1. The Medieval Synthesis in the Arts
Chapter 13
The Medieval Synthesis in the Arts

2. Romanesque
Architecture

3. The primary impulse for Romanesque architecture came from the church.
Geography: The Romanesque center of gravity is in Italy and those lands north of the Alps.
Chronology: The Romanesque period extended from the Carolingian to the Holy Roman epochs (the 8th and 12th centuries).

5. Basic motifs: an multistory interior, with a dome and round arches set on columns
Basic form: a basilica built with a transept in front of the choir

6. The Benedictine abbey of Cluny, Southern France

10. Saint-Sernin, Toulouse, southern France

15. Hallmarks of Romanesque
Solidity and simplicity of structure
A form marked by severity and military masculinity

16. Norman Romanesque
The Normans were Vikings who settled in northern France in 911, Britain in 1066, and later in southern Italy and Sicily.
The term “Norman Romanesque” designates the style as it developed under French influence, not only in France itself, but throughout the area under Norman influence.

17. Norman Romanesque
Characteristics: the organization of wall surfaces, an emphasis on pure ornamentalism, and development of the groin vault, in which two barrel vaults intersect at right angles.
All of these developments foreshadow the Gothic.

18. Speyer, Germany (built 1024-1106)

22. The Cathedral of Durham, England (1091-1120)

24. The Compo dei Miracoli in Pisa, Italy (began in 1063 and took two centuries to complete)

30. Romanesque Sculpture

34. Gothic Architecture

35. The term “gothic,” derived from the barbarian Goths, was originally used to discredit a supposedly degenerate architectural style.
It describes the “errors” typically found in large church and state buildings north of the Alps starting around 1300.
The gothic architecture was widely prevalent in the 14th and 15th centuries in Europe.

36. Symbolic Meaning
a shift of intellectual life from the monastery to the town

37. Characteristics
Size: often large enough to hold the entire population of a town
Height: soaring heavenward
Light: stained glass, the illuminated nave

38. Mauvais Cathedral, France (begun 1220)

44. Notre Dame, Paris

45. Milan

47. Salisbury, England

48. Salisbury, England

50. Flying Buttress
This device allowed masons to carry as much weight as they could away from cathedral walls. The higher the walls, the greater the span of the buttresses.

56. Soaring Spires
If the French aimed high with the naves of their cathedrals, abetted by the flying buttress, the English and Germans reached for the sky in the guise of spires.

57. Tracery
A pattern wrought by the interweaving or branching out of lines in the head of a gothic window
Two periods:
The Decorative: naturalistic and flowing, full of swoops and curves
The Perpendicular: geometric, refined, and mechanical

59. Stained Glass

62. Rose Window

66. Gargoyles

70. The End