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a.k.a. Neo-Classical Criticism Herbert Wilchelns (1925): “The Literary Criticism of Oratory” Sought to distinguish study of oratory from study of literature
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Concerned with particular audience response Concerned with reasonable effect Judges rhetoric by its persuasive appeals and effects
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Goal is to identify aspects of the rhetorical action that explains its persuasive effect on the audience. Reconstructing the context: Context/Occasion Audience Rhetor
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Invention Arrangement Style Delivery Memory
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The main ideas, themes, lines of argument, and content Inartistic Proofs Artistic Proofs: Ethos Logos Pathos Inductive Arguments Deductive Enthymeme
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Types of organization structures Chronological Spatial Thematic Problem-solution Cause-effect Delayed thesis
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Word choice Dramatic depictions Stories Metaphors Repetition
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Use of voice Facial expressions Body movement/posture All non-verbal components
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Not as relevant today
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Effects can be difficult to isolate and verify Strict interpretation of effects doesn’t allow for moral judgments Works best with oral presentations
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