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SUBJECTIVE ATTRIBUTES OF SOUND Acoustics of Concert Halls and Rooms Science of Sound, Chapters 5,6,7 Loudness, Timbre.

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Presentation on theme: "SUBJECTIVE ATTRIBUTES OF SOUND Acoustics of Concert Halls and Rooms Science of Sound, Chapters 5,6,7 Loudness, Timbre."— Presentation transcript:

1 SUBJECTIVE ATTRIBUTES OF SOUND Acoustics of Concert Halls and Rooms Science of Sound, Chapters 5,6,7 Loudness, Timbre

2 FOUR ATTRIBUTES USED TO DESCRIBE A SOUND: Loudness Pitch Timbre Duration EACH OF THESE DEPENDS ON ONE OR MORE PHYSICAL PARAMETERS THAT CAN BE MEASURED: Sound pressure Frequency Spectrum Duration (measured) Envelope Relating the SUBJECTIVE QUALITIES to the PHYSICAL PARAMETERS that we can MEASURE OBJECTIVELY Is an important problem in PSYCHOACOUSTICS

3 DEPENDENCE OF SUBJECTIVE QUALITIES OF SOUND ON PHYSICAL PARAMETERS

4 LOUDNESS LEVEL Contours of equal loudness are labeled phons At 1000 Hz, Loudness Level = L p

5 SOUND LEVEL METER

6 PLOT YOUR OWN FREQUENCY RESPONSE ASSIGNMENT: Plot your own frequency response curves by using www.phys.unsw.edu.au/~jw/hearing.html

7 HOW DOES LOUDNESS DEPEND ON FREQUENCY?

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9 LOUDNESS SCALING

10 LOUDNESS OF COMPLEX TONES: CRITICAL BANDS Loudness depends mainly on SOUND PRESSURE. but it also depends on FREQUENCY, SPECTRUM and DURATION

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12 DEPENDENCE OF LOUDNESS ON BANDWIDTH

13 LOUDNESS OF COMBINED SOUNDS

14 RANGE OF FREQUENCY AND INTENSITY OF THE EAR

15 MUSICAL DYNAMICS AND LOUDNESS

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17 HOW DOES LOUDNESS DEPEND ON PARTIAL MASKING?

18 HOW DOES LOUDNESS DEPEND ON DURATION?

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23 EFFECT OF TONE ENVELOPE ON TIMBRE

24 EFFECT OF ENVELOPE ON TIMBRE PIANO NOTES PLAYED FORWARD AND BACKWARD


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