1. Intellectual Property Boston College Law School February 2, 2009 Copyright – Rights – Fair Use

2. Exclusive Rights 17 U.S.C. §106 –“Subject to sections 107 through 122, the owner of the copyright … has the exclusive rights to do and to authorize any of the following: (1) to reproduce the copyrighted work … (2) to prepare derivative works … (3) to distribute copies … to the public … (4) … to perform the copyrighted work publicly … (5) … to display the copyrighted work publicly … (6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission

3. Public Performance 17 U.S.C. §106 –“Subject to sections 107 through 122, the owner of the copyright … has the exclusive rights to do and to authorize any of the following:… (4) … to perform the copyrighted work publicly …” –Sound recordings are excluded No general public performance right But digital public performance right in 106(6)

4. Collective Rights Organizations ASCAP, BMI, etc. –Given authority to license public perf. rights –Provide blanket licenses to users –Enforce licensing requirements –Distribute revenues to copyright owners

5. Sample Licenses

6. Public Display 17 U.S.C. §106 –“Subject to sections 107 through 122, the owner of the copyright … has the exclusive rights to do and to authorize any of the following:… (5) … to display the copyrighted work publicly …” 17 U.S.C. §109(c) –“Notwithstanding the provisions of section 106(5), the owner of a particular copy lawfully made … is entitled … to display that copy publicly … to viewers present at the place where the copy is located.”

7. Moral Rights Berne Convention Article 6bis Berne Convention Implementation Act (1988) Visual Artists Rights Act (1990)

8. Visual Artists Rights Act 17 U.S.C. §101 –A “work of visual art” is - (1) a painting, drawing, print, or sculpture, existing in a single copy [or] in a limited edition of 200 copies or fewer that are signed and consecutively numbered by the author … or (2) a still photographic image produced for exhibition purposes only, existing in a single copy that is signed by the author, or in a limited edition of 200 copies or fewer that are signed and consecutively numbered by the author...

9. Visual Art

10. Visual Artists Rights Act 17 U.S.C. §106A: –(a) Subject to section 107 …, the author of a work of visual art - (1) shall have the right - –(A) to claim authorship of that work, and –(B) to prevent the use of his or her name as the author of any work of visual art which he or she did not create; (2) shall have the right to prevent the use of his or her name as the author of a work of visual art in the event of a distortion, mutilation, or other modification of the work which would be prejudicial to his or her honor or reputation

11. Visual Artists Rights Act 17 U.S.C. §106A: –(a) Subject to section 107 …, the author of a work of visual art -... (3) … shall have the right –(A) to prevent any intentional distortion, mutilation, or other modification of that work which would be prejudicial to his or her honor or reputation … ; and –(B) to prevent any destruction of a work of recognized stature...

12. Visual Artists Rights Act Additional details –Right attaches regardless of ownership of copyright or the actual copies –Can be waived, but only in a signed writing –Duration is generally life of the artist –Violation leads to an action for infringement

13. Fair Use

14. 17 U.S.C. § 107. Fair Use –“Notwithstanding the provisions of section 106, the fair use of a copyrighted work … for purposes such as criticism, comment, news reporting, teaching …, scholarship, or research, is not an infringement of copyright….”

15. Fair Use 17 U.S.C. § 107. Fair Use –“In determining whether the use made of a work … is a fair use the factors to be considered shall include -- (1) the purpose and character of the use, including whether such use is of a commercial nature …; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the work.”

16. Fair Use Justifications Traditional: Promote Learning and Progress –Full enforcement might harm copyright goals –Fair use encourages dissemination, learning, etc Economic: Response to Market Failure –Certain small-scale uses may be low value –Transactions costs may preclude licensing –Fair use cures market failure

17. Harper & Row v. Nation

18. Zapruder Film

19. Sony v. Universal

20. Other Personal Uses Home taping of video, if available on-demand Taping CD for car stereo TiVo

21. American Geophysical

22. Campbell v. Acuff-Rose

23. Fair Use?

24. Dr. Seuss v. Penguin Books

25. Disney v. Air Pirates

26. Rogers v. Koons

27. Defenses Fair Use Independent Creation Consent or License (Express or Implied) Statute of Limitations Inequitable Conduct Copyright Misuse First Amendment

28. Administrative Next Assignment –Read II.G – Indirect Liability –Read II.H – Digital