1. Modernizing Ancient Architecture Courtesy of Archivision.com

2. Elements of Ancient Architecture  Pediment: The triangular space formed by the gable on either end of a Greek temple of treasury.  Doric: Column standing directly on the stylobate with vertical shafts fluted by concave grooves and topped with a smooth capital.  Ionic: Column standing on a base with a capital paired by scrolling volutes.  Corinthian: A slender fluted column and ornate capital decorated with acanthus leaves and scrolls.  Pediment: The triangular space formed by the gable on either end of a Greek temple of treasury.  Doric: Column standing directly on the stylobate with vertical shafts fluted by concave grooves and topped with a smooth capital.  Ionic: Column standing on a base with a capital paired by scrolling volutes.  Corinthian: A slender fluted column and ornate capital decorated with acanthus leaves and scrolls.

3.  Entablature: The horizontal architectural members forming the superstructure of a building above the columns.  Stylobate: The course of masonry in which columns stand.  Stereobate: Remaining steps of the platform beneath the stylobate and just above the leveling course.  Relief: A sculptured artwork where a modeled form is raised or in sunken relief lowered, from a flattish background plane without being disconnected from it.  Entablature: The horizontal architectural members forming the superstructure of a building above the columns.  Stylobate: The course of masonry in which columns stand.  Stereobate: Remaining steps of the platform beneath the stylobate and just above the leveling course.  Relief: A sculptured artwork where a modeled form is raised or in sunken relief lowered, from a flattish background plane without being disconnected from it.

4. What is Modern Architecture? A building style That Primarily Focuses on the Simplification of form and the elimination of ornament.

5.  MoMA  The Sage Music and Art Gallery  Works of Vladimir Tatlin  MoMA  The Sage Music and Art Gallery  Works of Vladimir Tatlin Examples of Modern Architecture:

6. Architectural History of MOMA The first Director at MoMA submitted a plan for the conception and organization of the Museum that would result in the Museum's multi-departmental. Expansions took place during the 1950s and 1960s planned by the architect Philip Johnson, who also designed The Abby Aldrich Rockefeller Garden; and in 1984, a major renovation designed by Cesar Pelli doubled the Museum's gallery space and enhanced visitor facilities. In 2004, Yoshio Taniguchi designed architecturally distinctive galleries (spacious and smaller, more intimately scaled for the Museum’s commitment to the art of our time) specifically for the type and scale of works displayed in order to provide an ideal showcase for MoMA's unparalleled collection of modern and contemporary art. Architectural History of MOMA The first Director at MoMA submitted a plan for the conception and organization of the Museum that would result in the Museum's multi-departmental. Expansions took place during the 1950s and 1960s planned by the architect Philip Johnson, who also designed The Abby Aldrich Rockefeller Garden; and in 1984, a major renovation designed by Cesar Pelli doubled the Museum's gallery space and enhanced visitor facilities. In 2004, Yoshio Taniguchi designed architecturally distinctive galleries (spacious and smaller, more intimately scaled for the Museum’s commitment to the art of our time) specifically for the type and scale of works displayed in order to provide an ideal showcase for MoMA's unparalleled collection of modern and contemporary art.

7. Inside MOMA 2004 The interior promenade in the lobby offers expansive views of both The Abby Aldrich Rockefeller Sculpture Garden and the light-filled Donald B. and Catherine C. Marron Atrium, which soars 110 feet above street level. Expansive, skylit galleries for temporary exhibitions are located on the top floor. Inside MOMA 2004 The interior promenade in the lobby offers expansive views of both The Abby Aldrich Rockefeller Sculpture Garden and the light-filled Donald B. and Catherine C. Marron Atrium, which soars 110 feet above street level. Expansive, skylit galleries for temporary exhibitions are located on the top floor.

8.  Designed by Foster and Partners, the entire complex is sheltered beneath a broad, enveloping roof that is ‘shrink-wrapped’ around the buildings beneath in order to allow for maximum attention to detail in their acoustic properties. The Sage Music and Art Gallery

9. Vladimir Tatlin  Achieved fame as the architect who designed the huge Monument to the Third International. Planned in 1920, the monument, was to be a tall tower in iron, glass and steel which would have dwarfed the Eiffel Tower.  Influential in Constructivist art with his pre-Revolutionary counter-reliefs, structures made of wood and iron for hanging in wall corners. He conceived these sculptures in order to question the traditional idea of painting.  Achieved fame as the architect who designed the huge Monument to the Third International. Planned in 1920, the monument, was to be a tall tower in iron, glass and steel which would have dwarfed the Eiffel Tower.  Influential in Constructivist art with his pre-Revolutionary counter-reliefs, structures made of wood and iron for hanging in wall corners. He conceived these sculptures in order to question the traditional idea of painting.

10. Resources/Contributions  Kaya, Serdar. “Vladimir Tatlin.” 2004. Arts and Sciences Network 2006. http://www.artprofessor.com/artists/vladimir- tatlin.php http://www.artprofessor.com/artists/vladimir- tatlin.php  Anderson, Bridget, and Sale, Michelle. “Modern Makeovers:Redesigning and Modernizing Old Buildings.” 19 Nov. 2004 The New York Times. 2005 The New York Times Company.  Kaya, Serdar. “Vladimir Tatlin.” 2004. Arts and Sciences Network 2006. http://www.artprofessor.com/artists/vladimir- tatlin.php http://www.artprofessor.com/artists/vladimir- tatlin.php  Anderson, Bridget, and Sale, Michelle. “Modern Makeovers:Redesigning and Modernizing Old Buildings.” 19 Nov. 2004 The New York Times. 2005 The New York Times Company.