1. Keeping the Play in Learning Games —Scot Osterweil The Education Arcade/MIT November 15, 2007 scot_o@mit.edu

2. Play, observable throughout the animal kingdom, is the fundamental way we learn. —Johann Huizinga Homo Ludens, 1938 "Now in myth and ritual the great instinctive forces of civilized life have their origin: law and order, commerce and profit, craft and art, poetry, wisdom and science. All are rooted in the primeval soil of play." An example with rods and clamps from The Children’s Machine, Seymour Papert, 1993

3. A personal example with blocks.

4. Through the informal activity of play, we scaffold the concepts and ideas that we will engage with formally in school…and in life.

5. Play has no agenda The player’s motivations are entirely intrinsic and personal. The Four Freedoms of Play

6.  Freedom to Experiment  Freedom to Fail  Freedom to Try on Identities  Freedom of Effort

7. The Four Freedoms of Play = The Four Freedoms of Learning ≠ The Four Freedoms of School (as currently embodied)

8. Play has no agenda The player’s motivations are entirely intrinsic and personal. GAMES How do we channel play into learning activities while still allowing for play’s fundamentally open-ended nature?

9. An example: GAMES

10. In games we willingly submit to arbitrary rules and structures in pursuit of mastery, but only if we can continue to be playful. The promise of games is that through real play, the player will build new cognitive structures, and ideas of substance.

12. “What the world needs is… Grand Theft Calculus

13. Without playfulness a game is just going through the motions.

14. It’s not what you know, but how you learn. Spelling Bee v. Scrabble

15. How Do We Think About Learning Games? They should engage players with reasoning and processes relevant to their studies Logic Ethics Design Scientific Inquiry Historical Inquiry

16. How Do We Think About Learning Games? They should engage players’ imaginations with places, events, themes and ideas that matter. Huckleberry Finn Civilization, SimCity

17. Enough Talk Let’s Play

18. Keep in Mind: Narrative Activity Structure

19. Game Narrative A game world that allows players to explore their identity Not patronizing or flattering Non-gendered A game world that embodies the subject matter.

20. Game Activity Not about memorizing solutions - about learning strategies, processes, habits of mind Students understand that “wrong” answers are part of getting the right answer Learning to think like a scientist, mathematician, engineer, artist Engaging with content in a context Activities that are tactile, offer sensory satisfaction

21. Game Structure Multiple passage through challenge (tokens) Partial reward for partial success– clear incentives for more success No brick walls Emerging ideas Not just one way to win No time pressure  Enables conversation  Collaboration  Teacher or parent can observe or engage

22. Player styles: f v. m

23. We need a new hand-off between formal and informal learning

24. The Hand-Off Students can play game like any gamer Teacher can bring game into class, relate experience of game to new subject Students undertake that subject with the enthusiasm of an expert Teacher can even use class to discuss future game play strategies – begin to model meta- cognition Individual saved games give evidence of students progress

25. And we need a new model of sustainability and growth.

26. Labyrinth Puzzle Adventure Game Hours of Play - engrossing story Web Served Play anywhere - on several platforms Cumulative Progress Data Collection for Teachers

27. Labyrinth Repeat Play Partial Success Gradual Mastery Team Based Individual play, team goals Promoting collaboration/communication Students write about their thinking

28. Labyrinth Math: e ngaging students in pre-algebra Proportionality Numbers Equations/Variables Geometry Literacy for the 21st Century Writing for communication Visual and Verbal Literacy Comics-based storytelling

29. Labyrinth Technology: Flash Scalable to many screen-sizes Stabilizing as platform for handhelds Easy to pilot A new production model: bypassing the Hollywood economics of the game industry.

30. Keeping the Play in Learning Games —Scot Osterweil The Education Arcade/MIT November 15, 2007 scot_o@mit.edu