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0 Copyright Rebecca Anthony & John Achrazoglou, 1999. Electronic Web Portfolios Developed By: Rebecca Anthony John Achrazoglou Copyright 1999.

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Presentation on theme: "0 Copyright Rebecca Anthony & John Achrazoglou, 1999. Electronic Web Portfolios Developed By: Rebecca Anthony John Achrazoglou Copyright 1999."— Presentation transcript:

1 0 Copyright Rebecca Anthony & John Achrazoglou, 1999. Electronic Web Portfolios Developed By: Rebecca Anthony John Achrazoglou Copyright 1999

2 1 Copyright Rebecca Anthony & John Achrazoglou, 1999. Importance of technology skills “The expanding use of Internet technologies by businesses has resulted in a growing demand for skilled professionals to develop and support World Wide Web applications.” Source: “Occupational employment projections to 2006,” Monthly Labor Review

3 2 Copyright Rebecca Anthony & John Achrazoglou, 1999. Electronic portfolios increase marketability by: Showcasing skills while simultaneously demonstrating technical abilities. Using global marketing tools. Provide URL (Internet address) to selected employers through résumés (on-line or paper), email, or traditional correspondence and contacts.

4 3 Copyright Rebecca Anthony & John Achrazoglou, 1999. Tools for building portfolios HTML (Hypertext Markup Language) or, Web page editors (e.g. Microsoft FrontPage®, Claris HomePage®) Graphic editing programs to enhance pictures in portfolio (e.g. Adobe PhotoShop®, Illustrator®) Access to multimedia equipment: audio editors, digital/video cameras, page or slide scanners

5 4 Copyright Rebecca Anthony & John Achrazoglou, 1999. Tools for building portfolios Method to upload materials to Web servers. (“FTP” or “Fetch” utility programs or through HTML editor) Knowledge of Java, JavaScript, or CGI for sophisticated Web interactions.

6 5 Copyright Rebecca Anthony & John Achrazoglou, 1999. Target materials to audience Employers want “job-related” materials. Select professional items targeted for specific employers. Know professional standards in career area. Choose items and artifacts that clearly identify success in past performance. Promote skills relevant to viewer.

7 6 Copyright Rebecca Anthony & John Achrazoglou, 1999. Key content items for electronic portfolios Proof of knowledge/specific training (academic/career/practical area) Examples of team work-leadership (committee, group or individual) Summaries of related experiences (internship, field experiences, jobs) Evidence of presentation-communication skills (writing, speaking, organizing)

8 7 Copyright Rebecca Anthony & John Achrazoglou, 1999. Do not include: Photographs of friends, family, pets Personal details - age, race, religion, marital status, dependents, significant other Images of licenses, certificates, transcripts Political or religious affiliations Tasteless or insensitive material Copyrighted material

9 8 Copyright Rebecca Anthony & John Achrazoglou, 1999. Electronic portfolios start with a “Digital Backpack” Collect materials on high capacity drives (hard drive, Zip) and save in digital backpack for future use. From backpack materials, choose best items to present to employers. As career begins, take portfolio items and build a professional toolbox.

10 9 Copyright Rebecca Anthony & John Achrazoglou, 1999. Design rules of thumb Outline Density Alignment Color Consistency Layout

11 10 Copyright Rebecca Anthony & John Achrazoglou, 1999. Outline Create visual map, outline, or flow chart for portfolio. Plan ahead - create Web pages by visualizing content and graphics on paper, then move ideas to the screen.

12 11 Copyright Rebecca Anthony & John Achrazoglou, 1999. Density Space visually connects or disconnects material on a Web page. Carefully use space to organize and present key points. High density levels of information are hard to read and discourage viewers. Fewer words and more space is advantageous.

13 12 Copyright Rebecca Anthony & John Achrazoglou, 1999. Alignment Align materials in center, left, or right side. Choose one alignment and stick with it. In general, put important information in the middle of the page. Keep related items in close proximity to each other.

14 13 Copyright Rebecca Anthony & John Achrazoglou, 1999. Color Colors enhance message. For impact, choose reds and blues. For large areas of text, choose soothing colors - brown, black, or burgundy.

15 14 Copyright Rebecca Anthony & John Achrazoglou, 1999. Color Use contrasting colors for text and backgrounds. Use light colored letters on a dark background or dark letters on a light background.

16 15 Copyright Rebecca Anthony & John Achrazoglou, 1999. Consistency Repetition unifies the Web portfolio. On each Web page use the same layout/format, fonts, colors, backgrounds, basic graphics, and navigational buttons.

17 16 Copyright Rebecca Anthony & John Achrazoglou, 1999. Layout Increase readability by limiting the use of: italics f o n t v a riat i o ns CAPTITALIZATION Blinking text

18 17 Copyright Rebecca Anthony & John Achrazoglou, 1999. Layout Design to fit 15” (or larger) monitors. Produce many short Web pages rather than a few long complex ones; avoid prolonged downloads and unnecessary scrolling by the user. Navigational buttons should appear in same location on each Web page, usually somewhere on the perimeter of the page.

19 18 Copyright Rebecca Anthony & John Achrazoglou, 1999. Layout Avoid using frames if possible; use HTML tables to place materials side-by-side. Frames may not be supported by some Web browsers and may not work well with software used by people with visual disabilities.

20 19 Copyright Rebecca Anthony & John Achrazoglou, 1999. Other tips Users with visual disabilities may rely on text readers to speak text out loud. Include text versions of your portfolio or have text descriptions under buttons, graphical navigational aids, etc.

21 20 Copyright Rebecca Anthony & John Achrazoglou, 1999. Guidelines for graphics Use graphics on Web pages labeled as.jpeg,.jpg or.gif. These graphic formats are widely supported and perform well on the Web. Overuse of detailed graphics may result in poor downloading performance. Use lower to medium resolution graphics with fewer colors in place of detailed high resolution images.

22 21 Copyright Rebecca Anthony & John Achrazoglou, 1999. Email and hyperlinks in portfolio Include email address to accommodate quick and easy communication. Add links to other Web sites only if they enhance your portfolio. Check links to other Web pages regularly. Internet addresses can change or be disconnected.

23 22 Copyright Rebecca Anthony & John Achrazoglou, 1999. Where can I learn more? Courses from local college, community college or technical training center Tutorials on the World Wide Web Manuals, documentation, on-line help that comes with software packages Textbooks and learning guides from bookstores

24 23 Copyright Rebecca Anthony & John Achrazoglou, 1999. The End


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