1. Stage Directions Objectives To understand and practice body positioning To become familiar with the areas of the stage To use movement to create expression of thought, feeling and character To plot and execute stage directions

2. Moving On Stage  Onstage- the part of the stage that is visible to the audience.  Offstage- the part of the stage that is NOT visible to the audience.

3.  Cheating out- playing toward the audience while seemingly conversing with others on stage.  Gestures- movements of parts of the body, such as shrugging your shoulders.  Upstaging- drawing the audience’s attention to yourself when it should be focused on another character.  Muscular Memory- having an action appear effortless and natural due to repeating the movement many times. Moving On Stage

4.  Stage Business- any small action that the actor performs without major movement.  If your character continually knits or is forever whittling a piece of wood this reveals something about his or her nature.  Specific actions such as toasting bread indicates what time of the day it is. Stage Business

5. Stages used to be raked so audience could see all of the actors. Raked: slanted

6. Now stages are flat and audiences raked to improve sightlines. Sightlines:imaginary lines indicating visibility of stage areas Downstage stronger than upstage!

7. Stage left/right:ACTOR’S left or right as he faces the audience. Backstage: behind the stage; out of view – also known as the wings House: Where the audience sits

8. Strongest acting area is downstage and stage right so most important scenes done here and major characters settle here. Downstage: area towards the audience. Upstage: area away from audi., towards back

9. Full front: facing to audience straight on. Full back: completely turned away from the audience. Quarter turn: halfway between full front and stage left/right Three quarter turn: halfway between full back and stage left/right Profile: sideways to the audience

10. When to use body positions? quarter turn (strong) Having a conversation with another actor

11. Three quarter turn (weak) Give strong focus to another actor/scene

12. profile (weak) Intense conversation point Focus attention on others

13. Full front (very strong) Monologues/asides to the audience

14. Full back (can be weak or strong) Unusual circumstances only

15. BODY LEVELS HIGH - standing on a step or an increment higher than another actor. MEDIUM - sitting, kneeling, leaning forward, standing on a step lower than another actor. LOW - Sitting, lying on the floor. STAGE PICTURE - is an appealing arrangement or grouping formed on stage by performers. BLOCKING - planning and working out the movements and stage grouping for a play.

22. Crossing! Cross:movement across the stage Counter-cross: moving in the opposite direction of an actor making a cross.

23. Types of Stages Proscenium Stage - The proscenium stage, with its grand frame, is the most common of all types of stages. The stage is surrounded by three walls - leaving the 4th wall open. Grapevine Theatre is a proscenium stage.

24. Types of Stages Thrust Stage - The thrust stage comes in many different shapes, but always juts out into the audience. The audience sits on three different sides of this stage.

25. Types of Stages Arena Stage - The audience sits around this type of stage. Sets must allow for continuous movement onstage and one that does not block the audience viewing from any side of the house.

26. How to write stage directions DL X UR X C UL (do 5 jumping jacks) X C (sing your ABCS) X CR (spin in a circle 5 times) Or C (Stand Profile) X DL (Three Quarter Turn Right) X CL (Full Back)