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PH 105 Dr. Cecilia Vogel Lecture 19
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OUTLINE PERCUSSION Membrane vibrations Labeling convention plates bells bars Indefinite pitch
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A membrane is like a string, but 2-D To vibrate it must be stretched. A membrane clamped around the edge has a node all along edge. In lowest mode, this is the only node In higher modes, also have additional nodes Radial nodes Circular nodes Membrane Modes
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The membrane may have Radial nodes go across the membrane Circular nodes go around the membrane Modes are labeled by # of radial nodes then # of circular nodes Notation 11 mode 02 mode 32 mode
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Membrane Frequency The resonant frequencies of vibration of membrane Decreases as radius increases, Increases as tension increases, Decreases as density increases.
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Overtones The overtones of a membrane are not harmonic. (Fig 13.9) If you strike membrane at center Excite 01, 02, 03, …, vibrate at center Not harmonic, dies off quickly. If you strike membrane in usual way, Excite 11, 21, 31, …, not vibrate at center Consonant: (Fig 13.9) 2.14/1.59 ≈ 4/3 (about fourth), 2.65/1.59 = 5/3 (major sixth) Ring
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Cymbals Cymbals are similar to membranes, except Stiff — higher freq Not clamped at edges, so It has modes with zero circular nodes Modes similar to circular plates in lab.
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Carillon Bells Bells are very similar to plates that have been bent down at the edges. Modes Fig 13.30 video animation of modes 20“hum” 21primefpfp 31Minor 3 rd 6/5 f p 31*fifth3/2 f p 41octave2 f p 41*Octave + maj 3 rd 5/2 f p 51Octave + fifth 3 f p 612 octaves4 f p
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Bar Vibrations Bars are like strings, except stiff not clamped at the ends Fig 2.17 modes of uniform bar relate to lab observations note non -harmonic Gamut bells overtones die quickly pure tone quality from ringing fundamental VIDEO
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Non-uniform Bars Uniform bars have inharmonic overtones Can shape bar, give it an arch to tune the overtones to be more harmonic Marimba bars freq’s in Fig 13.1 find ratio f/f 1 Approx interval ratio f1f1 fundamental1 f2f2 3.9 f3f3 9.2 f4f4 16.3 f5f5 24.2 2 octaves 4 octaves 4 octaves + fifth (16)(3/2)
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Indefinite Pitch Many percussion instruments have indefinite pitch. There is no strong, ringing fundamental. There is no harmonic structure because of inharmonic overtones. Fig 13.7, 13.12. bass drum, snare drum, triangles
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Summary Modes of bars determined by # nodes, like string. Modes of plates and membranes have radial and circular nodes Resonant freq’s of percussion instruments often not harmonic sometimes pitch is determined by strong fundamental sometimes overtones are tuned to consonant intervals sometimes no definite pitch
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