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The Early Middle Ages: The Feudal Spirit. The Age of Charlemagne Descended from Franks: valued war and destruction Blend of two cultures during reign.

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Presentation on theme: "The Early Middle Ages: The Feudal Spirit. The Age of Charlemagne Descended from Franks: valued war and destruction Blend of two cultures during reign."— Presentation transcript:

1 The Early Middle Ages: The Feudal Spirit

2 The Age of Charlemagne Descended from Franks: valued war and destruction Blend of two cultures during reign of Charlemagne Kingdom: Large European kingdom, from the Rhine to Spain Renewed interest in learning and arts

3 The Carolingian Renaissance His interest in culture assembled group of scholars and artists. Favorite book: The City of God Imperial ideal from Rome and Byzantium Monks copied manuscripts and painted, learned chants, and interpreted the Bible. Alcuin of York, teacher: revival of learning and literacy. Attempted universal education

4 The Culture of the Book Books were expensive Illustrated manuscripts: Hellenistic and Byzantine style, incorporating Anglo- Saxon art. Sculpture disappeared. Reliquaries. The “Cult of Saints”

5 Charlemagne’s Court Pilgrimage to Rome in 800. Crowned emperor. First monarch since Roman times Aachen, Aix-la-Chapelle. Modeled after Byzantine churches Charlemagne’s kingdom only lasted one generation after his death New wave of invasions: Muslims, Hungarians, Vikings

6 Feudal Europe France and England took brunt of Viking invasions Decentralized system: feudal estates Feudalism: system based on vows of military service and ownership of land. Based on grant of lands by lords to vassals in return for service Castle/manor: residence of lord’s family

7 Refuge for the feudal estate during war Crusaders came back and improved them Fortresses to defend against siege Decoration of castles simple tapestries to protect from cold Pagan rituals and celebrations: mumming Origin of masquerades and masked dances

8 The Song of Roland Oral literature of military exploits such as epics. Battle from Charlemagne’s campaigns in Spain. Hero: Roland who battles Muslim knights Celebrated knights’ bravery in battle and loyalty to his lord No women

9 Tale of feudal courage, violence and treachery Blows his horn to summon Charlemagne, but dies before king appears Feudal and Christian values are highlighted

10 Chivalry Emerged as a way to enforce loyalty. Loyal to lord, not sleep with his wife, or surrender his castle as well as religious devotion and service to ladies Tournaments: feasting, pageantry and dance Professional warriors emerged

11 The Bayeux Tapestry Inspired by the Battle of Hastings in 1066 and William the Conqueror’s victory over the English Embroidered wall hanging recounting the chain of events. 231 feet long made of linen and embroidered by English women, so it’s not really a “tapestry” (fig. 11.9) Influenced by Trajan’s column

12 Muslim Spain Cultivated society where Muslims, Jews and Christians coexisted. Influence of architecture, poetry and philosophy 711 Muslims from North Africa conquer Spain. Power declined after 1000 Sephardic Jews had centers of learning Spaniards pushed back Muslims until 1492 they expelled the last from Granada Muslims and Jews forced to convert

13 Monasticism Rules of chastity, poverty, and obedience Refuge from the barbarians Centers of learning Evangelizing monks and cloistered monks Guardians of arts and artifacts of Western civilization

14 The Romanesque Style Descendants of Otto the Great created Romanesque style of architecture Rounded Roman arches and barrel vaults Massive vaults, piers, and decoration Sainte-Madeleine, Vézelay, France (fig. 11.13)

15 The Pilgrimage Churches Medieval tourist centers; stopping points during pilgrimages to Santiago de Compostela Saint-Sernin has a “Latin Cross” floorplan (fig. 11.11) chapels off the apse transeptportalsambulatories

16 Romanesque Sculpture Relief sculpture: Bibles in stone Portal sculpture on the tympanum At Autun, Gislibertus’ lintel sculpture has a warning of wages of evil (fig. 11.17): “let this terror appall all those bound by earthly sin.” Vézelay held the relics of Mary Magdalene

17 Early Medieval Music and Drama Musical notation, initially, chants were taught by oral tradition Guido d’Arezzo: six note scale and solmization: ut, re, mi, fa, sol, la, ti Guidonian Hand Staff: tone; Clef set the tone F or C Invited to Vatican to teach Sacred music passed down

18 Hildegard of Bingen German abbess (1098-1179) Composed mystical poetry and music Morality play set to music Women should use Mary as role model and reject Eve the sinner

19 Drama in the Medieval Church Medieval theater: representations of Christ’s birth, death, and resurrection The Three Wise Men, Herod’s Slaughter of the Innocents, and the Raising of Lazarus. Written in Latin, brief Churchgoers followed the scenes throughout the church Moved outside the church in the 13th cent.

20 Medieval Philosophy Christian problems: existence of God, relationship between faith and reason Cathedral schools fostered learning; translation of Aristotle’s works Peter Abelard (1079-1142) – tragic love of Heloise. Sic et Non: exposed inconsistencies in Church teachings


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