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V. Disaster 1930-1939 Seminar in Art History: Twentieth Century Art Depression Declaration
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Pablo Picasso, Guernica, Spain, 1937
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Robert Capa, Death of a Loyalist, 1936
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Mexican Muralism Diego Rivera, 1921 returns to Mexico from France Response to Mexican Revolution that had recently ended (begun in 1910) Rivera ends his cubist period and becomes influenced by Italian Fresco painting
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Diego Rivera, Maternity, 1916
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Diego Rivera, Creation, Bolivar Amphitheater, National Preparatory School, Mexico City, 1922-23
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Subterranean Forces, Universidad Autonoma de Chapingo Chapel, Chapingo, Mexico, 1926
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Rivera, Blood of the Martyrs Fertilizing the Earth, Universidad Autonoma de Chapingo Chapel, Chapingo, Mexico, 1926
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Rivera, The Flower Carrier, Mexico, 1925
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Jean- François Millet, The Sower, France, Realism, 1850
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Jean-François Millet, The Gleaners, France, Realism, 18507
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Rivera, The History of Mexico, National Palace, Mexico City, 1929-35
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Vera Mukhina, Worker and Collective Farm Woman, Moscow, 1936
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John Heartfield, Swallows Gold and Utters Base Metal, Germany, 1932
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Degenerate Art Exhibition, Munich, 1936
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Arno Breker, Army, New Reich Chancellery, Berlin, 1938
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Marc Chagall, White Crucifixion, Russian, 1938
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American Regionalism Social Realism Thomas Hart Benton, Grant Wood, John Steuart Curry, Edward Hopper, Balthus 1930s-50s Reaction to Modernism of Europe and New York Influenced by Mexican Muralism Regionalism reveals conservative Midwestern values Social Realism depicts urban reality
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Dorothea Lange, Migrant Mother, Nipomo, California, 1936
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Margaret Bourke-White, At the Time of the Louisville Flood, 1937
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Grant Wood, American Gothic, American, 1930
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Edward Hopper, Automat, American, 1927
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Edward Hopper, Early Sunday Morning, American, 1930
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Edward Hopper, Room in New York, American, 1932
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Edward Hopper, Hotel Room, American, 1934
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Edward Hopper, Nighthawks, American, 1942
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Thomas Hart Benton, Going West, American, 1934-35
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Thomas Hart Benton, Arts of the West, American, 1935-36
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Henry Moore Recumbent Figure, 1938
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Barbara Hepworth Three Forms, 1935
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Surrealism France: André Breton, René Magritte, Max Ernst Spain: Juan Miró, Salvador Dalí 1924-1960s Result of the move of many Dada artists to Paris after WWI; influenced by Dada’s rejection of logic. Influenced by Freud’s Interpretation of Dreams, 1900, and an interest in understanding human behavior; depicts fascination with the occult.
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Max Ernst, The Elephant of Celebes, German, 1921
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Max Ernst, Two Children Threatened by a Nightengale, German, 1924
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René Magritte, The Murderer Threatened, Belgium, 1927
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René Magritte, Le Viol, Belgium, 1934
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René Magritte, Time Transfixed, Belgium, 1938
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René Magritte, The Treason of Images, Belgium, 1948
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Juan Miró, Birth of the World, Spain, 1925
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Juan Miró, Dutch Interior I, Spain, 1928
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Salvador Dalí, Figure at a Window, Spain, 1925
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Salvador Dalí, Persistence of Memory, Spain, 1925
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