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Chapter 15 Prelude: Music after Beethoven: Romanticism

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Presentation on theme: "Chapter 15 Prelude: Music after Beethoven: Romanticism"— Presentation transcript:

1 Chapter 15 Prelude: Music after Beethoven: Romanticism
Style Features of Romantic Music

2 Key Terms Rubato Romantic melody Chromaticism Romantic orchestra
Instrumental combinations

3 Style Features of Romantic Music
Music had to mirror inner feeling Artists were expected to have a personal style Important to sound different from others Constant striving for higher experience Innovation became essential Hard to define Romantic style in general Easier to spot innovations & novelties There were some common interests In rhythm, melody, harmony, color, & form

4 Rhythm: Rubato Italian tempo rubato = robbed time

5 Romantic Melody (1) The most recognizable Romantic feature
More emotional than before

6 Romantic Harmony Major advances in the area of harmony
Chromaticism used to expand expressivity

7 The Expansion of Tone Color (1)
Sheer sensuous quality of sound assumed importance for the first time Major advances in instrument design Romantic fascination with the orchestra

8 The Expansion of Tone Color (2)
Orchestra grew to modern size & makeup

9 The Expansion of Tone Color (3)
Composers mixed instrumental colors with great freedom & virtuosity Orchestral effects became more elaborate Opera composers used orchestral effects that nearly overwhelmed the singers


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