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Soaps and Sitcoms: Gender
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Theoretical contexts
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feminism film studies cultural studies
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Theoretical contexts - genre - representation and identification - everyday viewing practices
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Genre example: soaps
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Genre example: soaps... a “feminine” genre?
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Genre example: soaps... a “feminine” genre? openness: a feminine aesthetic?
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Genre example: soaps... a “feminine” genre? openness: a feminine aesthetic? “tragic structure of feeling,” melodramatic imagination as feminine?
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Everyday viewing practices David Morley, “The framework of family viewing in Great Britain”
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Everyday viewing practices David Morley, “The framework of family viewing in Great Britain” power and control over program choice
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Everyday viewing practices David Morley, “The framework of family viewing in Great Britain” power and control over program choice styles of viewing
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Everyday viewing practices David Morley, “The framework of family viewing in Great Britain” power and control over program choice styles of viewing ‘solo’ viewing and guilty pleasures
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Representation and identification
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representation: mimesis vs. constructivism
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Representation and identification representation: mimesis vs. constructivism authenticity, ideology
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Representation and identification representation: mimesis vs. constructivism authenticity, ideology identity and identification:
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Representation and identification representation: mimesis vs. constructivism authenticity, ideology identity and identification: identity and difference(s) psychoanalysis
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Representation and identification representation: mimesis vs. constructivism authenticity, ideology identity and identification: identity and difference(s) psychoanalysis power:
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Representation and identification representation: mimesis vs. constructivism authenticity, ideology identity and identification: identity and difference(s) psychoanalysis power: hegemony, (dis)empowerment
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Representation and identification representation: women’s movements!... struggles for representation
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Representation and identification CS brings these two strands--theoretical and historical-- together: “representation” = multi-dimensional political term/concept
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Example: Female “types” in U.S. sitcoms: the goodwife the witch the liberated woman the harpy
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I Love Lucy (1951)
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Father Knows Best (1954)
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Bewitched (1964)
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Mary Tyler Moore (1970)
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Female “types” Roy Stafford: matron/working battleaxe sexy assistant business matriarch woman in a man’s world the vamp (1980s) woman in power women who fight other women woman who who watches her ‘biological clock’
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Female “types” Jordan (in Dyer 1981) several broad types in Coronation Street : Grandmother figures marriageable characters: mature, sexy, women; spinsterly types; young women; mature, sexy, men; fearful, withdrawn men; conventional young men married couples rogues (including 'ne'er-do-wells' and confidence tricksters)
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Female “types” Buckingham adds the stereotypes: 'the gossip’ 'the bastard' 'the tart’ and more: 'the good girl' 'the decent husband’ 'the good woman’ 'the villain' 'the career woman' 'the bitch' (Geraghty 1991)
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Roseanne (1988)
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Gender: Men, too?! contexts:
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Gender: Men, too?! contexts: masculinity studies gender studies
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Male “types” Stafford: ‘little man against the system’ self-important man the would-be lothario the man who won’t grow up the man who is afraid of women
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Home Improvement (1991)
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“Other Sexes”: 1990s and onwards representation? heteronormativity?
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Ellen (1994)
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Queer as Folk (2000)
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The L-Word (2004)
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IMDB audience review: „I've read a lot of comments in different forums about how these women don't look like "lesbians". I'm not sure what "lesbians" they've been looking at but the ones that I know look a lot like these women. Progressive, professional, feminine, sexy and proud of it. Keep up the good work Chaiken and crew!“ Representation and authenticity?
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The O.C. (2003)
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Gender cultural studies: contextualization!
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The “Circuit of Culture” Paul Du Gay, Stuart Hall, Linda Janes, Hugh Mackay, und Keith Negus. Doing Cultural Studies. The Story of the Sony Walkman. London: Sage/The Open University, 1997. representation identity production consumption regulation
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