1. Maps in the Brain – Introduction

2. Overview A few words about Maps Cortical Maps: Development and (Re-)Structuring Auditory Maps Visual Maps Place Fields

3. What are Maps I Intuitive Definition: Maps are a (scaled) depiction of a certain area. Location (x,y) is directly mapped to a piece of paper. Additional information such as topographical, geographical, political can be added as colors or symbols.

4. What are Maps I Intuitive Definition: Maps are a (scaled) depiction of a certain area. Location (x,y) is directly mapped to a piece of paper. Additional information such as topographical, geographical, political can be added as colors or symbols. Important: A map is always a reduction in complexity. It is a REDUCED picture of reality that contains IMPORTANT aspects of it. What is important? That is in the eye of the beholder...

5. What are Maps II Mathematical Definition: Let W be a set, U a subset of W and A metric space (distances are defined). Then we call f a map if it is a one-to-one mapping from U to A. f: U -> A Example: The surface of the world (W) is a 2D structure embedded in 3D space. It can be mapped to a 2D euclidean space. In a mathematical sense a map is an equivalent representation of a complex structure (W) in a metric space (A), i.e. it is not a reduction – the entire information is preserved.

6. Cortical Maps Cortical Maps map the environment onto the brain. This includes sensory input as well as motor and mental activity. Example: Map of sensory and motor representations of the body (homunculus).The more important a region, the bigger its map representation. Scaled “remapping” to real space

7. Place Cells Spatial Maps

8. What are place cells? Place cells are the principal neurons found in a special area of the mammal brain, the hippocampus. They fire strongly when an animal (a rat) is in a specific location of an environment. Place cells were first described in 1971 by O'Keefe and Dostrovsky during experiments with rats. View sensitive cells have been found in monkeys (Araujo et al, 2001) and humans (Ekstrom et al, 2003) that may be related to the place cells of rats.

9. The Hippocampus Human hippocampus

10. The Hippocampus Human hippocampus Rat hippocampus

11. Two old slides

13. Hippocampus Place cells Visual Olfactory Auditory Taste Somatosensory Self-motion Hippocampus involved in learning and memory All sensory input into hippocampus Place cells in hippocampus get all sensory information Information processing via trisynaptic loop How place are exactly used for navigation is unknown

14. Place cell recordings Wilson and McNaughton, 1993 1. 1.Electrode array is inserted to the brain for simultaneous recording of several neurons.

15. Place cell recordings Wilson and McNaughton, 1993 1.2. 1.Electrode array is inserted to the brain for simultaneous recording of several neurons. 2.The rat moves around in a known/unknown environment.

16. Place cell recordings Wilson and McNaughton, 1993 1. 3. 2. 1.Electrode array is inserted to the brain for simultaneous recording of several neurons. 2.The rat moves around in a known/unknown environment. 3.Walking path and firing activity (cyan dots).

17. Place Field Recordings Terrain: 40x40cm y x Single cell firing activity y x  Map firing activity to position within terrain  Place cell is only firing around a certain position (red area)‏  Cell is like a “Position Detector”

18. Place fields 40x40cm O’Keefe, 1999  Array of cells  Ordered for position of activity peak (top left to bottom right)‏

19. Place fields 40x40cm O’Keefe, 1999  Array of cells  Ordered for position of activity peak (top left to bottom right)‏  Different shapes:  Circular Islands

20. Place fields 40x40cm O’Keefe, 1999  Array of cells  Ordered for position of activity peak (top left to bottom right)‏  Different shapes:  Circular Islands  Twin Peaks

21. Place fields 40x40cm O’Keefe, 1999  Array of cells  Ordered for position of activity peak (top left to bottom right)‏  Different shapes:  Circular Islands  Twin Peaks  Elongated

22. Place fields 40x40cm O’Keefe, 1999  Array of cells  Ordered for position of activity peak (top left to bottom right)‏  Different shapes:  Circular Islands  Twin Peaks  Elongated  Not Simple (=> not published)‏

23. How do place cells develop?  Allothetic (external) sensory input Visual Olfactory (around 1000 receptors in rat, whereas humans have 350)‏ Somatosensory (via whiskers)‏ Auditory (rat range 200Hz-90KHz, human range 16Hz-20KHz)‏  Idiothetic (internal) sensory input Self motion (path integration, mostly used then allothetic information is not available)‏ Not so reliable by itself since no feedback

24. Importance of visual cues Knierim, 1995 Experiment: Environment with landmark (marked area) => record activity from cell 1 and 2 Observation: Place fields develop

25. Importance of visual cues Knierim, 1995 Experiment: Environment with landmark (marked area) => record activity from cell 1 and 2 Observation: Place fields develop Step 2: Rotate landmark => place fields rotate respectively Conclusion: Visual cues are used for formation of place fields

26. Place Cell Remapping Wills et al, 2005, Science Brown plastic square box and white wooden circle box was used to show place cell remapping phenomena: Cells 1-5 show increasing divergence between the square and circle box; Cells 6-10 show differentiation from the beginning; Some cells chow common representation or do not remap at all (not shown).

27. Importance of olfactory cues Save, 2000 Dark/Cleaning Light/Cleaning Fact: Rats use their urine to mark environment Experiment: Two sets, one in light and one in darkness; remove self-induced olfactory cues and landmarks (S2-S4)‏ Result: Without olfactory cues stable place fields (control S1) change or in darkness even deteriorate. When olfactory cues are allowed again (control S5), place fields reemerge.

28. Place cell model  Use neuronal network to model formation of place cells

29. Place cell model  Use neuronal network to model formation of place cells  Input layer for allothetic sensory input depending on position in simulated world 4 Visual cues (landmarks)‏

30. Place cell model  Use neuronal network to model formation of place cells  Input layer for allothetic sensory input depending on position in simulated world 4 Visual cues (landmarks)‏ 4 Olfactory cues (environmental)‏

31. Place cell model  Use neuronal network to model formation of place cells  Input layer for allothetic sensory input depending on position in simulated world 4 Visual cues (landmarks)‏ 4 Olfactory cues (environmental)‏  Output layer, n x n simulated neurons, each of which is connected to all input neurons (fully connected feed-forward)‏

32. Place cell model  Use neuronal network to model formation of place cells  Input layer for allothetic sensory input depending on position in simulated world 4 Visual cues (landmarks)‏ 4 Olfactory cues (environmental)‏  Output layer, nxn simulated neurons, each of which is connected to all input neurons (fully connected feed-forward)‏  After learning => formation of place fields

33. Place cell model  Use neuronal network to model formation of place cells  Input layer for allothetic sensory input depending on position in simulated world 4 Visual cues (landmarks)‏ 4 Olfactory cues (environmental)‏  Output layer, nxn simulated neurons, each of which is connected to all input neurons (fully connected feed-forward)‏  After learning => formation of place fields  The know-how is in the change of the connection weights W...

34. Mathematics of the model  Firing rate r of Place Cell i at time t is modeled as Gaussian function: σ f is width of the Gaussian function, X and W are vectors of length n, ||* || is the euclidean distance

35. Mathematics of the model  Firing rate r of Place Cell i at time t is modeled as Gaussian function: σ f is width of the Gaussian function, X and W are vectors of length n, ||* || is the euclidean distance  At every time step only on weight W is changed (Winner-Takes-All), i.e. the neuron with the strongest response is changed:

36. Place fields A) Visual input => unique round place fields, because the distances to the walls are unique (no multipeaks)‏ B) Olfactory input => place fields not round, because input is complex (gradients not well structured)‏ C) Combined input is a mixture of both

37. Place field remapping

38. Maps of More Abstract Spaces

39. Visual cortex

40. Visual Cortex Primary visual cortex or striate cortex or V1. Well defined spacial representation of retina (retinotopy).

41. Visual Cortex Primary visual cortex or striate cortex or V1. Well defined spacial representation of retina (retinotopy). Prestriate visual cortical area or V2 gets strong feedforward connection from V1, but also strongly projects back to V1 (feedback)‏ Extrastriate visual cortical areas V3 – V5. More complex representation of visual stimulus with feedback from other cortical areas (eg. attention).

42. Receptive fields Simple cells react to an illuminated bar in their RF, but they are sensitive to its orientation (see classical results of Hubel and Wiesel, 1959). Bars of different length are presented with the RF of a simple cell for a certain time (black bar on top). The cell's response is sensitive to the orientation of the bar. Cells in the visual cortex have receptive fields (RF). These cells react when a stimulus is presented to a certain area on the retina, i.e. the RF.

43. On-Off responses Experiment: A light bar is flashed within the RF of a simple cell in V1 that is recorded from. Observation: Depending on the position of the bar within the RF the cell responds strongly (ON response) or not at all (OFF response).

44. On-Off responses Experiment: A light bar is flashed within the RF of a simple cell in V1 that is recorded from. Observation: Depending on the position of the bar within the RF the cell responds strongly (ON response) or not at all (OFF response). Explanation: Simple cell RF emerges from the overlap of several LGN cells with center surround RF.

45. On-Off responses KD Miller, J Neurosci. 1994

46. A slide on Miller Interpretation

47. Columns Experiment: Electrode is moved through the visual cortex and the preference direction is recorded. Observation 1: Preferred direction changes continuously within neighboring cells.

48. Columns Experiment: Electrode is moved through the visual cortex and the preference direction is recorded. Observation 1: Preferred direction changes continuously within neighboring cells. Observation 2: There are discontinuities in the preferred orientation.

49. 2d Map Colormap of preferred orientation in the visual cortex of a cat. One dimensional experiments like in the previous slide correspond to an electrode trace indicated by the black arrow. Small white are VERTICES. F Wörgötter, Biol. Cybern. 70, 1993

50. Ocular Dominance Columns The signals from the left and the right eye remain separated in the LGN. From there they are projected to the primary visual cortex where the cells can either be dominated by one eye (ocular dominance L/R) or have equal input (binocular cells).

51. Ocular Dominance Columns The signals from the left and the right eye remain separated in the LGN. From there they are projected to the primary visual cortex where the cells can either be dominated by one eye (ocular dominance L/R) or have equal input (binocular cells). White stripes indicate left and black stripes right ocular dominance (coloring with desoxyglucose).

52. Ice Cube Model Columns with orthogonal directions for ocularity and orientation. Hubel and Wiesel, J. of Comp. Neurol., 1972

53. Ice Cube Model Columns with orthogonal directions for ocularity and orientation. Problem: Cannot explain the reversal of the preferred orientation changes and areas of smooth transitions are overestimated (see data). Hubel and Wiesel, J. of Comp. Neurol., 1972

54. Graphical Models Preferred orientations are identical to the tangents of the circles/lines. Both depicted models are equivalent. Vortex: All possible directions meet at one point, the vortex. Problem: In these models vortices are of order 1, i.e. all directions meet in one point, but 0° and 180° are indistinguishable. Braitenberg and Braitenberg, Biol.Cybern., 1979

55. Graphical Models Preferred orientations are identical to the tangents of the circles/lines. Both depicted models are equivalent. Vortex: All possible directions meet at one point, the vortex. Problem: In these models vortices are of order 1, i.e. all directions meet in one point, but 0° and 180° are indistinguishable. From data: Vortex of order 1/2. Braitenberg and Braitenberg, Biol.Cybern., 1979

56. Graphical Models cont'd In this model all vertices are of order 1/2, or more precise -1/2 (d-blob) and +1/2 (l-blob). Positive values mean that the preferred orientation changes in the same way as the path around the vertex and negative values mean that they change in the same way. Götz, Biol.Cybern., 1988

57. Overview

58. Some slides on SOMs

59. Auditory Maps Auditory information (air pressure fluctuation) undergo a complex cascade or transformation before it reaches the brain. How is the temporal structure of a signal represented in the brain? The cochlea breaks signal down into frequency components.

60. Short Excursion: The Spectrum Every temporal signal can be characterized by its spectrum. The spectrum contains frequency components. Important mathematical tool: Fourier Transform! - Pure tone => only one frequency t A sin(2pi*wt)‏ A w

61. Short Excursion: The Spectrum Every temporal signal can be characterized by its spectrum. The spectrum contains frequency components. Important mathematical tool: Fourier Transform! - Pure tone => only one frequency - Superposition of pure tones => all pure tone frequencies - Square wave => infinite discrete frequencies with decreasing amplitudes - Non periodic signals => continuous spectrum

62. Amplitude Frequency Amplitude Frequency Amplitude Frequency Amplitud e Frequenc y Both signal have different spectra but the same period (black arrow). The higher frequency components in the lower spectrum are called harmonics. Difference between pitch and frequency

63. Amplitud e Frequenc y Amplitude Frequency Amplitude Frequency Amplitude Frequency All four signals have different frequency spectra and therefore sound differently. The first three signals have the same period and therefore the same perceived pitch. The pitch of the fourth signal is higher than the rest, but the sound is similar to the sound of the third signal, since the harmonics are similar. Note: The pitch of signal 3 and 4 corresponds to the dashed red line. This frequency is not contained in the spectrum.

64. Steps of signal transduction (simplified)‏ 1. Cochlea: Spectral and temporal information transmitted via auditory nerve to 2. Cochlear Nucleus: Temporal structure of signal (coincidence detectors – temporal difference between left and right ear < 10μs)‏ 3. Inferior Colliculus (IC): Two types of cells – cells with narrow frequency band width and cells with high temp. resolution => spacial map of spectral-temporal information. 4. Cortex: Orthogonal Map of frequency content (Tonotopy) and pitch (Periodotopy)‏

65. Neuronal Analysis of Periodicity Coincidence neuron (red) receives two inputs: 1. From stellate cells (orange, oscillator neurons) that are locked to the signal and from 2. fusiform cells (blue, integrator neurons) that respond with a delay. Both types are triggered by Trigger neuron on-cells (greenish). Remember the lecture on correlations where we also used a delay line ( there for azimuth estimation).

66. Neuronal Analysis of Periodicity Coincidence neuron (red) receives two inputs: 1. From stellate cells (orange, oscillator neurons) that are locked to the signal and from 2. fusiform cells (blue, integrator neurons) that respond with a delay. Both types are triggered by Trigger neurons on-cells (greenish). When the delay corresponds to the signal period, the delayed and non-delayed response coincide (red bar). This network explains pitch selectivity of neurons in the inferior colliculus. The neuron also corresponds to harmonics, if it is not inhibited VNLL (purple).

67. Bandpass Rectifier Spacial representation of timbre and pitch Cochlear acts like a filter bank with parallel channels (blue). Hair cells rectify the signal.

68. Bandpass DCN Integrator Rectifier Spacial representation of timbre and pitch Cochlear acts like a filter bank with parallel channels (blue). Hair cells rectify the signal. Dorsal chochlear nucleus (green, DCN) transfers periodic signals with different delays.

69. Bandpass VCN Oscillator DCN Integrator Rectifier Spacial representation of timbre and pitch Cochlear acts like a filter bank with parallel channels (blue). Hair cells rectify the signal. Dorsal chochlear nucleus (green, DCN) transfers periodic signals with different delays. Ventral chochlear nucleus (green, VCN) transfers periodic signals without delays.

70. Bandpass VCN Oscillator DCN Integrator IC Coincidence Detection Rectifier Spacial representation of timbre and pitch Cochlear acts like a filter bank with parallel channels (blue). Hair cells rectify the signal. Dorsal chochlear nucleus (green, DCN) transfers periodic signals with different delays. Ventral chochlear nucleus (green, VCN) transfers periodic signals without delays. Coincidence neurons in the inferior colliculus (yellow, IC) respond best whenever the delay in their DCN input is compensated by the signal period.

71. Integration Neuron Layer model of orthogonal representation of pitch and frequency in the IC Each of the 5 depicted layers (total ~30) is tuned to a narrow frequency band and a large periodicity range (values on the left from cats)‏ Each lamina has a frequency gradient for tonotopic fine structure orthogonal to pitch Response to a signal with three formants (three different frequency components)‏ Orthogonal connections between layers are assumed to integrate pitch information (red arrow).

72. Integration Neuron Layer model of orthogonal representation of pitch and frequency in the IC Each of the 5 depicted layers (total ~30) is tuned to a narrow frequency band and a large periodicity range (values on the left from cats)‏ Each lamina has a frequency gradient for tonotopic fine structure orthogonal to pitch Response to a signal with three formants (three different frequency components)‏ Orthogonal connections between layers are assumed to integrate pitch information (red arrow). Response of brain slice to pure tones from 1 kHz to 8 kHz

73. Integration Neuron Layer model of orthogonal representation of pitch and frequency in the IC Each of the 5 depicted layers (total ~30) is tuned to a narrow frequency band and a large periodicity range (values on the left from cats)‏ Each lamina has a frequency gradient for tonotopic fine structure orthogonal to pitch Response to a signal with three formants (three different frequency components)‏ Orthogonal connections between layers are assumed to integrate pitch information (red arrow). LOG(pitch)‏ Response of brain slice to pure tones from 1 kHz to 8 kHz Response to 3 harmonic signals with pitches (50, 400, 800)Hz and frequency ranges of (0.4-5, 2-5, 3.2-8)kHz (white rectangles). Vertical bands correspond to log arrangement of fundamental frequencies.

74. Orthogonality of frequency and pitch in humans MEG investigation in humans using stimuli with pitch ranging from 50 – 400 Hz (red and purple diamonds) and frequencies ranging from 200 – 1600 Hz (black points). Each point marks the position of maximum cortical activity in a 2ms window (5 points = 10ms), 100ms after the signal is switched on. Tonotopical and periodotopical axes can be defined which are orthogonal to each other. Position of the response along the tonotopic axis corresponds to the lower cut-off frequency of the broadband harmonic sounds (red 400Hz, purple 800Hz).

75. Orthogonality of frequency and pitch in humans MEG investigation in humans using stimuli with pitch ranging from 50 – 400 Hz (red and purple diamonds) and frequencies ranging from 200 – 1600 Hz (black points). Each point marks the position of maximum cortical activity in a 2ms window (5 points = 10ms), 100ms after the signal is switched on. Tonotopical and periodotopical axes can be defined which are orthogonal to each other. Position of the response along the tonotopic axis corresponds to the lower cut-off frequency of the broadband harmonic sounds (red 400Hz, purple 800Hz). Our ability to differentiate spoken and musical sounds is based on the fact that our hearing splits up signals into frequencies, pitches and harmonics in such a way that spectral and temporal information can be mapped to the cortex very reliably.