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Chapter 6: Sound Design and Technology
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Evolution of Film Sound 1930s-1970s Recording played in sync with film Optical track, usually monaural 1950s Magnetic stereo track on select widescreen films 1976 Dolby Stereo four-channel matrix 1992-present Six-channel digital track (Dolby, DTS, SDDS)
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Types of Sound Diagetic vs. Nondiagetic Sound Speech Dialogue or monologue Voice-over narration Sound effects/Noise Ambient sound Foley Music
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Functions of Movie Music Setting the scene Adding emotion Serving as background filler Creating continuity Emphasizing climaxes Matching the action Ironic commentary
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Sound Design Blends realistic and synthetic sounds Codes: The sound hierarchy Sound perspective Sound bridges Off-screen sound Sound montage
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