models into complex scenes Animation is done using motion capture libraries where a person wears a suit with sensors These sensors record movements and are used to produce realistic 3D models

13. These are all of the dialog boxes you interact with for common activities such as observing your character profile, moving items around your inventory, assigning keys to action bars, etc. USER INTERFACES

14. CLIENT-SERVER SYSTEM Server software allows for a virtual world to continuously persist Client software displays the content of the virtual world Players purchase client software which communicates with the server to give information on location of objects or user interfaces Some system architecture require multiple separate servers For independent worlds/dungeons /chatting Games are dynamic and changing needing software updates regularly thru patching servers Players cannot interact between servers Number of players/server is limited to decrease lag

15. DATABASE ARCHITECTURE AND NETWORK INFRASTRUCTURE Databases record all of the information about your character so you can come back to the game at any time in the future Network infrastructure links MMORPGs to the World Wide Web to gather information on different aspects of the game Character information can still be accessed while offline Economics Statistical analysis

16. SYSTEM ARCHITECTURE

17. PSYCHOLOGY OF MMORPG’S An incident in WOW, in which a disease from a monster began to spread unintentionally throughout the virtual world, grabbed the attention of psychologists and the Center for Disease Control. The incident became a model for progression of a disease and potential human reaction to an infection outbreak. Reports of increased emotion during gameplay are common among gamers Enjoyment of the game has been directly linked to the social organization therein Approximately 1 in 5 players indicated a preference for socializing online than offline Addiction: No formal diagnosis of video game addiction in medical or psychological literature Surveys indicate that 12% to 40% of players show addictive tendencies Keith Bakker- founder of the first European treatment facility for compulsive gamers stated 90% of clients were not addicted; excessive play was the result of social situations

18. DEATHS FROM GAMING 2005 - Seungseob Lee played Starcraft for 50 hours straight and died of cardiac arrest 2005 – Gregg Kleinmark left his two sons to drown in the bathtub while he went in another room to play video games 2006 - Tyrone Spellman killed his 17 month old daughter in a rage after his Xbox broke 2007 - Police arrested a 13 yr old boy for killing and robbing an 81 yr old woman. The boy admitted he decided to kill and rob so he could play online games. He had stolen $6.20 2007 - Daniel Petric (age 16) shot his parents, killing his mother, because they took away his video game console. His attorney argued Daniel did not understand death was permanent because he had been playing shooting games for so long 2010 - Alexandra Tobias shook her baby to death because the baby’s crying was distracting her from gaming

19. FUTURE OF MMORPG’ S We are reaching the limit of what silicon processors can do for the gaming industry Down the road: IBM has developed a graphene-based processor Performs at 100 billion cycles per second (4x that of existing experimental graphene processors) Takes advantage of graphene’s high carrier motilities Includes one atom thick sheet of carbon atoms built on Silicon substrate Diamond processors are also a viable next step but there are manufacturing limitations

20. FUTURE OF MMORPG’S CON’T… Arousal of all 5 senses Vision: 3D imaging displayed in real-time without the use of glasses such as holographic display devices Audio: enhancing sound to fell the shock waves such as audio devices that transmits sound through the skin which is used to assist the deaf in hearing Touch: devices and hardware to cause vibration effects resembling seismic effects Smell: devices that emits specific odors into the user’s personal space taking games to the next level of realism Taste: devices that would mimic foods flavor fouling the taste buds Holodeck!!

21. REFERENCES APRANET. Retrieved January 28, 2011, from http://en.wikipedia.org/wiki/ARPANET. Comparison of massively multiplayer online role-playing games. Retrieved February 2, 2011 from http://en.wikipedia.org/wiki/Comparison_of_MMORPGs. Flynn, David. Intel looks beyond silicon for processors past 2017. Retrieved February 2, 2011 from http://apcmag.com/intel-looks-beyond-silicon-for-processors-past-2017.htm. History of massively multiplayer online games. Retrieved January 29, 2011, from http://en.wikipedia.org/wiki/History_of_MMORPGs. K. Michael. The First MMORPG – The Early History of the Genre. Retrieved on January 28, 2011, from http://mmohut.com/editorials/the-first-mmorpg. Olivia, B. The Future of Gaming Technology. Retrieved on February 2, 2001, from http://mmohut.com/editorials/the-future-of-gaming-and-mmos Polglase, Kris. Game Review: DC Universe Online. Retrieved January 29, 2011, from http://tvnz.co.nz/technology-news/game-review-dc-universe-online-4009048. Privantu, Ratu. A Beginner’s Guide to Creating a MMORPG. Retrieved February 1, 2011, from http://www.devmaster.net/articles/building-mmorpg/. Radoff, Jon. Jon Radoff’s Internet Wonderland. Retrieved February 1, 2011, from http://radoff.com/blog/2008/08/22/anatomy-of-an-mmorpg/. Rowland, Emory. Gaming in the Future. Retrieved February 1, 2011, from http://www.clickfire.com/gaming-in-the-future/ Wilson, Tracy V.. How MMORPGs Work. Retrieved February 1, 2011, from http://electronics.howstuffworks.com/mmorpg6.htm. Video game addiction. Retrieved January 29, 2011, from http://en.wikipedia.org/wiki/Video_game_addiction.