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Disappearing Moon Cafe Canadian Fiction Stephanie
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”Telling It”, a conference in 1988 When talking about the writer’s role in the community, Sky Lee answered by quoting from Judy Radul, a Vancouver poet,” I am only a voice.” → for who? for what purpose?
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She continues,” … I have a vested interest in writing about them (women). They are part of my community.” → women- centered writing purpose in her works including D.M.C. →in D.M.C. Lee’s dealing with women in the context of a Chinese immigrant family by reflecting Wong’s private history and their Chinese culture background
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Outline Mui Lan & Fong Mei (traditional Chinese women ) Beatrice & Sue (sisters who have different fates) Kae (a writer & offspring of Wong Family)
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Mui Lan & Fong Mei Mui Lan: - is shown of respect but actually not liked by Chinatown people (23-24) - lonely, bodiless,souless → becoming noisy and demanding (26) - also silence for relying on Gwei Chang for her identity in Canada (28) - interferes with Choy Fuk’s choice of wife, his not having babies, and his career (33-35)
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Fong Mei : - helpless in front of her mother-in-law(49) (54) - Lonely (55) - Fong Mei’s nervously aware of the intimacy and smallness of Chinatown (140) (164)
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Mui Lan v.s Fong Mei - unsatisfied with Fong Mei (29) - traditional values toward daughter-in-law (30) (31)(36) (37) (58) - child-birth: (59-61) a. Mui Lan: turns to Song An (93) b. Fong Mei: turns to Ting An (119-20) (183-84) - Both are lonely and for their husband move to Canada. (138) - Mui Lan : double oppressed by men and as an immigrant Fong Mei: tripled oppressed + by her mother-in-law
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Beatrice & Sue - B v.s. S: a.Overall view of their fates (170) b. in terms of romance: (165) v.s (173) - Beatrice’s attitude toward the Wong’s past (23) (180) - B’s attitude toward the Chinatown (164-65)
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Kae - For herself a.At school : Legitimate, traditional, conventional values (41) (38) b. getting confused about her career and family (122-23) c. finding out her identity as a pure writer (216) - for her mother’s side: attempting to conciliating the conflicts (37) (145)
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Conclusion Lorrian Chan said,” Writing will empower the Chinese –Canadian community by reflecting our history, and our culture.”
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