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Pop Surrealism Chicago & Nocal
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H.C. Westermann, Memorial to the Idea of Man, If He Was an Idea, 1958, pine, bottle caps, metal, glass, enamel, and toys, 75 x 39 x 20 inches
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Gladys Nilsson, Steady Bears, 1970, watercolor, 15 3/16 × 11 7/8"
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Jim Nutt, Miss Sue Port, , acrylic on Plexiglas and enamel on wood, blue screws and red rubber, 61 x 37 inches
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Peter Saul, Donald Duck Crucifixion, 1964; oil on canvas, 63 x 59 inches
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Peter Saul, Sex Deviant Being Executed, 1964; oil on canvas, 75 x 59 inches
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Robert Arneson, Big Grape of Winery Lake, 1980, shows Robert Hudson, Rene di Rosa, Arneson and William T. Wiley
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Di Rosa collection Robert Hudson, Woman in the Moon, 1987; William Wiley, The Cold Plain Notes, 1985; Wally Hedrick, The Holy Bible, 1993
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Di Rosa collection installation view: Robert Hudson, Running Through the Woods, 1975 (foreground), with William Wiley, Collaboration or Lack of It, 1993 (background)
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William T. Wiley, White Rhino Injured, 73 x 96 inches, 1966 http://www
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William Allan. Transient Poet Leaving Home II, 1987; oil on canvas; 72
William Allan. Transient Poet Leaving Home II, 1987; oil on canvas; x in. Courtesy of Di Rosa collection, Napa.
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William Allan, Robert Hudson and William T
William Allan, Robert Hudson and William T. Wiley, A Window on History by George, 1993, pastel, conté Crayon, charcoal, graphite, and acrylic on canvas, De Young MA, San Francisco
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