1. Colour Theory and Application B.Sc. (Hons) Multimedia ComputingMedia Technologies

2. Agenda Describing Colour Colour Models and Synthesis Colour Palettes Colours for the Web B.Sc. (Hons) Multimedia ComputingMedia Technologies

3. Describing Colour Words we might use when naming and describing colours: ‘shade, hue, warm, tone, bright, dim, pale, intense, vivid, rich, saturated, cold, strong, wishy-washy, glowing, colour, flat, weak, muddy, soft, vibrant, luminance, bold, tint’ Very subjective - influenced by perception and characteristics of illuminating light source. B.Sc. (Hons) Multimedia ComputingMedia Technologies

4. The Visible Spectrum

5. Colour Temperature

6. The Colour Wheel

7. Hue, Saturation, Value (HSV) The HSV model is based on the following concepts Hue - this is what most people would refer to as the colour or shade. Red, yellow, green and blue are hues. Saturation - this is a value that represents where the colour is on a scale from achromatic white to the pure hue. Value - is the attribute, sometimes referred to as brightness, which determines how intense the colour is on a a scale from black to the pure hue.

8. HSV 3D Representation

9. HSV 2D Representation

10. The Colour Wheel (Maya) B.Sc. (Hons) Multimedia ComputingMedia Technologies

11. Colour Models Additive Synthesis - Start with no light. Add red green and blue light to make white and complementary colours Subtractive Synthesis start with white light. Subtract red green and blue light to achieve complementary colours and black B.Sc. (Hons) Multimedia ComputingMedia Technologies

12. Additive Synthesis B.Sc. (Hons) Multimedia ComputingMedia Technologies

13. B.Sc. (Hons) Multimedia ComputingMedia Technologies Additive Synthesis

14. Colour Models:RGB Display devices generally use a color model called RGB. Stands for Red-Green-Blue Based on the additive synthesis model RBG colour value specified in three bytes B.Sc. (Hons) Multimedia ComputingMedia Technologies

15. Colour Models: RGB Each RGB value is given a number from 0 – 255 starting from Black, R = 0, B = 0, G = 0 to White, R = 255 B = 255 B = 255 Thus 256 colours can be represented by one byte = 2 8 Total possible colours from RGB code is 255 x 255 x 255 = 16 581 375 colours = True colour, but will require 3 bytes per pixel ( 24 bit colour ). B.Sc. (Hons) Multimedia ComputingMedia Technologies

16. Subtractive Synthesis B.Sc. (Hons) Multimedia ComputingMedia Technologies

17. B.Sc. (Hons) Multimedia ComputingMedia Technologies Subtractive Synthesis

18. Colour Models:CMYK Cyan-Magenta-Yellow-Black, and pronounced as separate letters. CMYK Based on the subtractive synthesis model CMYK is a colour model in which all colors are described as a mixture of these four process colours. CMYK is the standard colour model used in offset printing for full-colour documents. Because such printing uses inks of these four basic colours, it is often called four-colour printing. B.Sc. (Hons) Multimedia ComputingMedia Technologies

19. RGB Additive B.Sc. (Hons) Multimedia ComputingMedia Technologies Additive color: Combine light sources, starting with darkness (black). The additive primary colors are red (R), green (G), and blue (B). Adding R and G light makes yellow (Y). Similarly, G + B = cyan (C) and R + B = magenta (M). Combining all three additive primaries makes white.

20. CMYK Subtractive B.Sc. (Hons) Multimedia ComputingMedia Technologies Subtractive color: Illuminate objects that contain dyes or pigments that remove portions of the visible spectrum. The objects may either transmit light (transparencies) or reflect light (paper, for example). The subtractive primaries are C, M and Y. Cyan absorbs red; hence C is sometimes called "minus red" (-R). Similarly, M is -G and Y is -B.

21. Colour Models: RGB & CMYK B.Sc. (Hons) Multimedia ComputingMedia Technologies

22. Matching RBG to CMYK One of the most difficult aspects of desktop publishing in colour is colour matching Properly converting the RGB colours into CMYK colours so that what gets printed looks the same as what appears on the monitor. RGB Most important for multimedia as it corresponds to the way colour is produced on a computer monitor

23. RBG to CMYK (Photoshop)

24. Palettes ( Indexed Colour ) B.Sc. (Hons) Multimedia ComputingMedia Technologies Computer monitor may be able to display 24 bit colour but video driver hardware may be limited to less than 24 bit. Thus use a subset of 24 bit in an 8 bit palette – a selection of colours appropriate to the image colours Palettes provide a finite sub-set of colours required for a given image If the colour requirements change then some colours in the palette will need to be substituted for others to enable the new colours to be represented Approximation to original colour in scene

25. B.Sc. (Hons) Multimedia ComputingMedia Technologies

26. Colour Palettes Palettes provide a finite sub-set of colours required for a given image If the colour requirements change then some colours in the palette will need to be substituted for others to enable the new colours to be represented Approximation to original colour in scene B.Sc. (Hons) Multimedia ComputingMedia Technologies

27. B.Sc. (Hons) Multimedia ComputingMedia Technologies

28. B.Sc. (Hons) Multimedia ComputingMedia Technologies

29. B.Sc. (Hons) Multimedia ComputingMedia Technologies

30. Web Colours Websafe colours were specified from the days when most of the web audience could only access 256 colours. Most contemporary display hardware is now able to provide 24 bit colour Still need to be aware of potential deployment issues for now. B.Sc. (Hons) Multimedia ComputingMedia Technologies

31. B.Sc. (Hons) Multimedia ComputingMedia Technologies

32. Munsell System Albert Henry Munsell This system is based on the principle of "perceived equidistance” Munsell attempts to account for each colour attribute in ordered visual steps. He introduced 100 steps for colour "hue", starting with five main colours and five additional colours, and adopts an ordering system with 10 units of colour "value" and an open scale called "chroma" (similar to saturation) Used in paint industry and photographic applications

33. Munsell System

34. References B.Sc. (Hons) Multimedia ComputingMedia Technologies The Colour Group ( founded in 1940 ) 19-11-04 http://www.city.ac.uk/colourgroup/ (City University) Colour Wheel http://www.ficml.org/jemimap/style/color/wheel.htm Visbone Colour Resources 19-11-04 http://html-color-codes.com/l Weinman L. Web Pallets 19-11-04 http://www.lynda.com/ Koren N. Light and Colour http://www.normankoren.com/light_color.html 21-11-04 Roberts M HSV Colour Model. 21-1104 http://www.cs.bham.ac.uk/~mer/colour/hsv.html Munsell System http://www.colorsystem.com/projekte/engl/31mune.htm