1. Music Literature Grade 12 Mr. Ryan Dulin

2. Percussion Literature We are going to look at the 1 st and 4 th movements of Sindur composed by Askell Masson This is part of percussion literature that represents what it has become We will also look at a piece in comparison from percussion literature from an earlier composer Before we look at the piece we will discuss the composer

3. The Composer Askell Masson was born in Iceland in 1953 Masson is originally a clairinetest He has been playing since the young age of 8

4. The Composer cont. He made it his main focus in 1961 before studying percussion at the Reykjavic College of Music and privately with James Blades in London He made it his main focus in 1961 before studying percussion at the Reykjavic College of Music and privately with James Blades in London Some of his performing experiences include performances with Evelyn Glennie, Roger Woodward, Gert Mortensen, Christian Lindberg, and Benny Sluchin Some of his performing experiences include performances with Evelyn Glennie, Roger Woodward, Gert Mortensen, Christian Lindberg, and Benny Sluchin

5. The Composer Cont. From 1973 to 1975 Masson took on the role of percussionist and composer for the ballet corps of the National Theater of Iceland Following this role he became a radio producer for the Icelandic Radio music department in 1978 where he served for five years In 1983 he decided sustain a life where he can devote his time towards composing

6. Other works by Masson His Website address is www.askellmasson.com His Website address is www.askellmasson.comwww.askellmasson.com Some of his other works include: Some of his other works include: –Impromtu for Marimba –Kim a snare drum solo –Rhythm Strip a snare drum duo –Tocatta for chromatic tom-toms

7. Sindur This piece was composed in 1989 by Masson Sindur in its entirety has four movements The title literally means sparks Each player is given a solo, for example player four is featured in the first movement with a marimba cadenza

8. Sindur cont. Movement four calls for a multiple set up for each playerMovement four calls for a multiple set up for each player A multiple set up is just that, it can have many different drums, cymbals, gongs, tam-tams, or just about anything else that a composer may want to include in the pieceA multiple set up is just that, it can have many different drums, cymbals, gongs, tam-tams, or just about anything else that a composer may want to include in the piece In this movement player one has a cadenzaIn this movement player one has a cadenza

9. Sindur cont. Player one uses an assortment of instruments ranging from a bass drum to boo bams as well as congo drums, bongo drums, toms that vary in size and pitch and many different cymbals and tam- tams click on the icon to the right to hear a clip of Sindur

10. Sindur cont. Masson took the melodic line presented in the first movement and varied it in the fourth Masson took the melodic line and and used it in fragments by augmentation, diminution, and transposition The melody can be heard in the fourth movement on the roto toms and the tom toms

11. Percussion in the beginning John Cages Third Construction can be heard by clicking on the icon to the left This piece was written in 1941

12. Beginning cont. Compare and contrast Sindur and Cage’s Third Construction Listen for the similarities between the two pieces and differences This would include its instrumentation and how the different parts overlap one another

13. References Askell Masson Homepage Askell Masson Homepage www.askellmasson.com www.askellmasson.com www.askellmasson.com