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V. Disaster 1930-1939 Seminar in Art History: Twentieth Century Art Depression Declaration.

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Presentation on theme: "V. Disaster 1930-1939 Seminar in Art History: Twentieth Century Art Depression Declaration."— Presentation transcript:

1 V. Disaster 1930-1939 Seminar in Art History: Twentieth Century Art Depression Declaration

2 Pablo Picasso, Guernica, Spain, 1937

3 Robert Capa, Death of a Loyalist, 1936

4 Mexican Muralism Diego Rivera, 1921 returns to Mexico from France Response to Mexican Revolution that had recently ended (begun in 1910) Rivera ends his cubist period and becomes influenced by Italian Fresco painting

5 Diego Rivera, Maternity, 1916

6 Diego Rivera, Creation, Bolivar Amphitheater, National Preparatory School, Mexico City, 1922-23

7 Subterranean Forces, Universidad Autonoma de Chapingo Chapel, Chapingo, Mexico, 1926

8 Rivera, Blood of the Martyrs Fertilizing the Earth, Universidad Autonoma de Chapingo Chapel, Chapingo, Mexico, 1926

9 Rivera, The Flower Carrier, Mexico, 1925

10 Jean- François Millet, The Sower, France, Realism, 1850

11 Jean-François Millet, The Gleaners, France, Realism, 18507

12 Rivera, The History of Mexico, National Palace, Mexico City, 1929-35

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15 Vera Mukhina, Worker and Collective Farm Woman, Moscow, 1936

16 John Heartfield, Swallows Gold and Utters Base Metal, Germany, 1932

17 Degenerate Art Exhibition, Munich, 1936

18 Arno Breker, Army, New Reich Chancellery, Berlin, 1938

19 Marc Chagall, White Crucifixion, Russian, 1938

20 American Regionalism Social Realism Thomas Hart Benton, Grant Wood, John Steuart Curry, Edward Hopper, Balthus 1930s-50s Reaction to Modernism of Europe and New York Influenced by Mexican Muralism Regionalism reveals conservative Midwestern values Social Realism depicts urban reality

21 Dorothea Lange, Migrant Mother, Nipomo, California, 1936

22 Margaret Bourke-White, At the Time of the Louisville Flood, 1937

23 Grant Wood, American Gothic, American, 1930

24 Edward Hopper, Automat, American, 1927

25 Edward Hopper, Early Sunday Morning, American, 1930

26 Edward Hopper, Room in New York, American, 1932

27 Edward Hopper, Hotel Room, American, 1934

28 Edward Hopper, Nighthawks, American, 1942

29 Thomas Hart Benton, Going West, American, 1934-35

30 Thomas Hart Benton, Arts of the West, American, 1935-36

31 Henry Moore Recumbent Figure, 1938

32 Barbara Hepworth Three Forms, 1935

33 Surrealism France: André Breton, René Magritte, Max Ernst Spain: Juan Miró, Salvador Dalí 1924-1960s Result of the move of many Dada artists to Paris after WWI; influenced by Dada’s rejection of logic. Influenced by Freud’s Interpretation of Dreams, 1900, and an interest in understanding human behavior; depicts fascination with the occult.

34 Max Ernst, The Elephant of Celebes, German, 1921

35 Max Ernst, Two Children Threatened by a Nightengale, German, 1924

36 René Magritte, The Murderer Threatened, Belgium, 1927

37 René Magritte, Le Viol, Belgium, 1934

38 René Magritte, Time Transfixed, Belgium, 1938

39 René Magritte, The Treason of Images, Belgium, 1948

40 Juan Miró, Birth of the World, Spain, 1925

41 Juan Miró, Dutch Interior I, Spain, 1928

42 Salvador Dalí, Figure at a Window, Spain, 1925

43 Salvador Dalí, Persistence of Memory, Spain, 1925


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