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Rococo Art The German Baroque Rococo in England
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Rococo Art
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rocaille = literally French for pebble, refers to small stones and shells used in rococo décor barocco = Italian for baroque; possibly from Portuguese noun refering to a pearl of not round but of round or unpredictable shape French aristocracy now at Europe’s cultural center
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Rococo Art Mood: playful superficial, alive with energy Interior décor: gilded woodwork, painted panels, enormous wall mirrors Shapes: sinuous s- and c-curves, arabesques, ribbonlike scrolls Style: light, graceful, delicate Colors: white, silver, gold, light pinks, blues, greens La grace et le gout
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Watteau, L’Indifferent, 1716
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fete galante rich outdoor party in a pastoral, paradise-like setting
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Watteau, Return from Cythera, 1717-1719
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Fragonard, The Swing, 1766
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Vigee-Lebrun, Self Portrait, 1790
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De Cuvillies, the Amalienburg, early 18 th Century, Munich, Germany
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Neumann, Church of the Fourteen Saints, 1743- 1772, Staffelstein, Germany
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German Baroque
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Tiepolo, Apotheosis of the Pisani Family, 1761-1762
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Asam, Assumption of the Virgin, 1723, Rohr, Germany
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Rococo in England lampooned and embraced
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Hogarth, The Marriage Contract from Marriage a la Mode, 1745
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Hogarth, Breakfast Scene from Marriage a la Mode, 1745
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Gainsborough, Mrs. Richard Brinsley Sheridan, 1787
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Gainsborough, Blue Boy, 1770 (at Huntington Library in San Marino)
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Reynolds, Lord Heathfield, 1787
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